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The Trinity
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Trinity
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Supported by an angel and accompanied by a youthful angel holding the crown of thorns, the dead Christ lies on the orb of the world before God the Father and the dove of the Holy Spirit. The expressiv [+]

Ferdinand VI and Barbara of Braganza in the Gardens of Aranjuez
Oil on canvas. 1756
Battaglioli, Francesco
Ferdinand VI and Barbara of Braganza in the Gardens of Aranjuez
Oil on canvas. 1756
Battaglioli, Francesco

This view of Aranjuez Palace was painted in 1756, on the occasion of the celebration of the saint´s day of King Fernando VI (1713-1759). This work was one of a group of views of the Palace and of the [+]

The Battle of Clavijo
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Battle of Clavijo
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Mounted on a white steed and flanked by an angel bearing a flag, Saint James gallops over a multitude of fallen Moors and horses. The battle scene occupies a rocky landscape in the middle ground. This [+]

View of The Palace of Aranjuez
Oil on canvas. 1756
Battaglioli, Francesco
View of The Palace of Aranjuez
Oil on canvas. 1756
Battaglioli, Francesco

This view of Aranjuez Palace was painted in 1756, on the occasion of the celebration of the saint´s day of King Fernando VI (1713-1759). This work was one of a group of views of the Palace and of the [+]

The Glory of Saints
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Glory of Saints
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Standing on clouds at the center of the composition, Moses points toward the sunbeams shining down from the sky. Beneath him, Abraham and Isaac are accompanied by the sacrificial lamb. To the left of [+]

Maria Amalia of Saxony
Oil on unlined canvas. Ca. 1761
Mengs, Anton Raphael
Maria Amalia of Saxony
Oil on unlined canvas. Ca. 1761
Mengs, Anton Raphael

A frontal view of the Queen. She sits, wearing a red silk dress with white sleeves and bonnet. Her right arm rests very naturally on a table, while her left holds a book. She is marking one of the pag [+]

José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de
José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de

José Álvarez de Toledo, Duke of Alba and XI Marquis of Villafranca was the husband of María Teresa de Silva, Duchess of Alba. He is portrayed full length, wearing a yellowish froc [+]

The road near Villerville (Normandy)
Oil on canvas mounted on panel. Ca. 1877
Haes, Carlos de
The road near Villerville (Normandy)
Oil on canvas mounted on panel. Ca. 1877
Haes, Carlos de

These are instantaneous sketches taken directly from nature, here on the coast, in the French countryside, and in the mountains of Picos de Europa. Haes was a moving force in the transformation of lan [+]

Visit of Queen Maria Amalia of Saxony to the Arch of Trajan in Benevento
Oil on canvas. Ca. 1759
Joli, Antonio
Visit of Queen Maria Amalia of Saxony to the Arch of Trajan in Benevento
Oil on canvas. Ca. 1759
Joli, Antonio

This architectural landscape showing the ancient Roman city of Benevento, near Naples, was painted around 1759 by Antonio Joli of Modena. A painter of theatre sets and vedute, Joli worked for theatres [+]

Seville Surrenders to the king, Saint Ferdinand
Oil on canvas. Second half of the XVIII century
Flipart, Charles-Joseph
Seville Surrenders to the king, Saint Ferdinand
Oil on canvas. Second half of the XVIII century
Flipart, Charles-Joseph

Ferdinand III bears a sword and the globe of the world in his hands while the kneeling Moorish king presents him the keys to the city, visible in the background. A lion appears on the left, and each k [+]

Portrait of a Clergyman
Oil on canvas. 1756 - 1760
Reynolds, Sir Joshua
Portrait of a Clergyman
Oil on canvas. 1756 - 1760
Reynolds, Sir Joshua

This is an early work by Reynolds. It lacks the verve and brilliance of his later output but is imbued with a direct, intimate mood and a degree of psychological insight. The light functions to highli [+]

Pietà
Oil on canvas. Ca. 1756
Giaquinto, Corrado
Pietà
Oil on canvas. Ca. 1756
Giaquinto, Corrado

A Pietà made by this Neapolitan painter during his stay in Madrid (1753-1763). The group of Christ and the angel holding him corresponds to the fresco of the Holy Trinity in the chapel at Madri [+]

José Moñino, First Count of Floridablanca
Oil on canvas. 1783
Goya y Lucientes, Francisco de
José Moñino, First Count of Floridablanca
Oil on canvas. 1783
Goya y Lucientes, Francisco de

Born in 1728, José Moñino studied law in his native city of Murcia, and in Orihuela. In 1756 he was appointed Attorney to the Coucil of Castile and in 1766, Procurer of Castile. As Spain [+]

The Surrender of Bailén
Oil on canvas. 1864
Casado del Alisal, José
The Surrender of Bailén
Oil on canvas. 1864
Casado del Alisal, José

With this canvas painted in Paris, Casado del Alisal reached his own understanding of Velázquez, bringing a new realism to Spanish history painting. But here, rather than reflecting history pai [+]

For Moving His Tongue in a Different Way
Brush, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
For Moving His Tongue in a Different Way
Brush, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Many of the drawings from what is known as Album C show prisoners tortured and condemned by the Inquisition. Specifically, the drawings from plates 85 through 114 offer a critical overview consistent [+]

Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

This is one of a group of drawings from Album C -numbers 85 through 114- offering images of people tortured by the Inquisition. Their critical view is consistent with the ideas that Juan Antonio Llore [+]

Philosophy
Marble. 1753 - 1756
Ortiz, Fernando
Philosophy
Marble. 1753 - 1756
Ortiz, Fernando

The figure of Philosophy, personified by the woman in the centre, holds a sceptre, book and hourglass. Accompanying her are, amongst other figures, the Greek philosopher Theophrastus, considered the f [+]

Wine-bottle cooler
Hard-paste. 1760
Aloncle, François-Joseph
Wine-bottle cooler
Hard-paste. 1760
Aloncle, François-Joseph

De orígenes modestos, la fábrica de porcelana de Sèvres obtuvo en 1745 un privilegio para hacer porcelana a la manera sajona y a la manera China. Fue Madame de Pompadour quien logró que se le concedie [+]

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