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The Virgin of Atocha
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
The Virgin of Atocha
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

Este sorprendente lienzo muestra la imagen de la Virgen de Atocha, tal como se veneraba en su altar del convento dominico de su advocación en las afueras de Madrid. El tipo de imagen de devoción con s [+]

Still life with fish and a turtle
Oil on canvas. Ca. 1680
Recco, Giuseppe
Still life with fish and a turtle
Oil on canvas. Ca. 1680
Recco, Giuseppe

Giuseppe Recco, a member of one of the most famous families of Neapolitan still-life painters in the seventeenth century, was born in Naples on 12 July 1634. His vast output was consistently high in q [+]

The Infant Saint John the Baptist
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban
The Infant Saint John the Baptist
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban

Alone in the countryside, a boy raises his hand to his breast while looking up to the heavens, his face illuminated by a beam of light. The lamb and the cross with the inscription “Ecce Agnus Dei” (Be [+]

Pomegranates
Oil on canvas. Second quarter of the XVII - Tercer cuarto del siglo XVII century
Ponce, Antonio
Pomegranates
Oil on canvas. Second quarter of the XVII - Tercer cuarto del siglo XVII century
Ponce, Antonio

Increasingly valued for the splendid series of works he made during the second and very nearly the third quarter of Spain’s Siglo de Oro, Antonio Ponce was from the generation after Van der Hamen. In [+]

The Virgin and Child in Glory
Oil on canvas. Ca. 1680
Maratti, Carlo
The Virgin and Child in Glory
Oil on canvas. Ca. 1680
Maratti, Carlo

Turned to the left in a three-quarters view, the Virgin is depicted sitting on a throne of clouds resting on a crescent moon whose points face down. In her arms she holds the Christ child, who blesses [+]

Eugenia Martínez Vallejo, clothed
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
Eugenia Martínez Vallejo, clothed
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

In the courts of Spain´s nobility, the sixteenthcentury fascination with oddities of the natural world persisted into the seventeenth and was manifested in, among other things, an interest in people w [+]

The Presentation of Jesus in the Temple
Oil on canvas. Ca. 1670
Rizi, Francisco
The Presentation of Jesus in the Temple
Oil on canvas. Ca. 1670
Rizi, Francisco

These two canvases (The Adoration of the Magi, P1129 and The Presentation of Jesus in the Temple, P1130) were part of a small altar piece in the convent of Los Angéles in Madrid, a work that al [+]

The chamber of Philip IV in the Buen Retiro Royal Palace
Oil on panel. 1881
Poleró y Toledo, Vicente
The chamber of Philip IV in the Buen Retiro Royal Palace
Oil on panel. 1881
Poleró y Toledo, Vicente

Mariana of Austria, Queen Consort between 1665 and 1675, talks to the Jesuit priest Nithard, her confessor and confidant, in the presence of her son Charles II, still a minor. The scene takes place in [+]

The Adoration of the Magi
Oil on canvas. Ca. 1670
Rizi, Francisco
The Adoration of the Magi
Oil on canvas. Ca. 1670
Rizi, Francisco

These two canvases (The Adoration of the Magi, P1129 and The Presentation of Jesus in the Temple, P1130) were part of a small altar piece in the convent of Los Angéles in Madrid, a work that al [+]

Old Man reading by Candlelight
Oil on canvas. 1700 - 1706
Schalcken, Godfried
Old Man reading by Candlelight
Oil on canvas. 1700 - 1706
Schalcken, Godfried

The half-length figure of an old man is depicted against a dark background. He looks at the viewer out of the corner of his eye, with his torso turned slightly to the left and his head to the right, a [+]

Amalia de Solms-Braunfels
Oil on canvas mounted on panel. 1631 - 1632
Van Dyck, Anthony
Amalia de Solms-Braunfels
Oil on canvas mounted on panel. 1631 - 1632
Van Dyck, Anthony

Amalia de Solms-Braunfels (1602-1675) was the wife of Federico Enrique de Nassau (1584-1647), Prince of Orange, also painted by Van Dyck (P01482). As first lady of the House of Nassau, she wears an el [+]

Exterior of Saint Peter’s, Rome
Oil on canvas. Ca. 1636
Codazzi, Viviano
Exterior of Saint Peter’s, Rome
Oil on canvas. Ca. 1636
Codazzi, Viviano

This painting depicts the façade of Saint Peter’s as it was designed by the architect Carlo Maderno and before the re-modelling undertaken by Gian Lorenzo Bernini, who had the clock tower on th [+]

Air
Oil on canvas. 1675 - 1700
Anonymous
Air
Oil on canvas. 1675 - 1700
Anonymous

This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado (P191, P3196, P3197 and P3198), that express the idea of the Elements through motives drawn from [+]

Water
Oil on canvas. 1675 - 1700
Anonymous
Water
Oil on canvas. 1675 - 1700
Anonymous

This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado (P191, P3196, P3197 and P3198), that express the idea of the Elements through motives drawn from [+]

The Martyrdom of Saint Andrew
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Martyrdom of Saint Andrew
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

At the centre of this painting, the apostle Saint Andrew is being tied to the X-shaped cross on which he will die. His muscles are taut and he raises his eyes heavenward, where several angels carry th [+]

The Kiss of Judas
Oil on copperplate. After 1655
Giordano, Luca
The Kiss of Judas
Oil on copperplate. After 1655
Giordano, Luca

Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del s [+]

Queen Mariana of Austria
Oil on canvas. Ca. 1670
Carreño de Miranda, Juan
Queen Mariana of Austria
Oil on canvas. Ca. 1670
Carreño de Miranda, Juan

After the death of Philip IV in 1665, his widow Mariana (1634-1696) became regent. She is depicted here as both widow and regent in the Hall of Mirrors in the Alcázar in Madrid. The writing imp [+]

The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

Saint Paul fell from his horse as he heard Christ’s words “Why persecutest thou me?” which brought about his conversion. Murillo’s interpretation is notably dynamic, making use of the contrast between [+]

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