The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
26 results
Olympus or The Triumph of Venus
Oil on canvas. 1761 - 1764
Tiepolo, Giovanni Battista
Olympus or The Triumph of Venus
Oil on canvas. 1761 - 1764
Tiepolo, Giovanni Battista

This is a sketch for a no-longer extant painting on canvas intended to decorate a ceiling in a building of the imperial court of Russia, whose memory is preserved in an engraving made by Giambattista& [+]

The Battle of Clavijo
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Battle of Clavijo
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Mounted on a white steed and flanked by an angel bearing a flag, Saint James gallops over a multitude of fallen Moors and horses. The battle scene occupies a rocky landscape in the middle ground. This [+]

A Saxon Villager in her Kitchen
Oil on canvas. Ca. 1756
Hutin, Charles-François
A Saxon Villager in her Kitchen
Oil on canvas. Ca. 1756
Hutin, Charles-François

This work and its pair, A Saxon Villager Driving a Barrel with a Wheelbarrow (P2271), may have been gifts sent by the Elector of Saxony, Augustus III, to his daughter, Queen Maria Amalia, and his son- [+]

The Glory of Saints
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Glory of Saints
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Standing on clouds at the center of the composition, Moses points toward the sunbeams shining down from the sky. Beneath him, Abraham and Isaac are accompanied by the sacrificial lamb. To the left of [+]

A Saxon Villager Driving a Barrel with a Wheelbarrow
Oil on canvas. Ca. 1756
Hutin, Charles-François
A Saxon Villager Driving a Barrel with a Wheelbarrow
Oil on canvas. Ca. 1756
Hutin, Charles-François

This canvas is an example of the 18th-century fascination with popular costumes and occupations. Charles III himself fostered the publication of prints on these subjects, both in Naples and in Spain, [+]

Maria Amalia of Saxony
Oil on unlined canvas. Ca. 1761
Mengs, Anton Raphael
Maria Amalia of Saxony
Oil on unlined canvas. Ca. 1761
Mengs, Anton Raphael

A frontal view of the Queen. She sits, wearing a red silk dress with white sleeves and bonnet. Her right arm rests very naturally on a table, while her left holds a book. She is marking one of the pag [+]

Self-portrait
Oil on panel. 1761 - 1769
Mengs, Anton Raphael
Self-portrait
Oil on panel. 1761 - 1769
Mengs, Anton Raphael

Presented almost half-length with his face turned to the viewer, Mengs wears a velvet gown and holds the tools of his trade. The panel was painted shortly after the artist’s arrival in Spain and uses [+]

Pan and Syrinx
Oil on canvas. 1760 - 1765
Boucher, François
Pan and Syrinx
Oil on canvas. 1760 - 1765
Boucher, François

The scene depicts a group of naked young women being surprised by a male who violently thrusts aside the reeds behind which they are concealed, while some cupids retreat in fear. The work illustrates [+]

Paradise
Oil on canvas. 1754 - 1757
Giaquinto, Corrado
Paradise
Oil on canvas. 1754 - 1757
Giaquinto, Corrado

Corrado Giaquinto had frequent contacts with Spain as of 1735 or earlier. But the death of Jacopo Amigoni in 1752 led to his being summoned to Madrid the next year. During his stay in the Spanish Cour [+]

Maria Carolina of Habsburg-Lorraine, Queen of Naples
Oil on canvas. Ca. 1768
Mengs, Anton Raphael
Maria Carolina of Habsburg-Lorraine, Queen of Naples
Oil on canvas. Ca. 1768
Mengs, Anton Raphael

Daughter of the Empress María Teresa Habsburg and the Emperor Francisco I of Lorena, María Carolina Habsburg-Lorena (Vienna, 1752-1814) married Ferdinand IV of Naples in 1768, and bore s [+]

The Prince of Asturias, the future Charles IV
Oil on canvas. Ca. 1765
Mengs, Anton Raphael
The Prince of Asturias, the future Charles IV
Oil on canvas. Ca. 1765
Mengs, Anton Raphael

This portrait of Charles IV as the Prince of Asturias has as its pendant a portrait of his wife, María Luisa of Parma, also in the Museo del Prado (P2189). Anton Raphael Mengs had come to Spain [+]

The Holy Trinity, the Virgin and Saints
Oil on canvas. Ca. 1755
Giaquinto, Corrado
The Holy Trinity, the Virgin and Saints
Oil on canvas. Ca. 1755
Giaquinto, Corrado

Corrado Giaquinto had frequent contacts with Spain as of 1735 or earlier. But the death of Jacopo Amigoni in 1752 led to his being summoned to Madrid the next year. During his stay in the Spanish Cour [+]

Pietà
Oil on canvas. Ca. 1756
Giaquinto, Corrado
Pietà
Oil on canvas. Ca. 1756
Giaquinto, Corrado

A Pietà made by this Neapolitan painter during his stay in Madrid (1753-1763). The group of Christ and the angel holding him corresponds to the fresco of the Holy Trinity in the chapel at Madri [+]

The Birth of the Sun and the Triumph of Bacchus
Oil on canvas. 1761
Giaquinto, Corrado
The Birth of the Sun and the Triumph of Bacchus
Oil on canvas. 1761
Giaquinto, Corrado

This is a sketch of the fresco that Corrado Giaquinto painted in the former stairway at the Madrid’s Royal Palace, which is now the Hall of Columns. That fresco, his last work at the Royal Palace, is [+]

Life study
Red chalk, White chalk on brown paper. Before 1781
Gandolfi, Gaetano
Life study
Red chalk, White chalk on brown paper. Before 1781
Gandolfi, Gaetano

De frente, apoya la rodilla derecha sobre un escaño y mira hacia abajo. Dibujo seguro de mano de Gaetano, que enlaza estilísticamente con el D01174. Como aquél, es difícil de situar en un momento prec [+]

Study for the dead Christ
Black chalk, Touches of white chalk on ivory laid paper. 1768
Mengs, Anton Raphael
Study for the dead Christ
Black chalk, Touches of white chalk on ivory laid paper. 1768
Mengs, Anton Raphael

Neoclassical painter Anton Raphael Mengs spent some eleven years in Spain -from 1761 to 1769, and again from 1774 to 1777- working primarily on the decoration of Madrid’s Royal Palace for King Charles [+]

Saint John the Evangelist
Pencil, Pencil strokes, Grey-brown wash on white paper. 1769
Tiepolo, Giovanni Battista
Saint John the Evangelist
Pencil, Pencil strokes, Grey-brown wash on white paper. 1769
Tiepolo, Giovanni Battista

Traditionally, this work was considered a preparatory sketch for the frescoes on the dome of the collegiate church at La Granja. In 1768 Charles III initiated the decoration of that church, and its do [+]

Young man smoking
Red chalk, White chalk on green paper. 1770 - 1779
Tiepolo, Lorenzo
Young man smoking
Red chalk, White chalk on green paper. 1770 - 1779
Tiepolo, Lorenzo

In Madrid Lorenzo Tiepolo made various pastels of the kind known as popular types. These took the form of a frieze of half-length figures in the foreground that look out at the viewer and whose gestur [+]

Up