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Saint Mary of Egypt
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Saint Mary of Egypt
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

The painting is among a group of eight full-length single-figure composition of saints by Ribera that in 1658 were in the Madrid collection of Don Jerónimo de la Torre, a member of the Royal Co [+]

Penitent Magdalen
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Penitent Magdalen
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

Traditionally identified as the woman who was a sinner and wept on Christ’s feet and wiped away her tears with her hair (Luke 7:36-50), Mary Magdalene is shown here as the hermit saint she became upon [+]

Saint Bartholomew
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Saint Bartholomew
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

The saint in this painting can be identified by the knife in his right hand - the tool with which he was skinned. The work is part of a set of four hermits, although it is unusual to see this saint re [+]

Cardinal Juan Everardo Nithard
Oil on canvas. 1674
Arco, Alonso del
Cardinal Juan Everardo Nithard
Oil on canvas. 1674
Arco, Alonso del

Born to an Austrian Catholic family, Juan Everardo Nithard (Falkenstein, 1607-Rome, 1681)became a Jesuit. His solid grounding in theology led Emperor Ferdinand III to appoint him confessor to his chil [+]

Charles II, King of Spain, on Horseback
Oil on canvas. Ca. 1693
Giordano, Luca
Charles II, King of Spain, on Horseback
Oil on canvas. Ca. 1693
Giordano, Luca

Luca Giordano (1634-1705) made an equestrian portrait of Charles II for the Hall of Mirrors at Madrid’s Alcázar palace to emphasize the dynastic continuum in which Charles II constituted the la [+]

Henry IV
Oil on canvas. Second half of the XVII century
Arco, Alonso del
Henry IV
Oil on canvas. Second half of the XVII century
Arco, Alonso del

This heroic full-length portrait presents the king under a red-and-gold curtain with a landscape in the background. He wears a crown and, under a blue tunic, armor. His right hand rests on the head of [+]

Saint John the Baptist in the Desert
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Saint John the Baptist in the Desert
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

The painting is among a group of eight full-length single-figure composition of saints by Ribera that in 1658 were in the Madrid collection of Don Jerónimo de la Torre, a member of the Royal Co [+]

Maria Anna of Neuburg, Queen of Spain, on Horseback
Oil on canvas. Ca. 1693
Giordano, Luca
Maria Anna of Neuburg, Queen of Spain, on Horseback
Oil on canvas. Ca. 1693
Giordano, Luca

La reina Mariana de Neoburgo (1664-1740), segunda esposa de Carlos II, lujosamente vestida, cabalga sobre un hermoso caballo blanco. Es evidente en él el deseo de imitar o emular a Velázquez, pues la [+]

Louis XIV of France
Oil on canvas. 1701
Rigaud, Hyacinthe
Louis XIV of France
Oil on canvas. 1701
Rigaud, Hyacinthe

The absolute protagonist of this canvas is the Sun King, who governed France from 1643 to 1715. He was only five years old when he took the throne after the death of his father, Louis XIII, but the ea [+]

Octagonal coffer with engraving and cameos
Albumen on photographic paper. Ca. 1879
Delabarre, Pierre -Sculptor- (Circle Of); Anonymous; Laurent y Minier, Juan
Octagonal coffer with engraving and cameos
Albumen on photographic paper. Ca. 1879
Delabarre, Pierre -Sculptor- (Circle Of); Anonymous; Laurent y Minier, Juan

[+]

Sacerdote de Isis
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Sacerdote de Isis
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Life study
Black chalk, White chalk on grey paper. 1704
Conchillos y Falcó, Juan
Life study
Black chalk, White chalk on grey paper. 1704
Conchillos y Falcó, Juan

Estudio en el que se representa una figura masculina de pie, de espaldas, con los brazos alzados en actitud de golpear algo. (Texto extractado de Pérez Sánchez, A. E., Catálogo de dibujos. I. Dibujos [+]

Life study
Black chalk, White chalk on grey paper. 1704
Conchillos y Falcó, Juan
Life study
Black chalk, White chalk on grey paper. 1704
Conchillos y Falcó, Juan

Dibujo en el que se representa una figura masculina que con un manto sobre el hombro izquierdo, avanza hacia la derecha con la cabeza vuelta hacia el fondo. (Texto extractado de Pérez Sánchez, A. E., [+]

The Virgin and Child with Saints
Pencil, Grey-brown wash on white paper. Ca. 1709
Maratta, Carlo
The Virgin and Child with Saints
Pencil, Grey-brown wash on white paper. Ca. 1709
Maratta, Carlo

Dibujo que es preparatorio para una de las últimas obras de Maratti, la Virgen con Santos del altar mayor de la iglesia de San Felipe Neri en Turín, fechada entre 1700 y 1709. Encargado por el príncip [+]

The Muse Talía
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Talía
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Terpsichore
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Terpsichore
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Euterpe
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Euterpe
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Diana de Bubaste
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Diana de Bubaste
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

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