The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
11 results
The Stigmata of Saint Francis
Oil on canvas. Ca. 1651
Cano, Alonso
The Stigmata of Saint Francis
Oil on canvas. Ca. 1651
Cano, Alonso

This canvas was part of the decoration of the chapel dedicated to that saint at the Franciscan convent of Santa María de Jesús (known as San Diego de Alcalá) in Alcalá de H [+]

Apparition of the Miraculous Cross to an Army
Pencil, Grey-brown wash on yellow laid paper. 1657 - 1661
Cano, Alonso (Circle Of)
Apparition of the Miraculous Cross to an Army
Pencil, Grey-brown wash on yellow laid paper. 1657 - 1661
Cano, Alonso (Circle Of)

A research published by Javier González Santos has revealed that the 19th-century inventories of the Museo del Prado accurately cited the subject of this drawing as alluding to the Holy Cross a [+]

Cristo flagelado, recogiendo sus vestiduras
Pencil ground, Ink, Grey-brown wash on green paper. 1645 - 1650
Cano, Alonso
Cristo flagelado, recogiendo sus vestiduras
Pencil ground, Ink, Grey-brown wash on green paper. 1645 - 1650
Cano, Alonso

Nude, Christ leans over to the right while holding his tunic. The whipping post and whips are visible in the background to the left. This is a preparatory work for the canvas at the Academy of San Fer [+]

The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso
The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso

In the upper right part, the Virgin is depicted seated on some clouds. The Child moves away from his mother towards Saint Felix, whose open arms await the little one entrusted to his care. In the lowe [+]

The Virgin and Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Cano, Alonso
The Virgin and Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Cano, Alonso

The Virgin is depicted in three-quarter length, slightly turned towards the left, and holding the Christ Child. A veil covers part of her head, and voluminous folds of this same garment surround her w [+]

Saint Elizabeth with Infant Saint John
Charcoal on laid paper. Ca. 1645
Cano, Alonso
Saint Elizabeth with Infant Saint John
Charcoal on laid paper. Ca. 1645
Cano, Alonso

This sketch, due to its close resemblance to Getafe’s canvas depicting the same theme and painted by Cano in 1645, has been identified as Saint Elizabeth with Infant Saint John. Saint Elizabeth is dep [+]

The Virgin standing, looking up to the right
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. 1645 - 1650
Cano, Alonso
The Virgin standing, looking up to the right
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. 1645 - 1650
Cano, Alonso

This drawing, probably a fragment of a finished composition for a Calvary, depicts the Virgin in a pronounced contrapposto position, looking to her right and slightly upwards, where she once saw her S [+]

Saint Joseph with the Christ Child in a Cradle
Pencil, Grey-brown ink on yellow paper. Ca. 1645
Cano, Alonso
Saint Joseph with the Christ Child in a Cradle
Pencil, Grey-brown ink on yellow paper. Ca. 1645
Cano, Alonso

In this indoor scene, Saint Joseph appears at the left of the composition, kneeling beside the infant Jesus’ cradle and leaning on a cross-shaped crook. The drawing has been cropped on both sides and [+]

Saint Joseph and the Christ Child
Pencil, Grey-brown wash on yellow laid paper. 1645 - 1650
Cano, Alonso
Saint Joseph and the Christ Child
Pencil, Grey-brown wash on yellow laid paper. 1645 - 1650
Cano, Alonso

Este hermoso dibujo acabado muestra a San José y al Niño caminando por un paisaje, con un árbol situado a la derecha, justo detrás de San José. El Niño Jesús lleva una gran cesta y San José, una vara. [+]

The Sacrifice of Abraham
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso
The Sacrifice of Abraham
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso

Several pieces of paper have been glued to the original support by the artist in order to correct the original lines of certain parts of the composition (the angel’s shoulder and Abraham’s head). Isaa [+]

Female Nude
Pencil, Grey-brown ink, Wash on laid paper. 1645 - 1650
Cano, Alonso
Female Nude
Pencil, Grey-brown ink, Wash on laid paper. 1645 - 1650
Cano, Alonso

In this superb drawing acquired in 1997, two different and independent motives are overlapped. The main one is a nude woman on a bed, but arches and architectural elements have been drawn over it. The [+]

Up