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Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis
Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis

This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]

Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis
Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis

This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]

Jacob's Journey
Oil on canvas. Second half of the XVI century
Bassano, Francesco
Jacob's Journey
Oil on canvas. Second half of the XVI century
Bassano, Francesco

As Arslan points out, this is the best known version of the Partenza per Canaan (Venice, Palazzo Ducale; 150 x 205 cm) which Jacopo Bassano painted for the Venetian patrician Jacopo Contarini, whose d [+]

Francisco Pacheco
Oil on canvas. Ca. 1620
Velázquez, Diego Rodríguez de Silva y
Francisco Pacheco
Oil on canvas. Ca. 1620
Velázquez, Diego Rodríguez de Silva y

The second half of the 16th century and the first decades of the 17th saw the rise in Spain of male bust portraits in which the model normally appears against a neutral background with no elements to [+]

Bartolomé Esteban Murillo
Oil on canvas. XVIII century
Tobar, Alonso Miguel de
Bartolomé Esteban Murillo
Oil on canvas. XVIII century
Tobar, Alonso Miguel de

Copia de gran calidad, en la que aparece el pintor sevillano de medio cuerpo en un marco oval, situando la figura en un marco ilusionista, con efectos de trampantojo.Tobar retrató a importantes person [+]

The Immaculate Conception
Oil on canvas. 1733
Meléndez, Miguel Jacinto
The Immaculate Conception
Oil on canvas. 1733
Meléndez, Miguel Jacinto

Obra inspirada en un probable prototipo de Cerezo, conservado en la Hispanic Society de Nueva York, sin embargo prefigura ya una nueva estética dieciochesca. El vestido de la Inmaculada es de color pl [+]

Cardinal Borja
Oil on canvas. Ca. 1721
Procaccini, Andrea
Cardinal Borja
Oil on canvas. Ca. 1721
Procaccini, Andrea

A portrait of Cardinal Carlos de Borja Cetellas Ponce de León (1664-1733), son of the IX Duke of Gandia. He was one of the most influential personages in Spain during the first half of the eigh [+]

Moses Striking Water from the Rock
Oil on canvas. 1743 - 1744
Giaquinto, Corrado
Moses Striking Water from the Rock
Oil on canvas. 1743 - 1744
Giaquinto, Corrado

Moses Striking Water from the Rock and The Bronze Serpent are related to frescos on the same subjects in the apse of the basilica of Santa Croce in Gerusalemme in Rome. Those decorations commissioned [+]

Maria Teresa of Bourbon, Infanta of Spain (Future Dauphine of France)
Oil on canvas. 1729 - 1733
Ranc, Jean
Maria Teresa of Bourbon, Infanta of Spain (Future Dauphine of France)
Oil on canvas. 1729 - 1733
Ranc, Jean

The daughter of Philip V and Isabella Farnese, the sitter (1726-1746) married Louis Ferdinand, Dauphin of France. This portrait formed a pair with that of his brother Louis, a future cardinal. The for [+]

The Villa Martinelli and the Palace of the Duke of Aquale in Posillipo (Naples)
Oil on canvas. 1700 - 1733
Vanvitelli, Gaspare
The Villa Martinelli and the Palace of the Duke of Aquale in Posillipo (Naples)
Oil on canvas. 1700 - 1733
Vanvitelli, Gaspare

Gaspare Vanvitelli is unanimously considered the founder of the eighteenth-century urban veduta, which was based on close observation of views and drawing from life, including scenes of everyday event [+]

Rebecca and Eliezer
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
Rebecca and Eliezer
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

In his search for a wife for his master, Isaac, Eliezer encountered Rebecca, who offered him water from her pitcher by the well. The biblical account offered Murillo the perfect pretext for depicting [+]

The Grotto at Posillipo (Naples)
Oil on canvas. First third of the XVIII century
Vanvitelli, Gaspare
The Grotto at Posillipo (Naples)
Oil on canvas. First third of the XVIII century
Vanvitelli, Gaspare

Gaspare Vanvitelli is unanimously considered the founder of the eighteenth-century urban veduta, which was based on close observation of views and drawing from life, including scenes of everyday event [+]

Saint John the Baptist
Oil on canvas. Early XVII - Primer tercio del siglo XVIII century
Anonymous (Copy After Reni, Guido)
Saint John the Baptist
Oil on canvas. Early XVII - Primer tercio del siglo XVIII century
Anonymous (Copy After Reni, Guido)

San Juan Bautista aparece representado de medio cuerpo. Pérez Sánchez considera que la obra es copia de un original de Guido Reni, aunque no conoce ningún original que pueda citarse claramente como pr [+]

The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea
The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea

Es apunte preparatorio para el óvalo del mismo tema que realizó Procaccini sobre la puerta de la sacristía nueva de Santa Maria dell Orto. En la Academia de San Fernando de Madrid se conserva una seri [+]

Resurrection of Christ
Pencil, Red chalk, Grey-brown wash on dark yellow paper. First third of the XVIII century
Anonymous
Resurrection of Christ
Pencil, Red chalk, Grey-brown wash on dark yellow paper. First third of the XVIII century
Anonymous

En la parte baja y en primer término, un grupo de soldados rodea el sepulcro de Cristo unos dormidos y otros con gestos de asombro ante la Ascensión del Señor, que aparece entre nubes en la parte supe [+]

Saint Cecilia
Black chalk, White chalk on blue paper. First third of the XVIII century
Anonymous
Saint Cecilia
Black chalk, White chalk on blue paper. First third of the XVIII century
Anonymous

La composición perfectamente encuadrada. En el centro, Santa Cecilia, sentada y tocando un órgano, un angelito, ante ella, le muestra la partitura. Dibujo romano del primer tercio del siglo XVIII, que [+]

The Virgin and Child with Angels
Pencil, Grey wash, Grey-brown ink on white paper. First third of the XVIII century
Anonymous
The Virgin and Child with Angels
Pencil, Grey wash, Grey-brown ink on white paper. First third of the XVIII century
Anonymous

La Virgen, en pie a la derecha, sostiene al Niño sobre un cojín; dos ángeles arrodillados, le ofrecen frutos. La composición, enmarcada a pluma, es dibujo napolitano del primer tercio del siglo XVIII, [+]

Life study of a seated man with a staff
Charcoal, White chalk on wallpaper, laid paper. 1750 - 1800
Anonymous
Life study of a seated man with a staff
Charcoal, White chalk on wallpaper, laid paper. 1750 - 1800
Anonymous

El rostro es muy cercano a Anton von Maron (1733-1808). En este momento Mengs ya estaba en Roma y era Director de la Academia, por lo que seguramente eligió o influyó en la elección de esta postura. [+]

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