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The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban
The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban

The colours of the Virgin’s tunic and cloak, her loose hair, hands crossed on her breast, her devoted gaze raised to heaven and the presence of the moon are elements of the imagery of the Immaculate C [+]

The Vision of Saint Francis in the Portiuncula
Oil on canvas. 1670 - 1680
Murillo, Bartolomé Esteban
The Vision of Saint Francis in the Portiuncula
Oil on canvas. 1670 - 1680
Murillo, Bartolomé Esteban

As Saint Francis prayed in the chapel of the Portiuncula, Christ and the Virgin appeared to him. Murillo used the flowers, angels, clouds and light to create a link between everyday reality and the sp [+]

The crucified Christ
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban
The crucified Christ
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban

The background of a dark, cloudy sky creates a dramatic setting for this presentation of Christ’s sacrifice on the cross. Murillo uses light to model the body, while the slight twist of the torso and [+]

Ecce Homo
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban
Ecce Homo
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban

Ecce Homo and The Virgin Dolorosa (P977) are comparable with regard to size, provenance and their partial dependence on models by Titian. Above all, they are linked by their subject matter and are mos [+]

The Aranjuez Immaculate Conception
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban
The Aranjuez Immaculate Conception
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban

The Museo del Prado has five Immaculate Conceptions by Murillo, who depicted this subject in response to its remarkable popularity in Spain. This devotion became a sign of national identity. This vers [+]

Mater Dolorosa
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban
Mater Dolorosa
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban

La Virgen, pintada de busto y levemente girada hacia la izquierda, surge desde el fondo neutro gracias a la iluminación dirigida al rostro, que entra por el lateral, hacia el que se inclina la figura. [+]

The Crucifixion
Oil on canvas. 1670 - 1672
Murillo, Bartolomé Esteban
The Crucifixion
Oil on canvas. 1670 - 1672
Murillo, Bartolomé Esteban

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