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Este sorprendente lienzo muestra la imagen de la Virgen de Atocha, tal como se veneraba en su altar del convento dominico de su advocación en las afueras de Madrid. El tipo de imagen de devoción con s [+]
Giuseppe Recco, a member of one of the most famous families of Neapolitan still-life painters in the seventeenth century, was born in Naples on 12 July 1634. His vast output was consistently high in q [+]
Turned to the left in a three-quarters view, the Virgin is depicted sitting on a throne of clouds resting on a crescent moon whose points face down. In her arms she holds the Christ child, who blesses [+]
In the courts of Spain´s nobility, the sixteenthcentury fascination with oddities of the natural world persisted into the seventeenth and was manifested in, among other things, an interest in people w [+]
This work has recently been added to the donation made by Plácido Arango. It has been convincingly attributed to Francisco de Herrera the Younger due to the similarities between some of its det [+]
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The Virgin’s facial type, the confident drawing and the forceful rendering of the spatial planes originally led this work to be attributed to Claudio Coello. But in 1986 more precise knowledge of the [+]
This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in Flanders and Holland in the early seventeenth century. In Houbraken and in early i [+]
The sitter was born in Lima in 1665 and was a leading figure in the court in exile of James II, former king of England and Scotland. He married three times, the second time in 1710 to Mary Drummond, d [+]
Esta obra revela un gusto por lo monumental y sencillo. Durante estos años, se percibe en pintores cortesanos españoles de formación diversa, un proceso en el que las composiciones se clarifican, haci [+]
Murillo created a highly successful formula for representing the Immaculate Conception, with the Virgin dressed in blue and white, her hands crossed over her bosom and her gaze directed at the heavens [+]
Seated on a cloud, God the Father holds a brush in his right hand, using it to add the final touches to a depiction of the Immaculate Conception. The idea of God as a painter was widespread in Golden [+]
The baton in the sitter’s right hand and the cannon indicate that he is an artillery general, while the insignia hanging from his neck denotes his membership of the Order of Calatrava. Stylistically t [+]
The scene shows the Christ the Redeemer procession organised in Antwerp in 1685 to commemorate the centenary of the assault on the city by Spanish troops under the command of Alessandro Farnese on 27 [+]
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After the death of Velázquez, Carreño showed himself to be the artist most worthy of continuing the depiction of monsters, jesters, and dwarves that inhabited the Spanish court. Inventor [+]
Francisco Bazán was a buffoon at the court of Charles II between 1676 and 1689. Carreño, who was reaching the end of his career when he painted this work, depicts the sitter as if delive [+]
The Flight into Egypt was a popular subject with Madrid painters of the second half of the seventeenth century who made use of the episode’s potential for expressing tenderness and intimacy in a natur [+]
