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Jupiter and the Gods urging Apollo to take back the Reins of his Chariot
Oil on panel. 1594
Cornelisz. Van Haarlem, Cornelis
Jupiter and the Gods urging Apollo to take back the Reins of his Chariot
Oil on panel. 1594
Cornelisz. Van Haarlem, Cornelis

The frieze arrangement of the figures places this work in the painter`s classical phase, which began in 1594, the same year as the date on this painting. In Van Thiel`s view, it could be the picture w [+]

Forest
Oil on panel. 1640 - 1645
Vlieger, Simon de
Forest
Oil on panel. 1640 - 1645
Vlieger, Simon de

This painting has traditionally featured in literature as the work of Jacob Isaaksz. van Ruisdael (1628-1682); this attribution is based on the signature but is disputed by various authors. During the [+]

Forest with Rider and Dogs
Oil on panel. 1625 - 1630
Vroom, Hendrick Cornelisz
Forest with Rider and Dogs
Oil on panel. 1625 - 1630
Vroom, Hendrick Cornelisz

This painting entered the Museum as an original by Jacob Isaaksz. van Ruisdael (1628-1682), an attribution that remained in the catalogue until 1972. Valdivieso (1973) believed it to be connected with [+]

The Immaculate Conception as a Child
Oil on canvas. 1656
Zurbarán, Francisco de
The Immaculate Conception as a Child
Oil on canvas. 1656
Zurbarán, Francisco de

The Virgin Mary is presented as a little girl with her hands crossed over her chest. Wearing blue and white, she ascends on a group of angels’ heads as the heavens open to welcome her. This differs fr [+]

The Apparition of Saint Peter to Saint Peter Nolasco
Oil on canvas. 1629
Zurbarán, Francisco de
The Apparition of Saint Peter to Saint Peter Nolasco
Oil on canvas. 1629
Zurbarán, Francisco de

Saint Peter Nolasco, founded the order of Our Lady of Mercy, also known as the Mercederians, whose main objective was to rescue Christians held captive by the Muslims. The convent of la Merced Calzada [+]

The Transit of Mary Magdalene
Oil on canvas. Late XVII century
Anonymous (Copy Coello, Claudio)
The Transit of Mary Magdalene
Oil on canvas. Late XVII century
Anonymous (Copy Coello, Claudio)

The saint’s figure, with long blond tresses, occupies the center of the scene. Gazing at the heavens, she crosses her hands across her bosom in prayer. Her worn clothing is enveloped in large floating [+]

The Martyrdom of Saint Andrew
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Martyrdom of Saint Andrew
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

At the centre of this painting, the apostle Saint Andrew is being tied to the X-shaped cross on which he will die. His muscles are taut and he raises his eyes heavenward, where several angels carry th [+]

The Immaculate Conception
Oil on canvas. 1682
Valdés Leal, Juan de
The Immaculate Conception
Oil on canvas. 1682
Valdés Leal, Juan de

The Virgin Mary stands on the Moon, surrounded by clouds in an image that varies from the predominant approach to representations of the Immaculate Conception in Seville. Most such works emphasize dyn [+]

Landscape with a flock of sheep
Oil on canvas. 1870 - 1878
Martí Alsina, Ramón
Landscape with a flock of sheep
Oil on canvas. 1870 - 1878
Martí Alsina, Ramón

Ramón Martí Alsina trained as an artist within the spirit of Romanticism. However, after several visits to Paris from 1855 onwards, he came into contact with French realist painting and [+]

The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

Saint Paul fell from his horse as he heard Christ’s words “Why persecutest thou me?” which brought about his conversion. Murillo’s interpretation is notably dynamic, making use of the contrast between [+]

The Flight into Egypt
Oil on pine panel. Ca. 1570
el Greco (Domenikos Theotokopoulos)
The Flight into Egypt
Oil on pine panel. Ca. 1570
el Greco (Domenikos Theotokopoulos)

This small panel -it is practically a miniature- is truly exceptional among El Greco’s works. In it, he employs landscape as an essential compositional element while simultaneously demonstrating his m [+]

Bartolomé Esteban Murillo
Oil on canvas. XVIII century
Tobar, Alonso Miguel de
Bartolomé Esteban Murillo
Oil on canvas. XVIII century
Tobar, Alonso Miguel de

Copia de gran calidad, en la que aparece el pintor sevillano de medio cuerpo en un marco oval, situando la figura en un marco ilusionista, con efectos de trampantojo.Tobar retrató a importantes person [+]

Saint Joseph's Dream
Oil on canvas. Ca. 1662
Herrera The Younger, Francisco de
Saint Joseph's Dream
Oil on canvas. Ca. 1662
Herrera The Younger, Francisco de

An angel appears to Saint Joseph in his sleep, pointing to the dove of the Holy Ghost as the heavens open in a luminous burst of glory. Under the dove, a group of angels carry a mirror and flowers all [+]

Johan Rammelman
Oil on canvas. Ca. 1679
Netscher, Caspar
Johan Rammelman
Oil on canvas. Ca. 1679
Netscher, Caspar

These two paintings (P7607 and P7608) were first shown in Amsterdam in 1858. On that occasion the sitters were identified as Lambert Witsen and his wife Sara Nuyts owing to the woman`s purported simil [+]

Rubens painting ‘The Allegory of Peace’
Oil on canvas. Ca. 1660
Giordano, Luca
Rubens painting ‘The Allegory of Peace’
Oil on canvas. Ca. 1660
Giordano, Luca

In this complex allegory, Mars, the god of war, is rejected by his lover Venus, who symbolises the peace painted by Rubens (1577-1640). On the ground at the lower edge we see objects destroyed by war: [+]

The Virgin of Mercy Appearing to Saint Peter Nolasco
Oil on canvas. 1682
Arco, Alonso del
The Virgin of Mercy Appearing to Saint Peter Nolasco
Oil on canvas. 1682
Arco, Alonso del

This is one of a series of four canvases mentioned by Ponz as having been sent to the Museo de la Trinidad (1800, I, fourth letter, paragraph 10): "The Convent of Saint Catherine, which is of the Shod [+]

Immaculate Conception
Oil on canvas. Ca. 1635
Zurbarán, Francisco de
Immaculate Conception
Oil on canvas. Ca. 1635
Zurbarán, Francisco de

The Immaculate Conception was one of Zurbarán’s most frequent subjects, as it was particularly popular with institutional and private clients in Seville, as well as very compatible with his ski [+]

The Russian Ambassador Piotr Ivanowitz Potemkin
Oil on canvas. Ca. 1681
Carreño de Miranda, Juan
The Russian Ambassador Piotr Ivanowitz Potemkin
Oil on canvas. Ca. 1681
Carreño de Miranda, Juan

Peter Ivanowitz Potemkin arrived at the Spanish court as ambassador for the Grand Duke of Moscow, Feodor II, in 1668 and returned in 1681-82. Carreño’s portrait is thought to be from the second [+]

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