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This painting presents the moment when the Archangel Gabriel, holding a spray of lilies, appears to the Virgin Mary and announces that she will give birth to the Son of God. Mary is depicted kneeling [+]
In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel [+]
This work and its pendant (P7926) share innumerable characteristics, notwithstanding their clear differences. They reflect a painting style popular at the Spanish court during the first half of the 17 [+]
Surrounded by angels, the Holy Family, with Saint Elizabeth and the infant Saint John, receive Saint Louis, King of France. The background combines architecture and curtains. This work is organized li [+]
Resting on a stone base, an openwork wicker basket full of flowers is the subject of this painting. The flowers represent an enormous variety of species, enabling a notably rich range of colours and f [+]
This is one of Bellevois`s characteristic seascapes designed to capture the atmospheric effects of the North Sea. Accordingly, in the rendering of the various elements -figures, vessels and background [+]
This artist was a fundamental referent for Spanish still lifes in general and flower paintings in particular. He was that specialty’s consummate master and its leading light at the height of the Siglo [+]
The Emperor Theodosius (4th century AD) prostrates himself before the Bishop of Milan, who absolves him in front of the cathedral and thus allows him to enter. The buildings are vaguely inspired by th [+]
This painting was listed in the Museum`s inventories and catalogues as an anonymous work by the Dutch school, although in the 1889 catalogue it was noted that Bredius had suggested it should be attrib [+]
The impetus of the dashing, powerful and monumental angel comes from Ribera. The conception of space and of the sky, with clouds that grow denser in the area just over the luminous horizon, seeks an e [+]
This painting entered the museum as a work by Claude Lorrain, but in 1843, it appeared in the catalog as an original by Jan Both, an attribution that has been maintained in posterior catalogs and is a [+]
In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel [+]
Rizi frequently depicted the subject of the Adoration of the Shepherds. In this version he emphasizes the contrast between the Holy Family and the shepherds who have come to worship the Christ Child. [+]
A protector and friend of Van Dyck, Endymion Porter (1587-1649) was secretary to the Duke of Buckingham and an important diplomat in the English Court. A great lover of the arts, he was in charge of a [+]
Según la leyenda, la escena que se representa aquí habría tenido lugar tras producirse en Tesalónica en el año 390 un tumulto popular en el que resultó muerto un oficial de Teodosio y ordenar éste que [+]
This work and its pendant (P7925) share innumerable characteristics, notwithstanding their clear differences. They reflect a painting style popular at the Spanish court during the first half of the 17 [+]
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This painting is included in the Museum`s catalogue of 1843 as the work of Eglon van der Neer (1634-1703) and its provenance stated as the Isabella Farnese collection (1873), having been mistakenly id [+]
