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In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-d [+]
This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]
Three figures enjoy tobacco in an expressive manner in the foreground while an onlooker leans through the window. Around a table in the background, another group of figures drinks or plays cards. This [+]
Ferdinand IV (1751-1825) was the third son of Charles VII of Naples and his wife, Maria Amalia of Saxony. When his father acceded to the Spanish throne as Charles III in 1759, he became king of Naples [+]
This is a sketch for a no-longer extant painting on canvas intended to decorate a ceiling in a building of the imperial court of Russia, whose memory is preserved in an engraving made by Giambattista& [+]
The inclusion of insects in floral still lifes gave them a powerful sense of reality and lifelikeness. Here Brueghel also included a frog and an object that may be an egg or possibly a bezoar, a concr [+]
On entering the Museum this painting was inventoried as a product of the Sevillian school, though the 1876 catalogue lists it as a work executed in the style of Jan Both. Valdivieso (1973) considers i [+]
A male figure smokes and drinks, directing an expressive glace at the viewer. Behind him, a companion is inside a tavern filled with vats, basins and barrels. The protagonist has been identified as a [+]
This view of Aranjuez Palace was painted in 1756, on the occasion of the celebration of the saint´s day of King Fernando VI (1713-1759). This work was one of a group of views of the Palace and of the [+]
A solemn prototype of the effigy of Charles III, who stands in armour in front of a purple hanging and a column, traditional symbols of royal power. Replica of P02200, on the occasion of the foundatio [+]
This view of Aranjuez Palace was painted in 1756, on the occasion of the celebration of the saint´s day of King Fernando VI (1713-1759). This work was one of a group of views of the Palace and of the [+]
Luis Meléndez distinguished himself as the greatest bodegón, or still-life, painter in late eighteenth-century Spain. By this time, the popularity of the genre had declined in Spain and [+]
Some villagers smoke and chat at the door of a tavern. A woman is coming out the door, carrying the food they were waiting for. On the right, some peasants chat in a friendly manner. The church of a n [+]
This composition depicts the triumphal return to Jerusalem of David and the Israelite army after defeating Goliath, a biblical episode narrated in the Book of Samuel. The painting was signed and dated [+]
Oil on panel. Signed. [+]
A group of villagers pass the time by testing their aim with a bow. One shoots at the target placed in the ruins of a wall while the others look on, standing or sitting, and a small group converse. Th [+]
The painting belongs to the type of still life designated by Vroom as monochrome banketjes, pieces first executed by Heda towards the end of the 1620s that became very popular in the Netherlands and a [+]
This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]
