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The Agony in the Garden
Oil on panel. XVI century
Anonymous (Copy After Correggio (Antonio Allegri))
The Agony in the Garden
Oil on panel. XVI century
Anonymous (Copy After Correggio (Antonio Allegri))

[+]

Saint Peter weeping
Oil on canvas. XVIII century
Anonymous
Saint Peter weeping
Oil on canvas. XVIII century
Anonymous

[+]

The Virgin Mary
Oil on canvas. Early XVIII - XIX century
Anonymous (Copy After Sassoferrato)
The Virgin Mary
Oil on canvas. Early XVIII - XIX century
Anonymous (Copy After Sassoferrato)

[+]

Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous
Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous

[+]

View of the Waterfall at Tivoli, with Fishermen
Oil on canvas. 1639 - 1641
Anonymous
View of the Waterfall at Tivoli, with Fishermen
Oil on canvas. 1639 - 1641
Anonymous

The painting resembles the View of Tivoli, in size, type of support and subject matter. Indeed, the overhanging rock in the foreground beside the fishermen would appear to be inspired by that beneath [+]

Tantalus
Oil on canvas. XVII century
Anonymous (Copy After Ribera, Jusepe de, lo Spagnoletto)
Tantalus
Oil on canvas. XVII century
Anonymous (Copy After Ribera, Jusepe de, lo Spagnoletto)

The Palacio del Buen Retiro in Madrid boasted a full set of the Furias -Tantalus (P3784), Tityus (P3941), Ixion (P3785) and Sisyphus (P3942)-, now in the Museo del Prado; some scholars maintain that t [+]

The Aldobrandini Garden at Frascati
Oil on canvas. XVII century
Anonymous
The Aldobrandini Garden at Frascati
Oil on canvas. XVII century
Anonymous

The earliest documentary reference to this painting appears in the 1772 inventory of the Palace of the Buen Retiro, in which the setting is attributed to Viviano Codazzi (1603/4-1672) and the figures [+]

Man wearing an Ermine Collar
Oil on canvas. Ca. 1555
Anonymous (Circle Of Titian (Tiziano Vecellio))
Man wearing an Ermine Collar
Oil on canvas. Ca. 1555
Anonymous (Circle Of Titian (Tiziano Vecellio))

Stylistically very close to Titian, this well painted canvas is not in fact by his hand. The sitter’s elevated social status is indicated by his carefully painted clothes while the inscription states [+]

Mary of Modena, wife of James II
Oil on canvas. XVIII century
Anonymous
Mary of Modena, wife of James II
Oil on canvas. XVIII century
Anonymous

Maria Beatrice Eleonora Anna Margareta Elisabeta d´Este was born in Modena in 1658 and died in Paris in 1718. She was the daughter of Alfonso IV, Duke of Modena, and Laura Martinozzi, and was th [+]

Saint Sebastian
Red chalk on laid paper. XVIII century
Anonymous (Copy Ribera, Jusepe de, lo Spagnoletto)
Saint Sebastian
Red chalk on laid paper. XVIII century
Anonymous (Copy Ribera, Jusepe de, lo Spagnoletto)

Copia del siglo XVIII de la obra de Ribera del lienzo San Sebastian curado por las Santas Mujeres (1621), en el Museo de Bilbao. El cuadro perteneció al marqués de Leganés y estuvo en la Sala Capitula [+]

The Virgin and Child with Saints
Red chalk on white paper. XVIII century
Anonymous
The Virgin and Child with Saints
Red chalk on white paper. XVIII century
Anonymous

A la derecha, sentada sobre un pedestal, la Virgen con el Niño, y a la izquierda, varios santos; dos angelitos sostienen un paño, un santo franciscano y uno guerrero, la santa arrodillada ante la que [+]

Resurrection of Christ
Red chalk on dark yellow paper. Early XVIII century
Anonymous
Resurrection of Christ
Red chalk on dark yellow paper. Early XVIII century
Anonymous

En primer término dos soldados romanos caídos en tierra, miran hacia el fondo, a tres ángeles que muestran el sepulcro de Cristo vacio. (Texto extractado de Mena Marqués, M.: Catálogo de Dibujos. VII. [+]

The Coronation of the Virgin
Pencil, Grey-brown wash, White lead on brown paper. XVIII century
Anonymous
The Coronation of the Virgin
Pencil, Grey-brown wash, White lead on brown paper. XVIII century
Anonymous

Dios Padre y Jesucristo coronan a la Virgen en gloria, rodeados y sostenidos en las nubes por multitud de angelitos. En el reverso, un apunte de arquitectura para una cúpula, con decoración de atlante [+]

Moses striking the Water from the Rock
Black chalk, Pencil, Grey wash on white paper. Early XVIII century
Anonymous
Moses striking the Water from the Rock
Black chalk, Pencil, Grey wash on white paper. Early XVIII century
Anonymous

A la derecha, Moisés extiende su brazo para golpear la roca; tras él, varias mujeres arrodilladas, llenan sus cuencos en el riachuelo. En el reverso, el dibujo presenta una composición con Cristo arro [+]

The Judgement of Paris
Pencil, Grey-brown wash on white paper. XVIII century
Anonymous (Circle Of Novelli, Pietro Antonio)
The Judgement of Paris
Pencil, Grey-brown wash on white paper. XVIII century
Anonymous (Circle Of Novelli, Pietro Antonio)

A la derecha sentado sobre unas rocas y vestido de pastor, Paris, en su mano ofrece la manzana de oro a Venus, en pie, entre Juno, sentada de espaldas, y Minerva.El dibujo lleva una atribución a Grazi [+]

The Virgin and Child with Saints
Black chalk, Pencil on dark yellow paper. XVIII century
Anonymous
The Virgin and Child with Saints
Black chalk, Pencil on dark yellow paper. XVIII century
Anonymous

En el centro, en pie, la Virgen sostiene al Niño en su brazo derecho; sobre ella varios ángeles, uno con un incensario. En la parte baja, varios santos, entre los que se distinguen a San José y la Mag [+]

The Virgin and Child
Red chalk on white paper. Early XVIII century
Anonymous
The Virgin and Child
Red chalk on white paper. Early XVIII century
Anonymous

De medio cuerpo, la Virgen se vuelve hacia la derecha, mientras el Niño parece coger un anillo de su mano. Es tal vez parte de una composición con el tema del Matrimonio místico de Santa Catalina.Dibu [+]

The Adoration of the Shepherds
Black chalk, Pencil on dark yellow paper. XVIII century
Anonymous
The Adoration of the Shepherds
Black chalk, Pencil on dark yellow paper. XVIII century
Anonymous

Al fondo, la Virgen sentada con el Niño sobre las rodillas y acompañada de San José. En primer término, un pastor arrodillado, tras él se acerca una mujer con una cesta sobre la cabeza (Texto extracta [+]

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