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En un bellísimo paisaje, pleno de luz y diferentes detalles, a cuál más refinado y auténtico, tomado del amplísimo repertorio que ofrece la naturaleza, en cuyos fondos se aprecian unas edificaciones, [+]
In this painting, the Virgin is seated on a stone bench and is, herself, serving as a throne for the Christ Child, who rests on her right leg. The Virgin and Child are slightly larger than life-size a [+]
The 1910 catalogue states that Bredius attributed this painting to Jacop Gerritsz. Cuyp (1594-1652), ascription that was officially accepted by the Museum in 1985. However, neither the typology nor th [+]
The scene shows a rider on a brown horse, with his back to the viewer, leading a white horse by the reins. He is about to enter the river when a barking dog rushes at them. The horses are startled and [+]
Philippe de Champaigne is the principal French portraitist of the seventeenth century. This picture (and P2231, P2233, P2234, P2300, P2241, P6170, P2298) was sent in 1655 by Anne of Austria, the wife [+]
This painting has traditionally featured in literature as the work of Jacob Isaaksz. van Ruisdael (1628-1682); this attribution is based on the signature but is disputed by various authors. During the [+]
This picture (P2231, P2233, P2234, P2240, P2241, P6170, P2298) was sent in 1655 by Anne of Austria, the wife of Louis XIII, to her brother, King Philip IV of Spain, as a means of enhancing relations b [+]
Paolo Domenico Finoglia was deeply involved in the creation of paintings for the History of Rome cycle at the Buen Retiro Palace. His participation includes this superb Triumph of Bacchus, a Gladiator [+]
The Virgin’s facial type, the confident drawing and the forceful rendering of the spatial planes originally led this work to be attributed to Claudio Coello. But in 1986 more precise knowledge of the [+]
The picture belongs to a group of scenes set inside a stable which Wouwerman began painting in 1655. This cycle is an exception in the painter`s output, which was mainly focused on outdoor scenes. Mos [+]
Luycks depicts a table with a basket of grapes, quince and other fruit as well as a hare and various dead birds. At the lower right a dog barking at a cat adds a note of life to the scene. Christiaan [+]
Here the main scene takes place in the foreground, where a group of distinguished huntsmen ride down a narrow path along a river bank crowded with popular figures including horse-riders, wayfarers, ba [+]
Joseph appears on the right, on horseback. On the left his brothers conspire to throw him into the well (Genesis, XXXVII, 17-21). This belongs to a series of six paintings on the story of Jacob’s favo [+]
Salome, an Edomite princess born of Herodias and the wife of Herod Philip I, carries the severed head of Saint John the Baptist on a tray, illustrating a Bible passage from Matthew (14:1–11) and Mark [+]
This portrait was listed as an original by Schalcken in the collection of the Duke of Arcos, an attribution that is maintained by Tormo and Valdivieso (1973). Behermann (1988) ascribes it to Karel de [+]
The famous Flemish painter is portrayed almost full-length, sitting in a chair and wearing red robes and a fur coat. This landscape painter and contemporary of Van Dyck had no left arm, which is clear [+]
De Ríes was Zurbarán’s assistant in the late 1630s and continued to follow his master’s style as an independent painter. One of his finest works from the latter period is this King David [+]
The main scene occupies the foreground, though it is no longer set in the plane closest to the viewer as in the previous period, but slightly further back. As a result, the figures are smaller in size [+]
