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Father Cabanillas
Oil on canvas. 1689 - 1693
Coello, Claudio
Father Cabanillas
Oil on canvas. 1689 - 1693
Coello, Claudio

This likeness of the Franciscan clergyman is a significant example of elongated bust portraits that are quiet customary in the Western figurative tradition. Such works allow a closer approach to the m [+]

Saint Louis, Bishop, in Glory
Oil on canvas. 1693
Arredondo, Isidoro
Saint Louis, Bishop, in Glory
Oil on canvas. 1693
Arredondo, Isidoro

As Lafuente Ferrari (1941) pointed out when publishing this work, it is a significant example of the passionately baroque tone of late 17th-century painting in Madrid. The same critic mentions the cle [+]

Cleopatra
Oil on canvas. Ca. 1640
Reni, Guido
Cleopatra
Oil on canvas. Ca. 1640
Reni, Guido

Cleopatra VII (r. 51-30 BCE) was the sovereign of Egypt and the last representative of its final royal family, the Ptolemaic dynasty. Feeling that all was lost after her armies and those of her Roman [+]

The Assumption of the Virgin
Oil on canvas. Ca. 1698
Giordano, Luca
The Assumption of the Virgin
Oil on canvas. Ca. 1698
Giordano, Luca

En el plano superior aparece la Virgen sentada sobre una nube sostenida por ángeles; abajo y en sombra, ángeles músicos. El artista señala la existencia de planos a través del color y del detalle, más [+]

Saint Clare Driving Away the Infidels with the Eucharist
Oil on canvas. 1693
Arredondo, Isidoro
Saint Clare Driving Away the Infidels with the Eucharist
Oil on canvas. 1693
Arredondo, Isidoro

This painting is of considerable interest as there are very few surviving works by this artist, who was a fine example of the last generation of great decorators from Madrid. The architectural setting [+]

The Duke of Pastrana
Oil on canvas. Ca. 1679
Carreño de Miranda, Juan
The Duke of Pastrana
Oil on canvas. Ca. 1679
Carreño de Miranda, Juan

Here we are presented with a young man, elegantly dressed in black, standing within a landscape beside a horse whose mane is richly adorned with blue ribbons and bows. The man wears his hair very long [+]

Immaculate Conception
Oil on canvas. Ca. 1660
Cerezo, Mateo
Immaculate Conception
Oil on canvas. Ca. 1660
Cerezo, Mateo

The Virgin’s facial type, the confident drawing and the forceful rendering of the spatial planes originally led this work to be attributed to Claudio Coello. But in 1986 more precise knowledge of the [+]

Anne Marie Louise d'Orléans, Duchess of Montpensier
Oil on canvas. Before 1689
Anonymous
Anne Marie Louise d'Orléans, Duchess of Montpensier
Oil on canvas. Before 1689
Anonymous

This canvas is one of a group of portraits collected by María Luisa de Orleans (1662-1689), first wife of Carlos II of Spain, which would become part of the Royal Collection. Some of these pain [+]

Flowerpiece
Oil on canvas. 1694 - 1700
Belvedere, Andrea
Flowerpiece
Oil on canvas. 1694 - 1700
Belvedere, Andrea

Towards the edges of two moulded stone shelves (P549, P550) rest two bronze vases with broad decorated bases and slender stems embraced, in one case by a group of tritons (P550) and, in the other by, [+]

Maria Anna of Neuburg, Queen of Spain, on Horseback
Oil on canvas. 1693 - 1694
Giordano, Luca
Maria Anna of Neuburg, Queen of Spain, on Horseback
Oil on canvas. 1693 - 1694
Giordano, Luca

Evoking the model of the great equestrian portraits painted for the Spanish Habsburgs by Titian, Rubens and Velázquez, Giordano offers his own idealised and triumphal depiction of Maria Anna of [+]

Charles II
Oil on canvas. 1693
Giordano, Luca
Charles II
Oil on canvas. 1693
Giordano, Luca

Charles II is depicted in armour, wearing the emblem of the Golden Fleece and an ornate neck tie in the French style, an accessory he favoured when outside Madrid from around 1677. Despite these forma [+]

Anne Marie Louise of Orléans
Oil on canvas. 1655
Beaubrun, Charles; Beaubrun, Henri
Anne Marie Louise of Orléans
Oil on canvas. 1655
Beaubrun, Charles; Beaubrun, Henri

The daughter of Gaston de France and granddaughter of Henry IV of France, she was born at the Louvre on May 29, 1627. First called Mademoiselle d´Orléans, she was later known as the Grande Made [+]

Kitchen Still Life
Oil on canvas. 1637 - 1642
Master S. B.
Kitchen Still Life
Oil on canvas. 1637 - 1642
Master S. B.

This splendid painting, which came from the Buen Retiro Palace, Madrid (where it was cited in a 1794 inventory), was until recently attributed to Giovanni Battista Ruoppolo (1626-1693), based on the h [+]

Dwarf with a Dog
Oil on canvas. Ca. 1645
Velázquez, Diego Rodríguez de Silva y (Follower Of)
Dwarf with a Dog
Oil on canvas. Ca. 1645
Velázquez, Diego Rodríguez de Silva y (Follower Of)

The custom of placing the principal figure in a portrait alongside another being that was physically or socially inferior was common practice among artists who portrayed figures from the Spanish court [+]

The Doorway of the Palace of the Marquis of Dos Aguas (Valencia)
Oil on panel. Ca. 1885
Domingo Marqués, Francisco
The Doorway of the Palace of the Marquis of Dos Aguas (Valencia)
Oil on panel. Ca. 1885
Domingo Marqués, Francisco

Various gentlemen in Carlos IV-style clothing gather in front of the palace of the Marquis of Dos Aguas in Valencia. They are accompanied by a pack of dogs and various lackeys. Domingo´s technique is [+]

Flowerpiece
Oil on canvas. 1694 - 1700
Belvedere, Andrea
Flowerpiece
Oil on canvas. 1694 - 1700
Belvedere, Andrea

Towards the edges of two moulded stone shelves (P550, P549) rest two bronze vases with broad decorated bases and slender stems embraced, in one case by a group of tritons (P550) and, in the other by, [+]

The Battle of San Quintín
Oil on canvas. 1692 - 1693
Giordano, Luca
The Battle of San Quintín
Oil on canvas. 1692 - 1693
Giordano, Luca

Obra que forma parte de la serie de bocetos para los frescos de la escalera de El Escorial, que narra los episodios más significativos de la Batalla de San Quintín. Según parece, estos frescos son lo [+]

Portrait of Elisabeth Farnese in her childhood
Oil on canvas. Ca. 1694
Anonymous
Portrait of Elisabeth Farnese in her childhood
Oil on canvas. Ca. 1694
Anonymous

El retrato, procedente de la colección real, probablemente ingresó en la misma como regalo de Dorotea Sofía de Neoburgo, madre de Isabel de Farnesio, a su hermana la reina Mariana de Neoburgo, quien c [+]

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