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La retratada ha sido identificada por E. Puerto Mendoza (2020) con la archiduquesa María Ana de Austria (1683-1754), hija del emperador Leopoldo I y de Leonor de Neoburgo, lo que la convertía en sobri [+]
In the past various authors have expressed their scepticism about the attribution of the painting to Rembrandt. However, the Rembrandt Research Project includes it in the Corpus of 1986 as an original [+]
Una inscripción en su reverso vincula este óleo sobre cobre de pequeñas dimensiones con la pintora Caterina Cherubini Preciado, esposa del también pintor Francisco Preciado de la Vega desde 1750 y jun [+]
During his visit to Valencia in 1802, the Literary University of the city gave the King this painting which shows the university, personified as a young matron, introducing the royal family to the var [+]
This allegorical work, signed on the column lying on the ground in the centre of the composition, shows two women in Roman garb sitting on clouds. Representing Justice and Peace, they embrace and seem [+]
Born in 1727, Don Luis, son of Philip V and Isabella Farnese, was destined for an ecclesiastical career since childhood and is already shown here as a cardinal. He renounced his vows in 1754 and in 17 [+]
Son of Louis Fernande, Dauphin of France, and Maria Josefina of Saxony, Louis XVI was born in 1754 and married Marie Antoinette of Austria in 1770. His father died without acceding to the throne and L [+]
Son of the sculptor Pablo González Velázquez, a number of Antonio’s children also became artists. He trained in Rome with Corrado Giaquinto (1703-1766), achieving a notable command of fr [+]
Son of Philip V and Isabel Farnese, Louis Antonio of Bourbon was born July 25, 1727, became archbishop of Toledo on September 9, 1735, and became cardinal on December 9 of that year. In 1739, he also [+]
Corrado Giaquinto had frequent contacts with Spain as of 1735 or earlier. But the death of Jacopo Amigoni in 1752 led to his being summoned to Madrid the next year. During his stay in the Spanish Cour [+]
This architectural landscape showing the ancient Roman city of Benevento, near Naples, was painted around 1759 by Antonio Joli of Modena. A painter of theatre sets and vedute, Joli worked for theatres [+]
After a documented stay in Rome and a highly probable visit to Parma to study Correggio, Barocci returned to Urbino in 1576. When he painted this work for Francesco Maria II della Rovere, Duke of Urbi [+]
Disobeying God, Solomon loved numerous women, who convinced him to turn to the idolatry of the pagan gods. These gods are here symbolized by Diana and Minerva, to whom Solomon dedicated a temple outsi [+]
On August 10, 1759, Ferdinand VI died without a descendant. As a result, his stepbrother Charles, then King of Naples and Sicily, inherited the Spanish throne. The first of seven children of Philip V [+]
This refined portrait is the only one known to date of the Marquis of Esquilache (1699-1785). He accompanied Charles III to Madrid and was appointed Minister of the Treasury. The inkwell and staff of [+]
Esta obra y su compañera (P05261) forman parte del encargo comenzado en 1748 para la entonces denominada Sala de Conversación, actual Comedor de Gala, del Palacio de Aranjuez. Allí llevó a cabo la dec [+]
In this complex allegory, Mars, the god of war, is rejected by his lover Venus, who symbolises the peace painted by Rubens (1577-1640). On the ground at the lower edge we see objects destroyed by war: [+]
Painted with remarkable delicacy, probably from life, in this panel Mengs captures the artless fascination with which the saint presents to the world the message of the Redeemer’s arrival, inscribed o [+]
