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This likeness of the Franciscan clergyman is a significant example of elongated bust portraits that are quiet customary in the Western figurative tradition. Such works allow a closer approach to the m [+]
This portrait of Philip V is based on a prototype devised by Meléndez in the 1720s. It combines a French model with the use of broad, zig-zagging brushstrokes typical of the Madrid Baroque styl [+]
The painting is among a group of eight full-length single-figure composition of saints by Ribera that in 1658 were in the Madrid collection of Don Jerónimo de la Torre, a member of the Royal Co [+]
Traditionally identified as the woman who was a sinner and wept on Christ’s feet and wiped away her tears with her hair (Luke 7:36-50), Mary Magdalene is shown here as the hermit saint she became upon [+]
The saint in this painting can be identified by the knife in his right hand - the tool with which he was skinned. The work is part of a set of four hermits, although it is unusual to see this saint re [+]
Saint Peter lies in prison where his sleep is interrupted by an angel who frees him. This subject allows Ribera to create a work in which he can show the very best of his mature style. The work combin [+]
Daughter of Philip V and Isabella Farnese, the sitter was born in 1718. At the age of four her marriage to Louis XV was arranged, but this was broken off when she was seven for reasons of internationa [+]
The painting is among a group of eight full-length single-figure composition of saints by Ribera that in 1658 were in the Madrid collection of Don Jerónimo de la Torre, a member of the Royal Co [+]
The brightly lit figure of Isabella Farnese stands out strongly against a dark background. Her face conforms to the highly idealised and slightly inexpressive prototype that Meléndez used in hi [+]
This painting tells of Jacob the Patriarch´s mysterious dream, as told in Genesis. He appears asleep, lying on his left shoulder with a tree behind him. On the other side is the ladder of light, by wh [+]
This is an extremely spontaneous and lively preparatory study for a now lost, larger painting. Seated in an imaginary room in a palace are Philip V and his second wife Isabella Farnese. Around them ar [+]
Wearing half-armour and accompanied by an adjutant, the King is presented against a scene of battle with cavalry troops behind him in the panoramic background. Above the monarch, a winged Victory figu [+]
Maria Beatrice Eleonora Anna Margareta Elisabeta d´Este was born in Modena in 1658 and died in Paris in 1718. She was the daughter of Alfonso IV, Duke of Modena, and Laura Martinozzi, and was th [+]
Son of Philip V and María Luisa Gabriela de Saboya, Ferdinand VI (reigned 1746-59) became Prince of Asturias in 1724 and married María Bárbara de Braganza, Infanta of Portugal. He [+]
El cuadro pintura presenta al rey Felipe V a caballo como general al mando de las tropas españolas en el campo de batalla. Le acompaña un paje, también a caballo, que sostiene el yelmo del soberano. S [+]
Preparatory drawing for Capricho 42. The abuse of ordinary people by those in power and the ignorance that perpetuates this system of exploitation are recurring themes in the Caprichos. Here, asses re [+]
