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Landscape with a Carthusian (Saint Bruno?)
Oil on canvas. 1636 - 1638
Swanevelt, Herman Van
Landscape with a Carthusian (Saint Bruno?)
Oil on canvas. 1636 - 1638
Swanevelt, Herman Van

The painting entered the Museum holdings as an original work by Jan Both. In 1959 Blunt identifies it as the landscape listed in the 1701 inventory of the Palace of the Buen Retiro and maintains the a [+]

The Virgin of Atocha
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
The Virgin of Atocha
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

This surprising canvas presents the image of the Virgin of Atocha, just as she was worshipped on her altar at the Dominican convent dedicated to her on the outskirts of Madrid. This type of votive ima [+]

Saint Sebastian
Oil on canvas. 1656
Carreño de Miranda, Juan
Saint Sebastian
Oil on canvas. 1656
Carreño de Miranda, Juan

Today, Juan Carreño, who was appointed Chamber Painter to the King in 1671, is best remembered for his portraits from the court of Charles II, but, in fact, most of his paintings are devotional [+]

Garland of Flowers with Saint Teresa of Jesus
Oil on canvas. Ca. 1676
Pérez, Bartolomé
Garland of Flowers with Saint Teresa of Jesus
Oil on canvas. Ca. 1676
Pérez, Bartolomé

Obra perteneciente a una serie de seis cuadros de la que sólo se conservan cinco (P1056, P1057, P5095, P5099 y P5250). Cruzada Villaamil (1865) registró los tres que incorporó a su catálogo (P1056, P5 [+]

Bacchic Scene
Oil on canvas. 1626 - 1628
Poussin, Nicolas
Bacchic Scene
Oil on canvas. 1626 - 1628
Poussin, Nicolas

In a lush, wooded landscape on the banks of a quiet river, a nude woman, sitting on a richly colored red cloak, gestures to two male figures posed beside her. Supporting a glazed jug in her lap, she p [+]

Still Life with Dead Bird
Oil on panel. 1651
Espinosa, Juan de
Still Life with Dead Bird
Oil on panel. 1651
Espinosa, Juan de

The great charm of this still life has evidently long been apparent to lovers of painting, since it is first recorded in the collection of Gaspar de Haro, later VII Marqués del Carpio (1651), w [+]

Charles II in armour
Oil on canvas. 1681
Carreño de Miranda, Juan
Charles II in armour
Oil on canvas. 1681
Carreño de Miranda, Juan

Charles II was born in 1661, the only son of Philip IV and his second wife (and niece), Mariana of Austria, to survive to adulthood. Charles succeeded his father in 1665 and died without an heir in 17 [+]

Charles II as a Child
Oil on canvas. Ca. 1670
Herrera Barnuevo, Sebastián de
Charles II as a Child
Oil on canvas. Ca. 1670
Herrera Barnuevo, Sebastián de

Herrera Barnuevo was Charles II`s court painter, executing portraits of him between 1667 and 1671. These images include numerous elements referring to the young monarch`s royal status. Here various pu [+]

Charles II
Oil on canvas. Ca. 1675
Carreño de Miranda, Juan
Charles II
Oil on canvas. Ca. 1675
Carreño de Miranda, Juan

The son of Felipe IV (1605-1665) and Mariana of Austria (1634-1696), Carlos II (1661-1700) was the last King of the Hapsburg Dynasty in Spain. He appears dressed in black, with the chain of the Golden [+]

Eugenia Martínez Vallejo, Clothed
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
Eugenia Martínez Vallejo, Clothed
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

In the courts of Spain´s nobility, the sixteenthcentury fascination with oddities of the natural world persisted into the seventeenth and was manifested in, among other things, an interest in people w [+]

The Adoration of the Shepherds
Oil on canvas. XVII century
Anonymous
The Adoration of the Shepherds
Oil on canvas. XVII century
Anonymous

[+]

Charles II as a child
Oil on canvas. Ca. 1675
Carreño de Miranda, Juan (Attributed To)
Charles II as a child
Oil on canvas. Ca. 1675
Carreño de Miranda, Juan (Attributed To)

Charles II stands in the Alcázar Palace’s Hall of Mirrors alongside a porphyry table held up by two of Mateo Bonuccelli’s gilded bronze lions. The monarch is dressed in black silk, as was custo [+]

Elizabeth Charlotte of the Palatinate, Duchess of Orléans
Oil on canvas. 1675
Mignard, Pierre (Copy After)
Elizabeth Charlotte of the Palatinate, Duchess of Orléans
Oil on canvas. 1675
Mignard, Pierre (Copy After)

Elizabeth Charlotte, Duchess of Baveria, Madame Palatine, second wife of Philippe I, Duke of Orléans and and mother of Philippe II, Duke of Orléans. This canvas is one of a group of port [+]

Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia
Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia

The Genoese painter Giovanni Battista Gaulli, known as Baciccio, arrived in Rome in 1657, escaping the plague that had devastated his native city and his family. According to his biographer Lione Pasc [+]

The Adoration of the Shepherds
Pencil on white paper. Second quarter of the XVIII century
Creti, Donato
The Adoration of the Shepherds
Pencil on white paper. Second quarter of the XVIII century
Creti, Donato

This drawing is a more complete variant on the central part of a drawing by Creti at the Albertina in Vienna. The composition is quite similar to a canvas with Adoration of the Shepherds from around 1 [+]

The Virgin and Child with Saints
Pencil on dark yellow paper. Early XVIII century
Creti, Donato
The Virgin and Child with Saints
Pencil on dark yellow paper. Early XVIII century
Creti, Donato

A la derecha, sobre un podio, la Virgen sentada con el Niño, un angelito a sus espaldas corre un cortinaje. En la parte baja, en pie, San José, y a la izquierda, un obispo sentado, al que un angelito [+]

The Adoration of the Magi
Pencil on brown paper. Late XVII century
Creti, Donato
The Adoration of the Magi
Pencil on brown paper. Late XVII century
Creti, Donato

La composición, ligeramente apuntada, se desarrolla ante un fondo de arquitecturas monumentales. A la izquierda, sentada, la Virgen con el Niño y San José y en las gradas, arrodillados y en pie, los t [+]

The Muse Talía
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Talía
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

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