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The Virgin’s facial type, the confident drawing and the forceful rendering of the spatial planes originally led this work to be attributed to Claudio Coello. But in 1986 more precise knowledge of the [+]
The picture belongs to a group of scenes set inside a stable which Wouwerman began painting in 1655. This cycle is an exception in the painter`s output, which was mainly focused on outdoor scenes. Mos [+]
A portrait of a Venetian soldier wearing armor. He holds a baton in his right hand and his weapons in his left. Turned, he extends his arm toward the viewer, thus opening a third dimension in this com [+]
Surrounded by angels, the Holy Family, with Saint Elizabeth and the infant Saint John, receive Saint Louis, King of France. The background combines architecture and curtains. This work is organized li [+]
Saint Mena extends his arms and raises his gaze to Heaven, refusing to worship the graven idol presented to him at the left of the composition. As a result, he was martyred and decapitated. His suffer [+]
In this personification of the Virgin Mary as the Immaculate Conception, the protagonist, although still very youthful, is not as childlike as those of Zurbarán and Velázquez and lacks t [+]
These two canvases (The Adoration of the Magi, P1129 and The Presentation of Jesus in the Temple, P1130) were part of a small altar piece in the convent of Los Angéles in Madrid, a work that al [+]
Mariana of Austria, Queen Consort between 1665 and 1675, talks to the Jesuit priest Nithard, her confessor and confidant, in the presence of her son Charles II, still a minor. The scene takes place in [+]
In its present state the painting reveals two different phases of creation. The apparent age of the sitter and the notable similarities with his appearance in Velázquez`s portrait of the elderl [+]
These two canvases (The Adoration of the Magi, P1129 and The Presentation of Jesus in the Temple, P1130) were part of a small altar piece in the convent of Los Angéles in Madrid, a work that al [+]
Esta obra, junto con El hijo pródigo recoge su legítima (P997), La despedida del hijo pródigo (P998) y El hijo pródigo abandonado (P1000), son los cuatro únicos bocetos conocidos de una serie integrad [+]
In a landscape with classical ruins that allude to the defeat of paganism, the Christ Child tends a lamb. Murillo based this image on a print by Stefano della Bella (1610-1664), while making use of hi [+]
This is an extraordinary example of the eventful life of many royal portraits during the Siglo de Oro, and it shows just how much those paintings, rather than immutable artworks, were objects with a r [+]
The daughter of Henri IV of France and Marie de Médicis, Isabel de Borbón (1603-1644) was the first wife of Philip IV and the mother of Prince Baltasar Carlos and María Teresa of [+]
Leaning on a classical ruin, Saint Joseph looks at the Virgin Mary with the Christ Child in her lap. Jesus, in turn, is receiving a roll with the words Ecce Agnus Dei from Saint John. This Latin inscr [+]
Some villagers smoke and chat at the door of a tavern. A woman is coming out the door, carrying the food they were waiting for. On the right, some peasants chat in a friendly manner. The church of a n [+]
The sitter was born in Lima in 1665 and was a leading figure in the court in exile of James II, former king of England and Scotland. He married three times, the second time in 1710 to Mary Drummond, d [+]
This is one of the most successful of this painter´s many known Immaculate Conceptions, thanks to its serenity and exquisite beauty. His inventive capacity is continually visible in the vast rep [+]
