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The Penintent Saint Jerome
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Penintent Saint Jerome
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

Jerome meditates before a crucifix in the solitude of his retreat. The numerous objects depicted around him refer to different aspects of his life. The books, papers and writing equipment allude to hi [+]

The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

In a landscape with classical ruins that allude to the defeat of paganism, the Christ Child tends a lamb. Murillo based this image on a print by Stefano della Bella (1610-1664), while making use of hi [+]

Portrait of a Man
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
Portrait of a Man
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

A gentleman dressed in black stands before a side table covered with a red cloth. The fact that he has long hair allows this portrait to be dated to the second half of the seventeenth century. Both th [+]

The Adoration of the Shepherds
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Adoration of the Shepherds
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

The shepherds gather around the Christ Child to adore him and offer him their gifts: a lamb, some hens and a basket of eggs, in a scene that is conceived as a humble counterpart to the Adoration of th [+]

The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

A domestic scene filled with tenderness showing the Virgin Mary winding a skein of thread and watching the Christ Child, who leans on Saint Joseph while he plays with a little bird and a dog. The almo [+]

The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

A New Testament scene (Luke 1, 26-38) that depicts the Archangel Gabriel´s Annunciation to the Virgin Mary and her acceptance of the fact that she will become the Mother of God through the intercessio [+]

Rebecca and Eliezer
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
Rebecca and Eliezer
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

In his search for a wife for his master, Isaac, Eliezer encountered Rebecca, who offered him water from her pitcher by the well. The biblical account offered Murillo the perfect pretext for depicting [+]

The Annunciation
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Annunciation
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

The Archangel Gabriel has descended from the heavens and kneels before Mary to announce the birth of Christ. The Angel holds some white lilies symbolising purity in his left hand while with the right [+]

The Virgin and Child
Oil on canvas. 1655 - 1660
Murillo, Bartolomé Esteban
The Virgin and Child
Oil on canvas. 1655 - 1660
Murillo, Bartolomé Esteban

In this painting, the Virgin is seated on a stone bench and is, herself, serving as a throne for the Christ Child, who rests on her right leg. The Virgin and Child are slightly larger than life-size a [+]

The Virgin of the Rosary
Oil on canvas. 1650 - 1655
Murillo, Bartolomé Esteban
The Virgin of the Rosary
Oil on canvas. 1650 - 1655
Murillo, Bartolomé Esteban

In 1836, the English critic John Ruskin lavished praise on Bartolomé Esteban Murillo’s technique and identified the uniqueness of his approach: It is true that his Virgins are never such goddes [+]

The Annunciation
Pencil, Grey-brown ink on white laid paper. Ca. 1660
Murillo, Bartolomé Esteban
The Annunciation
Pencil, Grey-brown ink on white laid paper. Ca. 1660
Murillo, Bartolomé Esteban

Relacionado con la Anunciación del Museo del Prado (P969), adquirida por Carlos III en 1764, fechada hacia 1650-55, pero posiblemente el dibujo es de fecha bastante mas tardía. En el Ermitage de San P [+]

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