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The Annunciation
Oil on canvas. Ca. 1663
Rizi, Francisco
The Annunciation
Oil on canvas. Ca. 1663
Rizi, Francisco

This painting presents the moment when the Archangel Gabriel, holding a spray of lilies, appears to the Virgin Mary and announces that she will give birth to the Son of God. Mary is depicted kneeling [+]

The Annunciation
Oil on canvas. Ca. 1663
Rizi, Francisco
The Annunciation
Oil on canvas. Ca. 1663
Rizi, Francisco

The impetus of the dashing, powerful and monumental angel comes from Ribera. The conception of space and of the sky, with clouds that grow denser in the area just over the luminous horizon, seeks an e [+]

Apples, Figs and Plums
Oil on canvas. Second third of the XVII century
Espinosa, Juan de
Apples, Figs and Plums
Oil on canvas. Second third of the XVII century
Espinosa, Juan de

This work and its pendant (P7926) share innumerable characteristics, notwithstanding their clear differences. They reflect a painting style popular at the Spanish court during the first half of the 17 [+]

The Virgin and Child adored by Saint Louis, King of France
Oil on canvas. Ca. 1665
Coello, Claudio
The Virgin and Child adored by Saint Louis, King of France
Oil on canvas. Ca. 1665
Coello, Claudio

Surrounded by angels, the Holy Family, with Saint Elizabeth and the infant Saint John, receive Saint Louis, King of France. The background combines architecture and curtains. This work is organized li [+]

Basket of Flowers
Oil on canvas. 1668 - 1670
Arellano, Juan de
Basket of Flowers
Oil on canvas. 1668 - 1670
Arellano, Juan de

Resting on a stone base, an openwork wicker basket full of flowers is the subject of this painting. The flowers represent an enormous variety of species, enabling a notably rich range of colours and f [+]

Turkish Galley and Dutch Ship off the Coast
Oil on panel. Ca. 1663
Bellevois, Jacob Adriaensz
Turkish Galley and Dutch Ship off the Coast
Oil on panel. Ca. 1663
Bellevois, Jacob Adriaensz

This is one of Bellevois`s characteristic seascapes designed to capture the atmospheric effects of the North Sea. Accordingly, in the rendering of the various elements -figures, vessels and background [+]

Flowers in a Glass Vase
Oil on canvas. 1668
Arellano, Juan de
Flowers in a Glass Vase
Oil on canvas. 1668
Arellano, Juan de

This artist was a fundamental referent for Spanish still lifes in general and flower paintings in particular. He was that specialty’s consummate master and its leading light at the height of the Siglo [+]

Saint Ambrose absolves the Emperor Theodosius
Oil on canvas. Ca. 1673
Valdés Leal, Juan de
Saint Ambrose absolves the Emperor Theodosius
Oil on canvas. Ca. 1673
Valdés Leal, Juan de

The Emperor Theodosius (4th century AD) prostrates himself before the Bishop of Milan, who absolves him in front of the cathedral and thus allows him to enter. The buildings are vaguely inspired by th [+]

Ships in a Storm
Oil on panel. Second third of the XVII century
Wou, Claes Claesz
Ships in a Storm
Oil on panel. Second third of the XVII century
Wou, Claes Claesz

This painting was listed in the Museum`s inventories and catalogues as an anonymous work by the Dutch school, although in the 1889 catalogue it was noted that Bredius had suggested it should be attrib [+]

The Baptism of Queen candace´s Eunuch
Oil on canvas. 1639 - 1641
Both, Jan
The Baptism of Queen candace´s Eunuch
Oil on canvas. 1639 - 1641
Both, Jan

This painting entered the museum as a work by Claude Lorrain, but in 1843, it appeared in the catalog as an original by Jan Both, an attribution that has been maintained in posterior catalogs and is a [+]

Vase of Flowers
Oil on canvas. 1650 - 1700
Arellano, Juan de
Vase of Flowers
Oil on canvas. 1650 - 1700
Arellano, Juan de

In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel [+]

The Adoration of the Shepherds
Oil on canvas. 1668
Rizi, Francisco
The Adoration of the Shepherds
Oil on canvas. 1668
Rizi, Francisco

Rizi frequently depicted the subject of the Adoration of the Shepherds. In this version he emphasizes the contrast between the Holy Family and the shepherds who have come to worship the Christ Child. [+]

Endymion Porter and Anthony van Dyck
Oil on canvas. Ca. 1633
Dyck, Anthony Van
Endymion Porter and Anthony van Dyck
Oil on canvas. Ca. 1633
Dyck, Anthony Van

A protector and friend of Van Dyck, Endymion Porter (1587-1649) was secretary to the Duke of Buckingham and an important diplomat in the English Court. A great lover of the arts, he was in charge of a [+]

Saint Ambrose absolving the Emperor Theodosius
Oil on canvas. Ca. 1673
Valdés Leal, Juan de
Saint Ambrose absolving the Emperor Theodosius
Oil on canvas. Ca. 1673
Valdés Leal, Juan de

Según la leyenda, la escena que se representa aquí habría tenido lugar tras producirse en Tesalónica en el año 390 un tumulto popular en el que resultó muerto un oficial de Teodosio y ordenar éste que [+]

Apples
Oil on canvas. Second third of the XVII century
Espinosa, Juan de
Apples
Oil on canvas. Second third of the XVII century
Espinosa, Juan de

This work and its pendant (P7925) share innumerable characteristics, notwithstanding their clear differences. They reflect a painting style popular at the Spanish court during the first half of the 17 [+]

The Adoration of the Shepherds
Oil on canvas. First third of the XVII - Segundo tercio del siglo XVII century
Giaquinto, Corrado
The Adoration of the Shepherds
Oil on canvas. First third of the XVII - Segundo tercio del siglo XVII century
Giaquinto, Corrado

[+]

Cavalry Battle
Oil on canvas. XVII century
Lin, Herman Van
Cavalry Battle
Oil on canvas. XVII century
Lin, Herman Van

This painting is included in the Museum`s catalogue of 1843 as the work of Eglon van der Neer (1634-1703) and its provenance stated as the Isabella Farnese collection (1873), having been mistakenly id [+]

Dead Cockerel
Oil on panel. 1659 - 1660
Metsu, Gabriël
Dead Cockerel
Oil on panel. 1659 - 1660
Metsu, Gabriël

Recent restoration has enabled a much better appreciation of this picture, since the thick layer of oxidised glaze that previously covered the surface made it impossible to judge the space and depth o [+]

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