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Pilate washing his Hands
Oil on copperplate. After 1655
Giordano, Luca
Pilate washing his Hands
Oil on copperplate. After 1655
Giordano, Luca

Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del siglo XV, cuya técnica Giordano intentó imitar. En ella Giordano aplicó una pincelada minuciosa y precisa de trazos cortos que reproducen con rigurosa exactitud el aspecto de los objetos, la incidencia

The Kiss of Judas
Oil on copperplate. After 1655
Giordano, Luca
The Kiss of Judas
Oil on copperplate. After 1655
Giordano, Luca

Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del siglo XV, cuya técnica Giordano intentó imitar. En ella Giordano aplicó una pincelada minuciosa y precisa de trazos cortos que reproducen con rigurosa exactitud el aspecto de los objetos, la incidencia

The Holy Family with Saint John the Baptist
Oil on panel. 1675 - 1680
Giordano, Luca
The Holy Family with Saint John the Baptist
Oil on panel. 1675 - 1680
Giordano, Luca

During his lifetime, one of Luca Giordano’s most admired qualities was his ability to emulate the style of some of the great Renaissance masters. This Holy Family was painted as an exercise in imitating the pictorial language of Raphael Sanzio de Urbino (1483-1520). Giordano’s work borders on forgery in its inclusion on the right of the anagram RSU in the manner of a signature.

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