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Within the large series of paintings dedicated to the history of Rome, this work and Meleager’s Hunt (P2320) belong to a small group of scenes from mythology and the history of Antiquity. This is undo [+]
On 16 April 1529 Federico II Gonzaga, First Duke of Mantua (1500-1540), apologised to his uncle Alfonso d’Este for retaining Titian: perché ha conienzo un retratto mio qual molto desidero sii f [+]
Philip II (r. 1556-98) was Titian´s most important patron, and together they forged one of the most fruitful artistic relationships of the European Renaissance. Philip surpassed all of the Venetian pa [+]
These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum’s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]
El retrato de Felipe V, primer Borbón que ocupó el trono español, muestra al monarca en la última fase de su vida -comenzó a reinar en 1700 y falleció en 1746-. Aparece caracterizado con armadura comp [+]
En este caso, como en otros de la Torre de la Parada, Rubens no ha seguido las Metamorfosis de Ovidio sino las Fábulas de Higinio (Capítulo III): "(...) Frixo llegó a la Cólquide. Allí, según órdenes [+]
Surrounded by courtesans and hunting servants, the governors of the Spanish Low Countries, Archduke Alberto and Archduchess Isabel, rest in the shade of a large poplar tree during one of their hunts. [+]
Rubens combines various subjects in this work. The figure of Saint Joseph sleeping in a landscape alongside a grazing donkey, and the Virgin Mary sitting on a boulder with her son refer to the rest on [+]
These two canvases (The Adoration of the Magi, P1129 and The Presentation of Jesus in the Temple, P1130) were part of a small altar piece in the convent of Los Angéles in Madrid, a work that al [+]
Found on the beach at Denia (Valencia) on 28 August 1597, this leatherback sea turtle was depicted in a painting in order to record its unexplected appearance on the Mediterranean coast. The painting [+]
La composición, en origen inscrita en un óvalo que aún puede apreciarse, está ocupada casi en su totalidad por la figura del santo, quien sostiene entre sus brazos al Niño Jesús y una rama de azucenas [+]
Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his deat [+]
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The half-length figure of an old man is depicted against a dark background. He looks at the viewer out of the corner of his eye, with his torso turned slightly to the left and his head to the right, a [+]
On the shore, Saint Francis receives a young man dressed in a black habit, ruff collar and hat, whom Christ carries over the water. In the background: a boat and an embankment with two figures.This ca [+]
Depictions of painting galleries became popular in the Netherlands at the beginning of the 17th century. The exhibition of paintings and other artistic or natural objects was originally a way of manif [+]
The girl’s rags, which signal her poverty, contrast with the cheerfully elegant way she handles the thread. This novel representation of a woman performing a domestic task anticipates the delicacy wit [+]
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