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The saint is depicted leaning on a boulder, in a state of mystical ecstasy following his meditation on death. That meditation is symbolized by the skull, cross and book. He is comforted by a musician [+]
The Virgin sits with the Christ Child in the midst of grandiose classical architecture. She is surrounded by numerous saints in various positions. Above her, some angels prepare to crown her as Queen [+]
This small panel -it is practically a miniature- is truly exceptional among El Greco’s works. In it, he employs landscape as an essential compositional element while simultaneously demonstrating his m [+]
The scene shows the Christ the Redeemer procession organised in Antwerp in 1685 to commemorate the centenary of the assault on the city by Spanish troops under the command of Alessandro Farnese on 27 [+]
In this complex allegory, Mars, the god of war, is rejected by his lover Venus, who symbolises the peace painted by Rubens (1577-1640). On the ground at the lower edge we see objects destroyed by war: [+]
This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]
El dibujo es similar a varios otros atribuidos a este artista en la colección Bertini de Calenzano. Sante Piatti (ca. 1687-1747) fue discípulo de Diamantini y, tal vez, de Gregorio Lazzarini, aunque s [+]
Originally in the collection of the 7th Marquis del Carpio, Spanish Ambassador in Rome (1676-82) and Viceroy of Naples (1682-87), this sculpture consists of a nude, Greco-Roman torso with some survivi [+]
This head of a goat, formerly in the collection of the Marquis of Carpio (1629-1687), is a fragment of a sculpture depicting a common subject in Antiquity, in which a small rider (Bacchus, Cupid or Ve [+]
This work illustrates an episode from the Odyssey in which young Irus challenges Ulysses to a fight, which the latter wins in presence of the inhabitants of Ithaca. Ulysses stands with his back to the [+]
Wearing the hide of the lion of Nemea, Hercules holds a club in his left hand and, in his right, the horn he tore off river god Achelous’s head when the latter adopted the form of a bull to fight him. [+]
Vessel similar to O38, except that the cover is missing. The precious stones on the jasper ring are complete, and the remaining cameos consist of a Roman-style bust of a crowned man and a woman’s head [+]
Vessel with a tall foot formed by a silver gilt mount and a body consisting of a shallow oval bowl of greyish jade (nephrite), with a diminished arch profile. Running around the lip is a broad mount w [+]
This vessel had a pair, now lost (I1416), which must have been very similar and by the same hand as O37, the work of the silversmith Pierre Ladoyreau or Ladoireau, who made part of the silver furnishi [+]
The pair of a vessel stolen in 1918, this is one of the few pieces which still preserve work by Pierre Ladoyreau or Ladoireau, one of the great master craftsmen of the 17th century in France, who desi [+]
This large vase is decorated with a mask in the middle section. It lacks the lid and base, which are known from a drawing of 1682 now in London. It belonged to Gaspar de Haro y Guzmán, Marquis [+]
This small brazier, already cited in the 1689 Versailles inventory, follows the French classical taste propitiated by Le Brun, Maison, Bérain and others. The vessel is made up of seven pieces o [+]
This piece has recovered its original appearance thanks to the recent identification of its foot and stem among odd fragments preserved at the Museo del Prado. It is therefore now shown whole for the [+]
