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Louis I, Prince of Asturias
Oil on canvas. 1717
Houasse, Michel-Ange
Louis I, Prince of Asturias
Oil on canvas. 1717
Houasse, Michel-Ange

Michel-Ange Houasse, son of the painter René-Antoine Houasse (c.1645-1710), had enjoyed a long career during the reign of Louis XIV of France (r.1643-1715). From 1715 until his death, Michel-An [+]

Petronella de Waert
Oil on canvas. 1670
Borch II, Gerard Ter
Petronella de Waert
Oil on canvas. 1670
Borch II, Gerard Ter

This painting formed part of the collection of the Marquis of Castro-Serna (Madrid) where, according to Michel (1887) -who repeats information given by Alfonso de Stuers- it appeared in 1887 as a pend [+]

Garland of Flowers with Saint Anthony of Padua
Oil on canvas. After 1689
Pérez, Bartolomé
Garland of Flowers with Saint Anthony of Padua
Oil on canvas. After 1689
Pérez, Bartolomé

This is one of the artist’s later works. It must date from 1689 at the very earliest, as that is the year he became one of the king’s painters and this is indicated alongside his signature by the lett [+]

The Battle of Almansa
Oil on canvas. 1709
Ligli, Buonaventura; Pallotta, Filippo
The Battle of Almansa
Oil on canvas. 1709
Ligli, Buonaventura; Pallotta, Filippo

Painted by Bonaventura Ligli after a drawing of Filippo Pallotta, who witnessed the historical event of the Battle of Almansa in 1707, with whose instructions Ligli made the painting, practically limi [+]

Desecration of the Crucifix or Christ of the Insults
Oil on canvas. XVII century
Camilo, Francisco
Desecration of the Crucifix or Christ of the Insults
Oil on canvas. XVII century
Camilo, Francisco

This is a very significant example of Camilo´s skill at representing uncommon narrative events. It presents one of the episodes in the story of desecration and offense to a crucifix by a family of Por [+]

The Virgin and Child with Saints
Pencil, Grey-brown wash on white paper. Ca. 1709
Maratta, Carlo
The Virgin and Child with Saints
Pencil, Grey-brown wash on white paper. Ca. 1709
Maratta, Carlo

Dibujo que es preparatorio para una de las últimas obras de Maratti, la Virgen con Santos del altar mayor de la iglesia de San Felipe Neri en Turín, fechada entre 1700 y 1709. Encargado por el príncip [+]

Sardonyx cup with eagle's head
Gold, Ruby, Diamond, Emerald, Ágata sardónice, Enamel. 323 A.C. - 321 a.C.
Belle, Josias (?); Hellenistic Workshop (?); Taller Parisino
Sardonyx cup with eagle's head
Gold, Ruby, Diamond, Emerald, Ágata sardónice, Enamel. 323 A.C. - 321 a.C.
Belle, Josias (?); Hellenistic Workshop (?); Taller Parisino

The vessel, similar to O44, is formed by three fragments of agate and five enamelled gold mounts. The body is an ancient piece of stone with a broad gold mount on the edge decorated with an enamelled [+]

Cup with dolphin-shaped handles
Gold, Omphacite. Ca. 1540
Workshop Of The Miseroni
Cup with dolphin-shaped handles
Gold, Omphacite. Ca. 1540
Workshop Of The Miseroni

Vessel made up of two pieces of stone and a gold mount. The bowl has an oval mouth and semicircular profile ending in a flat plane from which the neck rises, crowned by a broad flared lip. At each end [+]

Gadrooned sardonyx cup with an eagle’s head
Gold, Ruby, Diamond, Emerald, Ágata sardónice. S IV - V century
Belle, Josias (?); Anonymous; Taller Parisino
Gadrooned sardonyx cup with an eagle’s head
Gold, Ruby, Diamond, Emerald, Ágata sardónice. S IV - V century
Belle, Josias (?); Anonymous; Taller Parisino

The vessel is formed by three pieces of agate in different tones and four enamelled gold mounts. The body is an ancient piece of sardonyx decorated with concave gadroons and darts. A broad gold mount [+]

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