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Nicolás Omazur
Oil on canvas. 1672
Murillo, Bartolomé Esteban
Nicolás Omazur
Oil on canvas. 1672
Murillo, Bartolomé Esteban

Born in Antwerp in 1609, Omazur was a friend and admirer of Murillo’s. He established himself as a merchant in Seville where he wrote poetry and collected painting. The austerity of the image links it [+]

Reading Aloud
Oil on panel. Ca. 1632
Ostade, Adriaen Van
Reading Aloud
Oil on panel. Ca. 1632
Ostade, Adriaen Van

This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in Flanders and Holland in the early seventeenth century. In Houbraken and in early i [+]

The Aldobrandini Garden at Frascati
Oil on canvas. XVII century
Anonymous
The Aldobrandini Garden at Frascati
Oil on canvas. XVII century
Anonymous

The earliest documentary reference to this painting appears in the 1772 inventory of the Palace of the Buen Retiro, in which the setting is attributed to Viviano Codazzi (1603/4-1672) and the figures [+]

Johan Rammelman
Oil on canvas. Ca. 1679
Netscher, Caspar
Johan Rammelman
Oil on canvas. Ca. 1679
Netscher, Caspar

These two paintings (P7607 and P7608) were first shown in Amsterdam in 1858. On that occasion the sitters were identified as Lambert Witsen and his wife Sara Nuyts owing to the woman`s purported simil [+]

Saint Ferdinand, King of Castille, Leon and Asturias
Oil on canvas. Ca. 1672
Murillo, Bartolomé Esteban
Saint Ferdinand, King of Castille, Leon and Asturias
Oil on canvas. Ca. 1672
Murillo, Bartolomé Esteban

Murillo pintó al rey Fernando III el Santo en varias ocasiones. De todas las versiones que hizo, ésta es la de tamaño más reducido, si bien es la única en la que el santo se representa de cuerpo enter [+]

The Crucifixion
Oil on canvas. 1670 - 1672
Murillo, Bartolomé Esteban
The Crucifixion
Oil on canvas. 1670 - 1672
Murillo, Bartolomé Esteban

[+]

Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia
Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia

The Genoese painter Giovanni Battista Gaulli, known as Baciccio, arrived in Rome in 1657, escaping the plague that had devastated his native city and his family. According to his biographer Lione Pasc [+]

Hercules forcing apart the jaws of the Nemean lion
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
Hercules forcing apart the jaws of the Nemean lion
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

The Suidas mention this drawing as perhaps the composition of one of the chiaroscuro frescoes of the Labors of Hercules, now lost, formerly on the façade, but possibly in the interior, of the p [+]

View of the Monastery of El Escorial
Hand coloured print, Etching, Burin on ivory laid paper. 1662 - 1672
Falck, Jeremías (Attributed To)
View of the Monastery of El Escorial
Hand coloured print, Etching, Burin on ivory laid paper. 1662 - 1672
Falck, Jeremías (Attributed To)

Cervera Vera (Escorial en BN no C20-a, Real Biblioteca Pública no B31) describe tres ediciones de estas estampas iluminadas editadas por Joan Baleu en Ámsterdam, la primera la edición latina de 1662, [+]

Charles III, King of Spain
Taille douce: etching and engraving on ivory laid paper. 1788
Ximeno y Planes, Rafael; Selma, Fernando
Charles III, King of Spain
Taille douce: etching and engraving on ivory laid paper. 1788
Ximeno y Planes, Rafael; Selma, Fernando

This portrait is closely based on Charles III in hunting Dress by Francisco de Goya. The monarch, wearing a dress coat, has the same pose as in the painting, leaning forward slightly and with sloping [+]

Sardonyx cup with eagle's head
Gold, Ruby, Diamond, Emerald, Ágata sardónice, Enamel. 323 A.C. - 321 a.C.
Belle, Josias (?); Hellenistic Workshop (?); Taller Parisino
Sardonyx cup with eagle's head
Gold, Ruby, Diamond, Emerald, Ágata sardónice, Enamel. 323 A.C. - 321 a.C.
Belle, Josias (?); Hellenistic Workshop (?); Taller Parisino

The vessel, similar to O44, is formed by three fragments of agate and five enamelled gold mounts. The body is an ancient piece of stone with a broad gold mount on the edge decorated with an enamelled [+]

Cup in the form of a kneading trough
Gold, Serpentine, Bloodstone, Enamel. I a.C. century
Anonymous; Roman Sculptor
Cup in the form of a kneading trough
Gold, Serpentine, Bloodstone, Enamel. I a.C. century
Anonymous; Roman Sculptor

A high cup formed by an ancient fragment of serpentine and a foot and stem of heliotrope. The bowl, with a rectangular mouth, is joined by a ring mount and enamelled leaves to the balustroid stem, wit [+]

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