Loading...
Within the large series of paintings dedicated to the history of Rome, this work and Meleager’s Hunt (P2320) belong to a small group of scenes from mythology and the history of Antiquity. This is undo [+]
On entering the Museum this painting was inventoried as a product of the Sevillian school, though the 1876 catalogue lists it as a work executed in the style of Jan Both. Valdivieso (1973) considers i [+]
As an animal painter Paul de Vos was a follower of his brother-in-law and collaborator Frans Snyders although with a more specialist focus on hunting scenes. Both supplied art lovers and collectors wi [+]
Documentation of payment received by Velázquez in July 1629 for an image of Bacchus painted at the king`s behest informs us of the work`s approximate date and identifies its intended recipient. [+]
Retrato de María de Hungría, réplica de otro también en la colección del Museo Nacional del Prado (P1272). Doña María figura retratada de frente, mirando al espectador, ligeramente ladeado el rostro, [+]
Jacob luchó con un ángel hasta el amanecer, momento en el que este le propuso acabar la pelea. Jacob, consciente de que había peleado con Dios, le pidió su bendición (Génesis 32: 24-32).Es obra import [+]
These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum’s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]
Giuseppe Bonito was a student of Francesco Solimena (1657-1747) and a follower of his artistic idiom. This can be seen in the decidedly Baroque appearance of his early mythological and religious works [+]
En este caso, como en otros de la Torre de la Parada, Rubens no ha seguido las Metamorfosis de Ovidio sino las Fábulas de Higinio (Capítulo III): "(...) Frixo llegó a la Cólquide. Allí, según órdenes [+]
And alchemist, recognizable by his characteristic cap, fans the fire in his laboratory. The presence of books, flasks and other instruments in the foreground reveal his pseudo-scientific activity. In [+]
[+]
Considered a copy of a portrait by El Greco, the more detailed technique deployed here lacks the loose boldness of his brushstroke but the composition and some of the elements within it remain close t [+]
Like the portrait of her husband (P01683), Isabel Clara Eugenia, ruler of the Low Countries, is depicted sitting under a red canopy on a balcony open to landscape. In this case, the palace visible in [+]
San Antonio fue un anacoreta nacido en los confines de la Tebaida hacia el año 250 de nuestra era; practicó una vida de total desapego a los bienes terrenales y durante veinte años se retiró a una gru [+]
Surrounded by courtesans and hunting servants, the governors of the Spanish Low Countries, Archduke Alberto and Archduchess Isabel, rest in the shade of a large poplar tree during one of their hunts. [+]
El primer palacio que existió en Aranjuez, población cercana a Madrid, situada en un fértil paraje entre los ríos Tajo y Jarama, fue mandado construir en 1387 por don Lorenzo Suárez de Figueroa, Gran [+]
In this representation of Saint John of Capistrano, the painter has faithfully followed his traditional iconography. Dressed in a Franciscan habit with a red cross on it, he stands beneath a shining s [+]
Compositionally, this work can be considered parallel to Saint John of Capistrano (P5350), as both are large likenesses of Saints, both hold the Crucifix in the same way, and both have a small-scale r [+]
&imagen=https%3a%2f%2fcontent3.cdnprado.net%2fimagenes%2fDocumentos%2fimgsem%2f0b%2f0b1b%2f0b1b630a-06a4-4617-acda-05531c1a6137%2f8a8ee105-1ab3-4a23-82c0-4aeeb80f3437_268.jpg&idobra=0b1b630a-06a4-4617-acda-05531c1a6137){kind=link}
