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Ruins with the Pyramid of Gaius Cestius
Oil on canvas. Ca. 1730
Panini, Giovanni Paolo
Ruins with the Pyramid of Gaius Cestius
Oil on canvas. Ca. 1730
Panini, Giovanni Paolo

This “architectural capriccio”, a popular genre in the eighteenth century due to its evocative combination of reality and fantasy, depicts an imaginary landscape with the Pyramid of Gaius Cestius in R [+]

Don Quixote Dubbed a Knight
Oil on canvas. Ca. 1720
Iriarte, Valero
Don Quixote Dubbed a Knight
Oil on canvas. Ca. 1720
Iriarte, Valero

The scene, with a distinctly genre flavour, depicts a passage from Don Quixote by Miguel de Cervantes (1547-1616). The main figure, wearing armour, kneels awaiting to be dubbed a knight; the amusing f [+]

Don Quixote at the Inn
Oil on canvas. Ca. 1720
Iriarte, Valero
Don Quixote at the Inn
Oil on canvas. Ca. 1720
Iriarte, Valero

This work belongs to a series inspired by passages from Don Quixote portrayed with the same satirical humour as in Cervantes´text. The famous knight, seated at a table, is served by innkeepers in a pa [+]

Saint John the Baptist
Oil on canvas. Ca. 1730
Solimena, Francesco
Saint John the Baptist
Oil on canvas. Ca. 1730
Solimena, Francesco

San Juan Bautista aparece de medio cuerpo junto al Agnus Dei y portando en su mano izquierda el hitón, ambos como atributos de este personaje. Se trata de una obra característica de este artista, tant [+]

The Meadow of San Isidro
Oil on canvas. 1785
Castillo, José del
The Meadow of San Isidro
Oil on canvas. 1785
Castillo, José del

This work is a preparatory sketch for a tapestry of extraordinary dimensions -nearly eight metres in length and over three metres tall- intended for the bedchamber of the Prince and Princess of Asturi [+]

The Assumption of the Virgin
Oil on canvas. Second half of the XVII - Primer cuarto del siglo XVIII century
Ferrari, Gregorio de
The Assumption of the Virgin
Oil on canvas. Second half of the XVII - Primer cuarto del siglo XVIII century
Ferrari, Gregorio de

[+]

Mariana Victoria of Spain
Oil on canvas. 1724
Largillierre, Nicolas de
Mariana Victoria of Spain
Oil on canvas. 1724
Largillierre, Nicolas de

Daughter of Philip V and Isabella Farnese, the sitter was born in 1718. At the age of four her marriage to Louis XV was arranged, but this was broken off when she was seven for reasons of internationa [+]

Maria Ana Victoria of Bourbon (Future Queen of Portugal) as a Child
Oil on canvas. 1725
Ranc, Jean
Maria Ana Victoria of Bourbon (Future Queen of Portugal) as a Child
Oil on canvas. 1725
Ranc, Jean

In this slightly more than half-length portrait, she wears a blue velvet dress with gold embroidery and reddish robes. The carnation in her left hand is a traditional symbol of betrothal in portraits [+]

Barbara of Braganza, Queen of Spain
Oil on canvas. 1725
Duprà, Domenico
Barbara of Braganza, Queen of Spain
Oil on canvas. 1725
Duprà, Domenico

Barbara of Braganza was an Infanta of Portugal, daughter of King Juan V of Portugal and of María Ana Josefa, Archduchess of Austria. Queen of Spain by marriage to Ferdinand VI of Spain.In 1725 [+]

Ferdinand of Bourbon and Savoy, Prince of Asturias (later Ferdinand VI of Spain)
Oil on canvas. 1725
Ranc, Jean
Ferdinand of Bourbon and Savoy, Prince of Asturias (later Ferdinand VI of Spain)
Oil on canvas. 1725
Ranc, Jean

One of the artist’s few signed works, Ranc’s depiction of the Prince of Asturias, later Ferdinand VI of Spain, subtly balances the sitter’s youthful grace and the symbolic significance of his role. Th [+]

Saint Catherine
Oil on canvas. Second half of the XVII - Primer cuarto del siglo XVIII century
Luti, Benedetto (Attributed To)
Saint Catherine
Oil on canvas. Second half of the XVII - Primer cuarto del siglo XVIII century
Luti, Benedetto (Attributed To)

[+]

Hercules
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Hercules
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio
Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio

La figura en pie en el centro lleva en la mano una espada flameante, y en la izquierda, el escudo; en la parte baja, las figuras de los demonios, desnudos y contorsionados, ofrecen resistencia al arcá [+]

Jacob’s Dream
Ink, Grey-brown wash on dark yellow paper. Ca. 1720
Pò, Giacomo del
Jacob’s Dream
Ink, Grey-brown wash on dark yellow paper. Ca. 1720
Pò, Giacomo del

En la parte baja, Jacob recostado en tierra dormido y tras él la escala con los ángeles que suben y bajan, y en lo alto, Dios Padre.Atribuido de antiguo a Gaulli y publicado como tal, ha de ser consid [+]

The Assumption of the Virgin
Pencil, Pencil strokes, Grey-brown wash on dark yellow paper. First quarter of the XVIII century
Masucci, Agostino
The Assumption of the Virgin
Pencil, Pencil strokes, Grey-brown wash on dark yellow paper. First quarter of the XVIII century
Masucci, Agostino

La composición incluida en un rectángulo terminado en un arco mixtilíneo por ambos lados. En la parte baja, los apóstoles en pie, arrodillados y sentados rodean el sepulcro vacío de la Virgen, del que [+]

Mercurio, variante del ''Hermes Andros-Farnese''
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Mercurio, variante del ''Hermes Andros-Farnese''
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Hercules
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Hercules
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Athena Promachos
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Athena Promachos
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

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