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Joseph and the Wife of Putiphar
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti
Joseph and the Wife of Putiphar
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti

Joseph is a handsome and virtuous slave falsely accused of rape by his master´s wife, whose advances he has rejected. He is imprisoned, but eventually raised to the highest office by Pharaoh (Exodus: [+]

Smokers and Drinkers
Oil on panel. 1652
Teniers The Younger, David
Smokers and Drinkers
Oil on panel. 1652
Teniers The Younger, David

Three figures enjoy tobacco in an expressive manner in the foreground while an onlooker leans through the window. Around a table in the background, another group of figures drinks or plays cards. This [+]

River Landscape with Riders and a Tower
Oil on canvas. XVII century
Anonymous
River Landscape with Riders and a Tower
Oil on canvas. XVII century
Anonymous

On entering the Museum this painting was inventoried as a product of the Sevillian school, though the 1876 catalogue lists it as a work executed in the style of Jan Both. Valdivieso (1973) considers i [+]

Jorg Zörer’s Wife (?)
Oil on panel. 1531
Amberger, Christoph
Jorg Zörer’s Wife (?)
Oil on panel. 1531
Amberger, Christoph

This bust portrait is a companion to that of the sitter´s husband (P02183). Shown at somewhat less than half- length, she wears a white, Nordic-style cap and a severely cut dress, and holds a wh [+]

Amalia de Solms-Braunfels
Oil on canvas mounted on panel. 1631 - 1632
Dyck, Anthony Van
Amalia de Solms-Braunfels
Oil on canvas mounted on panel. 1631 - 1632
Dyck, Anthony Van

Amalia de Solms-Braunfels (1602-1675) was the wife of Federico Enrique de Nassau (1584-1647), Prince of Orange, also painted by Van Dyck (P01482). As first lady of the House of Nassau, she wears an el [+]

The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban
The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban

The colours of the Virgin’s tunic and cloak, her loose hair, hands crossed on her breast, her devoted gaze raised to heaven and the presence of the moon are elements of the imagery of the Immaculate C [+]

Penitent Magdalen
Oil on canvas. 1583
Veronese, Paolo (Paolo Cagliari)
Penitent Magdalen
Oil on canvas. 1583
Veronese, Paolo (Paolo Cagliari)

Paolo Veronese`s Penitent Magdalene, 1583, reflects the change occurring in Venetian religious painting around 1580. On one hand, the new order of priorities imposed by the Council of Trent (1545-63) [+]

Noli me tangere
Oil on panel. Ca. 1570
Vallejo Cósida, Jerónimo Vicente
Noli me tangere
Oil on panel. Ca. 1570
Vallejo Cósida, Jerónimo Vicente

This panel depicts the moment when the risen Christ appears to Mary Magdalen. Traditionally considered to be a Florentine Renaissance work, the painting is now attributed to Vallejo Cósida, one [+]

Portrait of a Woman aged 35
Oil on panel. 1555
Floris, Frans
Portrait of a Woman aged 35
Oil on panel. 1555
Floris, Frans

Floris was the most important history painter in Antwerp in the second half of the sixteenth century, only painting portraits on a few occasions. The sitters -Portrait of a Gentleman Aged 48 (P1516) a [+]

The Turkish Embassy in Naples
Oil on canvas. 1741
Bonito, Giuseppe
The Turkish Embassy in Naples
Oil on canvas. 1741
Bonito, Giuseppe

Giuseppe Bonito was a student of Francesco Solimena (1657-1747) and a follower of his artistic idiom. This can be seen in the decidedly Baroque appearance of his early mythological and religious works [+]

The Bowling Game
Oil on panel. Ca. 1645
Teniers The Younger, David
The Bowling Game
Oil on panel. Ca. 1645
Teniers The Younger, David

As part of his many genre scenes, Teniers frequently depicted players of skittles or other peasant games, such as bocce, which were very popular entertainment in seventeenth-century Flanders. The comp [+]

Old Woman by a Fireplace
Oil on panel. 1660 - 1664
Brekelenkam, Quiringh Gerritsz. Van
Old Woman by a Fireplace
Oil on panel. 1660 - 1664
Brekelenkam, Quiringh Gerritsz. Van

This painting is ascribed to the school of Teniers in the royal collections, although after entering the Prado it is listed in the catalogue as an original work by that painter. This raises the questi [+]

Philip II
Oil on panel. Mid-XVIcentury
Heere, Lucas de (Attributed To)
Philip II
Oil on panel. Mid-XVIcentury
Heere, Lucas de (Attributed To)

Allende-Salazar y Sánchez Cantón adjudicaron la paternidad de esta obra al pintor flamenco Lucas de Heere (Gante, 1534-1584). Para su identificación tan sólo contaron con el apoyo del estilo, la edad [+]

Self-portrait
Oil on canvas. Ca. 1727
Solimena, Francesco
Self-portrait
Oil on canvas. Ca. 1727
Solimena, Francesco

El pintor napolitano se autorretrata sentado, mostrando con orgullo los elementos propios de su trabajo, como la bata azul con que protege su negro traje de abate, el caballete, a la izquierda, con un [+]

Saint Joseph’s Dream
Oil on panel. Ca. 1697
Giordano, Luca
Saint Joseph’s Dream
Oil on panel. Ca. 1697
Giordano, Luca

La fe de san José fue probada con el embarazo de María. Como era hombre justo y no quería ponerla en evidencia, resolvió repudiarla en secreto. Así lo había planeado cuando un ángel se le apareció en [+]

Father Cabanillas
Oil on canvas. 1689 - 1693
Coello, Claudio
Father Cabanillas
Oil on canvas. 1689 - 1693
Coello, Claudio

This likeness of the Franciscan clergyman is a significant example of elongated bust portraits that are quiet customary in the Western figurative tradition. Such works allow a closer approach to the m [+]

Marriage Contract and Country Dance
Oil on canvas. Ca. 1711
Watteau, Jean-Antoine
Marriage Contract and Country Dance
Oil on canvas. Ca. 1711
Watteau, Jean-Antoine

Known as a painter of “fêtes galantes”, Watteau combines a depiction of a marriage ceremony with a cheerful country dance. His composition recalls numerous scenes in Flemish painting, as does th [+]

Departure from the Inn
Oil on panel. Ca. 1660
Wouwerman, Philips
Departure from the Inn
Oil on panel. Ca. 1660
Wouwerman, Philips

The picture belongs to a group of scenes set inside a stable which Wouwerman began painting in 1655. This cycle is an exception in the painter`s output, which was mainly focused on outdoor scenes. Mos [+]

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