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This canvas was part of the decoration of the chapel dedicated to that saint at the Franciscan convent of Santa María de Jesús (known as San Diego de Alcalá) in Alcalá de H [+]
A research published by Javier González Santos has revealed that the 19th-century inventories of the Museo del Prado accurately cited the subject of this drawing as alluding to the Holy Cross a [+]
Nude, Christ leans over to the right while holding his tunic. The whipping post and whips are visible in the background to the left. This is a preparatory work for the canvas at the Academy of San Fer [+]
In the upper right part, the Virgin is depicted seated on some clouds. The Child moves away from his mother towards Saint Felix, whose open arms await the little one entrusted to his care. In the lowe [+]
The Virgin is depicted in three-quarter length, slightly turned towards the left, and holding the Christ Child. A veil covers part of her head, and voluminous folds of this same garment surround her w [+]
This sketch, due to its close resemblance to Getafe’s canvas depicting the same theme and painted by Cano in 1645, has been identified as Saint Elizabeth with Infant Saint John. Saint Elizabeth is dep [+]
This drawing, probably a fragment of a finished composition for a Calvary, depicts the Virgin in a pronounced contrapposto position, looking to her right and slightly upwards, where she once saw her S [+]
In this indoor scene, Saint Joseph appears at the left of the composition, kneeling beside the infant Jesus’ cradle and leaning on a cross-shaped crook. The drawing has been cropped on both sides and [+]
Este hermoso dibujo acabado muestra a San José y al Niño caminando por un paisaje, con un árbol situado a la derecha, justo detrás de San José. El Niño Jesús lleva una gran cesta y San José, una vara. [+]
Several pieces of paper have been glued to the original support by the artist in order to correct the original lines of certain parts of the composition (the angel’s shoulder and Abraham’s head). Isaa [+]
In this superb drawing acquired in 1997, two different and independent motives are overlapped. The main one is a nude woman on a bed, but arches and architectural elements have been drawn over it. The [+]
