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This is a sketch for a no-longer extant painting on canvas intended to decorate a ceiling in a building of the imperial court of Russia, whose memory is preserved in an engraving made by Giambattista& [+]
Mounted on a white steed and flanked by an angel bearing a flag, Saint James gallops over a multitude of fallen Moors and horses. The battle scene occupies a rocky landscape in the middle ground. This [+]
This work and its pair, A Saxon Villager Driving a Barrel with a Wheelbarrow (P2271), may have been gifts sent by the Elector of Saxony, Augustus III, to his daughter, Queen Maria Amalia, and his son- [+]
Standing on clouds at the center of the composition, Moses points toward the sunbeams shining down from the sky. Beneath him, Abraham and Isaac are accompanied by the sacrificial lamb. To the left of [+]
This canvas is an example of the 18th-century fascination with popular costumes and occupations. Charles III himself fostered the publication of prints on these subjects, both in Naples and in Spain, [+]
A frontal view of the Queen. She sits, wearing a red silk dress with white sleeves and bonnet. Her right arm rests very naturally on a table, while her left holds a book. She is marking one of the pag [+]
Presented almost half-length with his face turned to the viewer, Mengs wears a velvet gown and holds the tools of his trade. The panel was painted shortly after the artist’s arrival in Spain and uses [+]
The scene depicts a group of naked young women being surprised by a male who violently thrusts aside the reeds behind which they are concealed, while some cupids retreat in fear. The work illustrates [+]
Corrado Giaquinto had frequent contacts with Spain as of 1735 or earlier. But the death of Jacopo Amigoni in 1752 led to his being summoned to Madrid the next year. During his stay in the Spanish Cour [+]
Daughter of the Empress María Teresa Habsburg and the Emperor Francisco I of Lorena, María Carolina Habsburg-Lorena (Vienna, 1752-1814) married Ferdinand IV of Naples in 1768, and bore s [+]
This portrait of Charles IV as the Prince of Asturias has as its pendant a portrait of his wife, María Luisa of Parma, also in the Museo del Prado (P2189). Anton Raphael Mengs had come to Spain [+]
Corrado Giaquinto had frequent contacts with Spain as of 1735 or earlier. But the death of Jacopo Amigoni in 1752 led to his being summoned to Madrid the next year. During his stay in the Spanish Cour [+]
A Pietà made by this Neapolitan painter during his stay in Madrid (1753-1763). The group of Christ and the angel holding him corresponds to the fresco of the Holy Trinity in the chapel at Madri [+]
This is a sketch of the fresco that Corrado Giaquinto painted in the former stairway at the Madrid’s Royal Palace, which is now the Hall of Columns. That fresco, his last work at the Royal Palace, is [+]
De frente, apoya la rodilla derecha sobre un escaño y mira hacia abajo. Dibujo seguro de mano de Gaetano, que enlaza estilísticamente con el D01174. Como aquél, es difícil de situar en un momento prec [+]
Neoclassical painter Anton Raphael Mengs spent some eleven years in Spain -from 1761 to 1769, and again from 1774 to 1777- working primarily on the decoration of Madrid’s Royal Palace for King Charles [+]
Traditionally, this work was considered a preparatory sketch for the frescoes on the dome of the collegiate church at La Granja. In 1768 Charles III initiated the decoration of that church, and its do [+]
In Madrid Lorenzo Tiepolo made various pastels of the kind known as popular types. These took the form of a frieze of half-length figures in the foreground that look out at the viewer and whose gestur [+]
