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This opulent still-life scene typical of the Baroque Flemish school includes a human figure and two animals, as was common in the period, in accordance with the tastes of the clients, whose wealth and [+]
Retrato de la segunda esposa del pintor Antonio Gonzalez Velázquez, Manuela María Teresa Cayetana Tolosa y Aviñón (Madrid, 11-7-1740 - Madrid, 7-12-1797), con quien casó el 8 de abril de 1745. De su m [+]
La infanta Catalina Micaela fue la menor de las dos hijas habidas en el matrimonio del rey Felipe II con su tercera esposa, Isabel de Valois. Nació en Madrid en 1567. Junto a su hermana mayor, Isabel [+]
Daughter of Charles III of Spain and Maria Amalia of Saxony, the sitter was born in Naples in 1745. In 1765 she married Leopold of Austria, Grand Duke of Tuscany, and bore sixteen children, including [+]
Both the large ruff the sitter is wearing and the technique used date this portrait to the beginning of the seventeenth century. The loose brushwork (in the form of subtle highlights, dabbing and smal [+]
In the centre of a rectangular surface Bosch incised a circle in which he depicted this scene of Extracting the stone of madness. The resulting image is a mirror that offers a reflection of folly and [+]
This image can be identified as that of a king and as a portrait of Philip IV on the basis of others of the monarch. In fact, nothing about the clothes or the sitter`s actions suggests his royal statu [+]
Brígida del Río was a well-known character in the late 16th century, as indicated by the descriptions of her in various literary and visual accounts; works that reflect a para-scientific [+]
Es un fragmento de una composición mayor. Figuró en la colección del duque del Arco (1745 y 1794). En 1818 consta en el Palacio de Aranjuez, desde donde es enviado al Museo (Texto extractado de Posada [+]
A court portrait of Queen Anne (1549-1580), the daughter of Emperor Maximilian II (1527-1576) and Maria of Austria (1528-1603), married her uncle Philip II in 1570; their son later became Philip III ( [+]
This characteristic portrait from the artist’s late phase depicts Beatrice van Hemmema. Born into a Frisian family, at a date prior to 1626 she married Robert de Vere, Earl of Oxford. In the context o [+]
The Virgin appears miraculously to Saint Bernard to offer him her milk as a reward for his praises and defense. The Saint is surprised while studying and falls to his knees. His desk and bookshelves a [+]
These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum’s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]
A sculptor is shown modeling (possibly in wax) a head of Philip IV, making this one of the most important 17th-century Spanish portraits of an artist. Besides its impeccable quality, this work is a ve [+]
Since it entered the Museum, this picture has been attributed to Michiel Jansz. van Mierevelt (1567-1641), but this ascription cannot be sustained. The type of modelling and the treatment of the light [+]
La efigie muestra al único hijo varón de Luis XV y de Maria Lecszinska, hija de Estanislao Lecszinski, rey de Polonia y más tarde duque de Lorena. Nació en Versalles el 4 de septiembre de 1729 y falle [+]
Considered a copy of a portrait by El Greco, the more detailed technique deployed here lacks the loose boldness of his brushstroke but the composition and some of the elements within it remain close t [+]
