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This painting has traditionally featured in literature as the work of Jacob Isaaksz. van Ruisdael (1628-1682); this attribution is based on the signature but is disputed by various authors. During the [+]
Ubaldo y Carlo lograron penetrar en el palacio encantado de Armida, donde se encontraba ella con Reinaldo, entregados a sus juegos amatorios. Reinaldo, apoyado sobre la joven, contempla su rostro refl [+]
The saint holds a bunch of Madonna lilies in allusion to her purity and a garland of roses that recalls her name. Her attitude brings this depiction closer to the most characteristic models of Guido R [+]
Hercules wades effortlessly across the powerful Euenos River while his wife, the beautiful Deianira, requires the aid of the centaur Nessus to do so. While ferrying her across, the centaur attempts to [+]
The first known reference to this painting from the Spanish Royal Collection dates from 1700, when it was mentioned as being in the Alcázar, Madrid, along with another painting by Luca Giordano [+]
The vault of the former Hall of Ambassadors at the Buen Retiro Palace, constructed alongside the former Royal Quarters of San Jerónimo at the behest of the Count-Duke of Olivares as a royal res [+]
This painting belongs to the Neapolitan group of scenes of ancient Roman life that were ordered in the early to mid 1630s by the Viceroy of Naples, the Count of Monterrey, to decorate the Buen Retiro [+]
Born in 1702, Zenón de Somodevilla y Bengoechea obtained a marquisate in 1736 following the conquest of the Kingdom of the Two Sicilies for the Infante don Carlos. Quartermaster General of the [+]
These two paintings were first shown in Amsterdam in 1858. On that occasion the sitters were identified as Lambert Witsen and his wife Sara Nuyts owing to the woman`s purported similarity to the portr [+]
Representa a María Giovanna Battista de Saboya-Nemours, duquesa de Saboya (1644-1724), hija primogénita de Carlos Amadeo de Saboya-Nemours y de Isabela de Borbón. Era bisnieta de Enrique IV de Francia [+]
These two paintings (P7607 and P7608) were first shown in Amsterdam in 1858. On that occasion the sitters were identified as Lambert Witsen and his wife Sara Nuyts owing to the woman`s purported simil [+]
María aparece recostada con su mano derecha apoyada suavemente en un sillar de piedra, delante del cual hay una cesta de frutas. Mientras, Jesus niño, completamente desnudo, porta en su mano el libro [+]
Moses Striking Water from the Rock and The Bronze Serpent are related to frescos on the same subjects in the apse of the basilica of Santa Croce in Gerusalemme in Rome. Those decorations commissioned [+]
Practically unknown until now, the present canvas has only been mentioned and reproduced in an article by Matías Díaz Padrón, former curator at the Prado, that was published in Ar [+]
La fe de san José fue probada con el embarazo de María. Como era hombre justo y no quería ponerla en evidencia, resolvió repudiarla en secreto. Así lo había planeado cuando un ángel se le apareció en [+]
The goddess Flora is seated on steps or a kind of dais, holding a cornucopia of flowers and distributing blossoms among the women gathered before her. This is a collaborative work between two Neapolit [+]
Luca Giordano decorated three spaces in the Casón, an outbuilding of the Buen Retiro Palace, Madrid. The first was the central hall, which still exists, where he painted the fresco Apotheosis o [+]
