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Red Bream
Oil on panel. Ca. 1800
Montalvo, Bartolomé
Red Bream
Oil on panel. Ca. 1800
Montalvo, Bartolomé

Court painter to Ferdinand VII, Montalvo made use of formats traditional to Spanish still-life painting until well into the nineteenth century. Here he reveals the influence of Luis Meléndez (1 [+]

The Drunken Mason
Oil on canvas. 1786
Goya y Lucientes, Francisco de
The Drunken Mason
Oil on canvas. 1786
Goya y Lucientes, Francisco de

A drunken mason is carried off the building site by two of his companions, who cannot repress their smirks at the drunk´s situation: he lacks his trousers and his stockings have fallen down. Thi [+]

Marriage Contract and Country Dance
Oil on canvas. Ca. 1711
Watteau, Jean-Antoine
Marriage Contract and Country Dance
Oil on canvas. Ca. 1711
Watteau, Jean-Antoine

Known as a painter of “fêtes galantes”, Watteau combines a depiction of a marriage ceremony with a cheerful country dance. His composition recalls numerous scenes in Flemish painting, as does th [+]

The Game of Horse and Rider
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de
The Game of Horse and Rider
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de

Five boys play at riding on each other´s shoulders in the game called “Chicken Fights” or “Horse and Rider” in a setting of hills and woods. This work is one of the cartoons for a series of gay, [+]

Blind Man’s Buff
Oil on canvas. 1788
Goya y Lucientes, Francisco de
Blind Man’s Buff
Oil on canvas. 1788
Goya y Lucientes, Francisco de

A circle of ten Majos and Majas play blind man´s buff on the banks of what may be the Manzanares River. This work is the only sketch for the cartoon Goya painted for a series of playful and gay [+]

Carlos IV
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de
Carlos IV
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de

A portrait of King Carlos IV (1784-1819) wearing red velvet and decorated with the Golden Fleece, on a background of curtains that partially hide a crown at the right edge of the composition. This wor [+]

Queen María Luisa in a Dress with hooped Skirt
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de
Queen María Luisa in a Dress with hooped Skirt
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de

A full-length portrait of Queen María Luis de Parma (1751-1819), wife of King Carlos IV (1748-1819), wearing a large feathered hat and French lace, with a seventeenth-century style bustle and t [+]

The Meadow of San Isidro
Oil on unlined canvas. 1788
Goya y Lucientes, Francisco de
The Meadow of San Isidro
Oil on unlined canvas. 1788
Goya y Lucientes, Francisco de

Goya never actually painted the cartoon for this scene, which is one of his masterpieces, and the most popular of a series intended for the bedroom of the infantas in Madrid's El Pardo Palace. The pro [+]

Charles III in Hunting Dress
Oil on canvas. Ca. 1786
Goya y Lucientes, Francisco de
Charles III in Hunting Dress
Oil on canvas. Ca. 1786
Goya y Lucientes, Francisco de

A portrait of King Charles III (1716-1788), son of Philip V and Elizabeth of Farnesio, shortly before he died in Madrid on December 14, 1788. The king appears in a royal hunting preserve, either aroun [+]

The Spinners, or the Fable of Arachne
Oil on canvas. 1655 - 1660
Velázquez, Diego Rodríguez de Silva y
The Spinners, or the Fable of Arachne
Oil on canvas. 1655 - 1660
Velázquez, Diego Rodríguez de Silva y

This painting is the result of two acts carried out in different periods. First, Velázquez painted the surface occupied by the figures and the tapestry in the background. Later, in the 18th cen [+]

Portrait of Charles III as Infante
Oil on canvas. Ca. 1725
Ranc, Jean
Portrait of Charles III as Infante
Oil on canvas. Ca. 1725
Ranc, Jean

This portrait of a young Charles III is typical of Ranc´s portraits of children. It shows the future monarch as an Infante, years before his departure for Parma and Naples to occupy thrones his mother [+]

Charles III dining before the Court
Oil on panel. Ca. 1775
Paret y Alcázar, Luis
Charles III dining before the Court
Oil on panel. Ca. 1775
Paret y Alcázar, Luis

In this painting, Paret invites us to attend a daily ritual at the Royal Palace in Madrid. Spain’s King Charles III (1716-1788) sits at the table in presence of his ministers, ambassadors, servants an [+]

Departure of Charles of Bourbon for Spain, seen from the Harbour
Oil on canvas. 1759
Joli, Antonio
Departure of Charles of Bourbon for Spain, seen from the Harbour
Oil on canvas. 1759
Joli, Antonio

A depiction of the port of Naples on 6 October 1759, when Charles of Bourbon (1716-1788) left for Spain, where he would reign under the name of Carlos III. son of Felipe V (1683-1746) and Isabel de Fa [+]

María Teresa de Vallabriga
Oil on walnut panel. 1783
Goya y Lucientes, Francisco de
María Teresa de Vallabriga
Oil on walnut panel. 1783
Goya y Lucientes, Francisco de

María Teresa Vallabriga y Rozas (1759-1820), was the wife of the infante Luis de Borbón (1727-1785), the brother of King Carlos III (1716-1788). As a member of the lower nobility, he was [+]

Cardinal Borja
Oil on canvas. Ca. 1721
Procaccini, Andrea
Cardinal Borja
Oil on canvas. Ca. 1721
Procaccini, Andrea

A portrait of Cardinal Carlos de Borja Cetellas Ponce de León (1664-1733), son of the IX Duke of Gandia. He was one of the most influential personages in Spain during the first half of the eigh [+]

Charles III as a Boy in his Study
Oil on canvas. Ca. 1724
Ranc, Jean
Charles III as a Boy in his Study
Oil on canvas. Ca. 1724
Ranc, Jean

Dressed in blue, a Bourbon colour, Charles wears the Golden Fleece and the Order of the Saint-Esprit. The lily is a dynastic emblem while the jasmine, anemones, narcissi, pinks and roses are attribute [+]

Gabriel of Bourbon and Saxony, Infante of Spain
Oil on canvas. 1767
Mengs, Anton Raphael
Gabriel of Bourbon and Saxony, Infante of Spain
Oil on canvas. 1767
Mengs, Anton Raphael

Son of Charles III and Maria Amalia of Saxony, Gabriel (1752-1788) was a celebrated patron of art and a translator of the Roman historian Sallust. He wears the Cross of Malta together with the insigni [+]

Study for the dead Christ
Black chalk, Touches of white chalk on ivory laid paper. 1768
Mengs, Anton Raphael
Study for the dead Christ
Black chalk, Touches of white chalk on ivory laid paper. 1768
Mengs, Anton Raphael

Neoclassical painter Anton Raphael Mengs spent some eleven years in Spain -from 1761 to 1769, and again from 1774 to 1777- working primarily on the decoration of Madrid’s Royal Palace for King Charles [+]

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