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View of the Waterfall at Tivoli, with Fishermen
Oil on canvas. 1639 - 1641
Anonymous
View of the Waterfall at Tivoli, with Fishermen
Oil on canvas. 1639 - 1641
Anonymous

The painting resembles the View of Tivoli, in size, type of support and subject matter. Indeed, the overhanging rock in the foreground beside the fishermen would appear to be inspired by that beneath [+]

The Aldobrandini Garden at Frascati
Oil on canvas. XVII century
Anonymous
The Aldobrandini Garden at Frascati
Oil on canvas. XVII century
Anonymous

The earliest documentary reference to this painting appears in the 1772 inventory of the Palace of the Buen Retiro, in which the setting is attributed to Viviano Codazzi (1603/4-1672) and the figures [+]

Man wearing an Ermine Collar
Oil on canvas. Ca. 1555
Anonymous (Circle Of Titian (Tiziano Vecellio))
Man wearing an Ermine Collar
Oil on canvas. Ca. 1555
Anonymous (Circle Of Titian (Tiziano Vecellio))

Stylistically very close to Titian, this well painted canvas is not in fact by his hand. The sitter’s elevated social status is indicated by his carefully painted clothes while the inscription states [+]

Mary of Modena, wife of James II
Oil on canvas. XVIII century
Anonymous
Mary of Modena, wife of James II
Oil on canvas. XVIII century
Anonymous

Maria Beatrice Eleonora Anna Margareta Elisabeta d´Este was born in Modena in 1658 and died in Paris in 1718. She was the daughter of Alfonso IV, Duke of Modena, and Laura Martinozzi, and was th [+]

The Virgin Mary
Oil on canvas. Early XVIII - XIX century
Anonymous (Copy After Sassoferrato)
The Virgin Mary
Oil on canvas. Early XVIII - XIX century
Anonymous (Copy After Sassoferrato)

[+]

Tantalus
Oil on canvas. XVII century
Anonymous (Copy After Ribera, Jusepe de, lo Spagnoletto)
Tantalus
Oil on canvas. XVII century
Anonymous (Copy After Ribera, Jusepe de, lo Spagnoletto)

The Palacio del Buen Retiro in Madrid boasted a full set of the Furias -Tantalus (P3784), Tityus (P3941), Ixion (P3785) and Sisyphus (P3942)-, now in the Museo del Prado; some scholars maintain that t [+]

Saint Peter weeping
Oil on canvas. XVIII century
Anonymous
Saint Peter weeping
Oil on canvas. XVIII century
Anonymous

[+]

The Agony in the Garden
Oil on panel. XVI century
Anonymous (Copy After Correggio (Antonio Allegri))
The Agony in the Garden
Oil on panel. XVI century
Anonymous (Copy After Correggio (Antonio Allegri))

[+]

Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous
Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous

[+]

Self-portrait
Oil on canvas. Early XVIII century
Anonymous -Painter- (Copy After Giordano, Luca)
Self-portrait
Oil on canvas. Early XVIII century
Anonymous -Painter- (Copy After Giordano, Luca)

Xavier de salas, en nota manuscrita conservada en el servicio de documentación del Museo del Prado, afirmaba: El retratado en el Prado sea quien fuese es indudablementeel que aparece en el ángulo infe [+]

Portrait of a Duke of Lorraine (?)
Oil on canvas. XVIII century
Anonymous
Portrait of a Duke of Lorraine (?)
Oil on canvas. XVIII century
Anonymous

[+]

Landscape
Pencil on dark yellow paper. XVIII century
Anonymous
Landscape
Pencil on dark yellow paper. XVIII century
Anonymous

El dibujo, realizado sobre un papel no verjurado y, por tanto, de los últimos años del siglo XVIII o principios del XIX, presenta claramente un estilo que funde el de los boloñeses del siglo XVII, com [+]

Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous (Copy Polidoro Da Caravaggio)
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous (Copy Polidoro Da Caravaggio)

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

Resurrection of Christ
Red chalk on dark yellow paper. Early XVIII century
Anonymous
Resurrection of Christ
Red chalk on dark yellow paper. Early XVIII century
Anonymous

En primer término dos soldados romanos caídos en tierra, miran hacia el fondo, a tres ángeles que muestran el sepulcro de Cristo vacio. (Texto extractado de Mena Marqués, M.: Catálogo de Dibujos. VII. [+]

Saint Michael Archangel
Black chalk on yellow laid paper. XVIII century
Anonymous
Saint Michael Archangel
Black chalk on yellow laid paper. XVIII century
Anonymous

De perfil a la derecha San Miguel, con un haz de rayos en la mano derecha y la izquierda terciada sobre el pecho, hollando al diablo que se precipita hacia la derecha. Muy terminado, como para una est [+]

Saint Jerome
Black chalk on white paper. XVIII century
Anonymous
Saint Jerome
Black chalk on white paper. XVIII century
Anonymous

San Jerónimo arrodillado hacia la derecha, la mano izquierda sobre el libro y a sus pies el león. Estudio de inferior calidad, lo que indica que debe ser copia de otra composición, quizá grabada (Text [+]

Two Figures from The School of Athens (A Youth Seen from the Rear on a Flight of Steps in Conversation with a Bearded Man)
Red chalk on yellow paper. First half of the XVIII century
Anonymous (Copy Raphael (Raffaello Sanzio))
Two Figures from The School of Athens (A Youth Seen from the Rear on a Flight of Steps in Conversation with a Bearded Man)
Red chalk on yellow paper. First half of the XVIII century
Anonymous (Copy Raphael (Raffaello Sanzio))

Copied from the pair of figures on the steps, right of center, in The School of Athens, one of the frescoes painted by Raphael in the Stanza della Segnatura of the Vatican. From its style, the copy se [+]

Moses striking the Water from the Rock
Black chalk, Pencil, Grey wash on white paper. Early XVIII century
Anonymous
Moses striking the Water from the Rock
Black chalk, Pencil, Grey wash on white paper. Early XVIII century
Anonymous

A la derecha, Moisés extiende su brazo para golpear la roca; tras él, varias mujeres arrodilladas, llenan sus cuencos en el riachuelo. En el reverso, el dibujo presenta una composición con Cristo arro [+]

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