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A Spinner
Oil on canvas. 1700 - 1730
Cipper, Giacomo Francesco
A Spinner
Oil on canvas. 1700 - 1730
Cipper, Giacomo Francesco

The girl’s rags, which signal her poverty, contrast with the cheerfully elegant way she handles the thread. This novel representation of a woman performing a domestic task anticipates the delicacy wit [+]

Ruins with a Woman preaching (a Sibyl?)
Oil on canvas. Ca. 1735
Panini, Giovanni Paolo
Ruins with a Woman preaching (a Sibyl?)
Oil on canvas. Ca. 1735
Panini, Giovanni Paolo

The principal focus of this canvas and its pair, Ruins with Saint Paul preaching, is the splendour of Roman ruins and the evocation of the classical tradition. Within a setting of archaeological remai [+]

Don Quixote at the Inn
Oil on canvas. Ca. 1720
Iriarte, Valero
Don Quixote at the Inn
Oil on canvas. Ca. 1720
Iriarte, Valero

This work belongs to a series inspired by passages from Don Quixote portrayed with the same satirical humour as in Cervantes´text. The famous knight, seated at a table, is served by innkeepers in a pa [+]

Portrait of Charles III as Infante
Oil on canvas. Ca. 1725
Ranc, Jean
Portrait of Charles III as Infante
Oil on canvas. Ca. 1725
Ranc, Jean

This portrait of a young Charles III is typical of Ranc´s portraits of children. It shows the future monarch as an Infante, years before his departure for Parma and Naples to occupy thrones his mother [+]

The Young Charles III with a Helmet and Sword
Oil on canvas. Ca. 1725
Ranc, Jean
The Young Charles III with a Helmet and Sword
Oil on canvas. Ca. 1725
Ranc, Jean

The young sitter, here slightly older than in the portrait of him in his study also painted by Ranc (Museo del Prado), is shown with the symbols of military power: a helmet, a sword resting on a large [+]

Christ casting the Money Changers out of the Temple
Oil on canvas. Ca. 1725
Panini, Giovanni Paolo
Christ casting the Money Changers out of the Temple
Oil on canvas. Ca. 1725
Panini, Giovanni Paolo

Panini depicts the New Testament episode of Christ expelling the traders and money-changers from the Temple. The canvas may be a preliminary sketch for a larger composition. It was acquired by Charles [+]

The Bridegroom and the foolish Virgins
Oil on canvas. 1730 - 1769
Fontebasso, Francesco
The Bridegroom and the foolish Virgins
Oil on canvas. 1730 - 1769
Fontebasso, Francesco

With the luminous serenity typical of Venetian painting, Fontebasso depicts this parable from the Gospel of Saint Matthew (25: 1-13). The bridegroom, who resembles standard images of Christ, has alrea [+]

Christ among the Doctors
Oil on canvas. Ca. 1725
Panini, Giovanni Paolo
Christ among the Doctors
Oil on canvas. Ca. 1725
Panini, Giovanni Paolo

Esta escena bíblica, perteneciente al Nuevo Testamento, refleja una anécdota de la juventud de Cristo, cuando estuvo disputando por cuestiones religiosas con los doctores judíos de la ley Mosaica, en [+]

Ruins with Saint Paul preaching
Oil on canvas. Ca. 1735
Panini, Giovanni Paolo
Ruins with Saint Paul preaching
Oil on canvas. Ca. 1735
Panini, Giovanni Paolo

This canvas forms a pair with that of Ruins with a Woman preaching. It depicts the Apostle Paul preaching, standing between the portico of a ruined temple and the temple of Vesta with the pyramid of G [+]

Luis de Góngora
Oil on canvas. After 1622
Anonymous (Copy After Velázquez, Diego Rodríguez de Silva y)
Luis de Góngora
Oil on canvas. After 1622
Anonymous (Copy After Velázquez, Diego Rodríguez de Silva y)

By 1599, Francisco Pacheco had already begun work on his Libro de descripción de verdaderos retratos de ilustres y memorables varones (Book of Descriptions of True Portraits of Illustrious and [+]

Penitent Magdalen
Oil on canvas. Ca. 1725
Trevisani, Francesco
Penitent Magdalen
Oil on canvas. Ca. 1725
Trevisani, Francesco

Born in Slovenia, Trevisani studied painting in Venice and moved to Rome around 1678. This depiction of Mary Magdalene, a work that belonged to Philip IV, combines a Roman classicism with Trevisani’s [+]

Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio
Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio

La figura en pie en el centro lleva en la mano una espada flameante, y en la izquierda, el escudo; en la parte baja, las figuras de los demonios, desnudos y contorsionados, ofrecen resistencia al arcá [+]

Hadrian as a hero
White marble. Ca. 136
Roman Sculptor
Hadrian as a hero
White marble. Ca. 136
Roman Sculptor

In 136 A.D., two years before his death, Emperor Hadrian had the previous realism of his portraits replaced with an idealized image of him as a young hero. Gold coins with this portrait, minted during [+]

Painting and Music
Bronze. 1730 - 1740
Bertós, Francesco
Painting and Music
Bronze. 1730 - 1740
Bertós, Francesco

Owing to their ascending composition and their evidently decorative character, it is believed that these sculptural groups, the so-called Triumphs, were designed as table centrepieces. Like its pair ( [+]

The Art of War
Bronze. 1730 - 1740
Bertós, Francesco
The Art of War
Bronze. 1730 - 1740
Bertós, Francesco

The prime achievement of the Venetian sculptor Bertós was his Triumphs, virtuoso groups of cabinet sculptures formed by stylised figures intertwined in lively and complex compositions. This mag [+]

Sculpture, Arithmetics and Architecture
Bronze. 1730 - 1740
Bertós, Francesco
Sculpture, Arithmetics and Architecture
Bronze. 1730 - 1740
Bertós, Francesco

In this group, characteristic of the Venetian Bertós’s technical virtuosity, the allegories of the liberal arts are accompanied by personifications such as Perfection, Intellect, Truth and Valo [+]

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