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General Antonio Ricardos
Oil on canvas. 1793
Goya y Lucientes, Francisco de
General Antonio Ricardos
Oil on canvas. 1793
Goya y Lucientes, Francisco de

The illustrious soldier, Antonio Ricardos y Carrillo, is depicted by Goya in the battle dress of a Captain General, with the sash of the Order of Carlos III and the plaque of that same order on his dress coat. The scallop of the Order of Santiago on his lapel and the triple braid on his cuffs complete the symbols of this general´s high rank. The portrait was made shortly after his death, as he was

Ancient and Modern, the Origin of Pride
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Ancient and Modern, the Origin of Pride
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 27, Who could be more admiring? (G02115) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos in the first stage of its creation. The print and the preparatory drawing are nearly identical except for the landscape, which does not appear in the etching. We know the subject thanks to handwritte

Who could be more admiring?
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Who could be more admiring?
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 27, Who could be more admiring? is part of The Caprichos. We know the subject thanks to handwritten notes by Valentín Cardera at the Museo del Prado and Bibilioteca Nacional. The first reads: Neither one nor the other. He is a charlatan of love who says the same to all women and she is thinking about cancelling five dates she has made between 8:00 and 9:00 when it is already 7:30.

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