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Joseph and the Wife of Putiphar
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti
Joseph and the Wife of Putiphar
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti

Joseph is a handsome and virtuous slave falsely accused of rape by his master´s wife, whose advances he has rejected. He is imprisoned, but eventually raised to the highest office by Pharaoh (Exodus: [+]

River Landscape with Riders and a Tower
Oil on canvas. XVII century
Anonymous
River Landscape with Riders and a Tower
Oil on canvas. XVII century
Anonymous

On entering the Museum this painting was inventoried as a product of the Sevillian school, though the 1876 catalogue lists it as a work executed in the style of Jan Both. Valdivieso (1973) considers i [+]

A Lion and three Wolves
Oil on canvas. XVII century
Vos, Paul de
A Lion and three Wolves
Oil on canvas. XVII century
Vos, Paul de

As an animal painter Paul de Vos was a follower of his brother-in-law and collaborator Frans Snyders although with a more specialist focus on hunting scenes. Both supplied art lovers and collectors wi [+]

The Feast of Bacchus
Oil on canvas. 1628 - 1629
Velázquez, Diego Rodríguez de Silva y
The Feast of Bacchus
Oil on canvas. 1628 - 1629
Velázquez, Diego Rodríguez de Silva y

Documentation of payment received by Velázquez in July 1629 for an image of Bacchus painted at the king`s behest informs us of the work`s approximate date and identifies its intended recipient. [+]

Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)
Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)

On 16 April 1529 Federico II Gonzaga, First Duke of Mantua (1500-1540), apologised to his uncle Alfonso d’Este for retaining Titian: perché ha conienzo un retratto mio qual molto desidero sii f [+]

María of Austria, Queen of Hungary
Oil on canvas. XVII century
Luycks, Frans
María of Austria, Queen of Hungary
Oil on canvas. XVII century
Luycks, Frans

Retrato de María de Hungría, réplica de otro también en la colección del Museo Nacional del Prado (P1272). Doña María figura retratada de frente, mirando al espectador, ligeramente ladeado el rostro, [+]

Jacob wrestling with the Angel
Oil on canvas. 1694 - 1696
Giordano, Luca
Jacob wrestling with the Angel
Oil on canvas. 1694 - 1696
Giordano, Luca

Jacob luchó con un ángel hasta el amanecer, momento en el que este le propuso acabar la pelea. Jacob, consciente de que había peleado con Dios, le pidió su bendición (Génesis 32: 24-32).Es obra import [+]

Sailing Boats in a River Estuary
Oil on panel. XVII century
Anonymous
Sailing Boats in a River Estuary
Oil on panel. XVII century
Anonymous

These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum’s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]

The Turkish Embassy in Naples
Oil on canvas. 1741
Bonito, Giuseppe
The Turkish Embassy in Naples
Oil on canvas. 1741
Bonito, Giuseppe

Giuseppe Bonito was a student of Francesco Solimena (1657-1747) and a follower of his artistic idiom. This can be seen in the decidedly Baroque appearance of his early mythological and religious works [+]

The Alchemist
Oil on panel. 1631 - 1640
Teniers The Younger, David
The Alchemist
Oil on panel. 1631 - 1640
Teniers The Younger, David

And alchemist, recognizable by his characteristic cap, fans the fire in his laboratory. The presence of books, flasks and other instruments in the foreground reveal his pseudo-scientific activity. In [+]

Saint John the Baptist
Oil on canvas. XVII century
Anonymous
Saint John the Baptist
Oil on canvas. XVII century
Anonymous

[+]

Hippomenes and Atalanta
Oil on canvas. 1618 - 1619
Reni, Guido
Hippomenes and Atalanta
Oil on canvas. 1618 - 1619
Reni, Guido

Inspired by Ovid´s Metamorphoses, this key work in Reni´s oeuvre tells the story of Atalanta, the daughter of Schoeneus, king of Arcadia. Seeking a husband, she offered to marrie anyone able to outrun [+]

The Infanta Isabel Clara Eugenia
Oil on canvas. Ca. 1615
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Infanta Isabel Clara Eugenia
Oil on canvas. Ca. 1615
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Like the portrait of her husband (P01683), Isabel Clara Eugenia, ruler of the Low Countries, is depicted sitting under a red canopy on a balcony open to landscape. In this case, the palace visible in [+]

Saint Anthony Abbot
Oil on canvas. XVII century
Tristán, Luis
Saint Anthony Abbot
Oil on canvas. XVII century
Tristán, Luis

San Antonio fue un anacoreta nacido en los confines de la Tebaida hacia el año 250 de nuestra era; practicó una vida de total desapego a los bienes terrenales y durante veinte años se retiró a una gru [+]

The Archdukes' Hunt
Oil on canvas. Ca. 1611
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Archdukes' Hunt
Oil on canvas. Ca. 1611
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Surrounded by courtesans and hunting servants, the governors of the Spanish Low Countries, Archduke Alberto and Archduchess Isabel, rest in the shade of a large poplar tree during one of their hunts. [+]

The Rest on the Flight into Egypt with Saints
Oil on panel. 1632 - 1635
Rubens, Peter Paul
The Rest on the Flight into Egypt with Saints
Oil on panel. 1632 - 1635
Rubens, Peter Paul

Rubens combines various subjects in this work. The figure of Saint Joseph sleeping in a landscape alongside a grazing donkey, and the Virgin Mary sitting on a boulder with her son refer to the rest on [+]

View of Real Sitio de Aranjuez
Oil on canvas. Ca. 1636
Anonymous
View of Real Sitio de Aranjuez
Oil on canvas. Ca. 1636
Anonymous

El primer palacio que existió en Aran­juez, población cercana a Madrid, situada en un fértil paraje entre los ríos Tajo y Jarama, fue mandado construir en 1387 por don Lorenzo Suárez de Figueroa, Gran [+]

Saint John of Capistrano
Oil on canvas. Second half of the XVII century
Arco, Alonso del
Saint John of Capistrano
Oil on canvas. Second half of the XVII century
Arco, Alonso del

In this representation of Saint John of Capistrano, the painter has faithfully followed his traditional iconography. Dressed in a Franciscan habit with a red cross on it, he stands beneath a shining s [+]

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