Loading...
[+]
Over the course of his career, Jusepe de Ribera Spanish repeatedly explored certain devotional subjects, among them Saint Bartholomew, Mary Magdalene, Saint Jerome, and Saint Sebastian. The latter is [+]
On the shore, Saint Francis receives a young man dressed in a black habit, ruff collar and hat, whom Christ carries over the water. In the background: a boat and an embankment with two figures.This ca [+]
Paolo Veronese`s Penitent Magdalene, 1583, reflects the change occurring in Venetian religious painting around 1580. On one hand, the new order of priorities imposed by the Council of Trent (1545-63) [+]
Margarita was born on 12 July 1651, the daughter of Philip IV and Mariana of Austria. On 12 December 1666, she married Emperor Leopold of Austria and died seven years later in Vienna. The fact that th [+]
Like its pair, Cephalus and Procris (Strasbourg Museum), this canvas illustrates a passage from the Metamorphoses by the Roman poet Ovid. Both stories involve love cut short by death, in this case tha [+]
This canvas and its companions (P586 to P590) are from the Convent of San Felipe el Real (Madrid). They entered the Museo del Prado from the Museo de la Trinidad. While traditionally assigned to Franc [+]
This canvas and its companions (P586 to P590) are from the Convent of San Felipe el Real (Madrid). They entered the Museo del Prado from the Museo de la Trinidad. While traditionally assigned to Franc [+]
This small and simple floral composition was attributed to Francisco de Zurbarán before it was reassigned to El Labrador. The artist has depicted the flowers (pinks, lilies and a rose) as stron [+]
Unlike its pendant (P7762), which reflects a more urban setting, the present painting conveys a more rustic atmosphere. A roughly woven basket with fruit—especially grapes, which drape over the front— [+]
Margarita of Austria (1651-1673) was the daughter of Philip IV and Mariana of Austria. When Mazo painted her she was betrothed to the Emperor Leopold of Austria, whom she married in 1666. In this port [+]
Las figuras de esta obra se atribuyen a Peeter Bout. [+]
The fact that this painting and its pendant (P5301)—both of unknown origin—entered the Museo de la Trinidad in the 19th century suggests they may have belonged to a religious institution in or near Ma [+]
Vestido con el típico sayal de los franciscanos, sujeto por el rústico cordón con los tres nudos significativos de los votos de pobreza, castidad y obediencia. De San Antonio conocemos, a través de lo [+]
This is one of seven canvases (P00386, P00388, P00389, P00393, P00394, P00395, P00396) in a group linked by the same color scheme, a general accentuation of surface drawing and a rhythm of curved form [+]
[+]
A profusion of cooking utensils and hearty meats -game birds fresh from the hunt and not yet dressed, a recently-killed lamb, a calf’s head, and other cuts- are laid out on a work surface, as if the p [+]
Paisaje con jinetes y caminantes a la orilla del mar, surcado por barcos de vela; a la derecha, construcciones junto a un puerto; fondo montañoso con la silueta de un castillo. Las figuras de esta obr [+]
