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Here the main scene takes place in the foreground, where a group of distinguished huntsmen ride down a narrow path along a river bank crowded with popular figures including horse-riders, wayfarers, ba [+]
The painting is among a group of eight full-length single-figure composition of saints by Ribera that in 1658 were in the Madrid collection of Don Jerónimo de la Torre, a member of the Royal Co [+]
Traditionally identified as the woman who was a sinner and wept on Christ’s feet and wiped away her tears with her hair (Luke 7:36-50), Mary Magdalene is shown here as the hermit saint she became upon [+]
In its present state the painting reveals two different phases of creation. The apparent age of the sitter and the notable similarities with his appearance in Velázquez`s portrait of the elderl [+]
This is one of Bellevois`s characteristic seascapes designed to capture the atmospheric effects of the North Sea. Accordingly, in the rendering of the various elements -figures, vessels and background [+]
The saint in this painting can be identified by the knife in his right hand - the tool with which he was skinned. The work is part of a set of four hermits, although it is unusual to see this saint re [+]
The impetus of the dashing, powerful and monumental angel comes from Ribera. The conception of space and of the sky, with clouds that grow denser in the area just over the luminous horizon, seeks an e [+]
This image can be identified as that of a king and as a portrait of Philip IV on the basis of others of the monarch. In fact, nothing about the clothes or the sitter`s actions suggests his royal statu [+]
Saint Peter lies in prison where his sleep is interrupted by an angel who frees him. This subject allows Ribera to create a work in which he can show the very best of his mature style. The work combin [+]
Bishop Gennaro (or Januarius) is the patron saint of Naples, and thus the subject of numerous works from that city’s rich school of painting. According to tradition, he was bishop of Benevento during [+]
A native of the province of Nursia, the holy abbot that founded the Benedictine Order in the sixth century appears inside his cell, where he witnesses the apparition of a globe held by three angels in [+]
The scene is closed in to the left by part of the inn and a tree, whereas the right-hand side opens out onto a vast panoramic view with a low horizon that occupies the entire background. The compositi [+]
The painting was given to Philip IV by Cardinal Francesco Barberini in 1656. It is unusual for being painted on a vitreous paste called aventurine, which acts as the background to the composition. It [+]
A sculptor is shown modeling (possibly in wax) a head of Philip IV, making this one of the most important 17th-century Spanish portraits of an artist. Besides its impeccable quality, this work is a ve [+]
Inspired by Ovid´s Metamorphoses, this key work in Reni´s oeuvre tells the story of Atalanta, the daughter of Schoeneus, king of Arcadia. Seeking a husband, she offered to marrie anyone able to outrun [+]
A. E. Pérez Sánchez publicó en 1970 su fotografía y su identificación en los inventarios antiguos de El Escorial (Madrid 1970a). En la actualidad, el formato de la obra aparece alterado en todos sus l [+]
The painting is among a group of eight full-length single-figure composition of saints by Ribera that in 1658 were in the Madrid collection of Don Jerónimo de la Torre, a member of the Royal Co [+]
This painting tells of Jacob the Patriarch´s mysterious dream, as told in Genesis. He appears asleep, lying on his left shoulder with a tree behind him. On the other side is the ladder of light, by wh [+]
