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The infanta María Amalia of Bourbon, with a book
Oil on canvas. 1791
Bayeu y Subías, Ramón
The infanta María Amalia of Bourbon, with a book
Oil on canvas. 1791
Bayeu y Subías, Ramón

Catalogado a su ingreso en el Museo en 1847 como “retrato de la Sa infanta Da Carlota Reyna de Portugal” de Joaquín Inza (1736-1811), forma parte de un grupo de retratos de infantes y del príncipe Fer [+]

Decoy Hunting
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Decoy Hunting
Oil on canvas. 1775
Goya y Lucientes, Francisco de

This is a hunting stand with two caged birds as decoys, a crouching dog, and a net on the tree that frames the group. The study of the birds and dog, as well as the bush in the foreground, reveal Goya [+]

Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis
Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis

This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]

Still Life with Oranges, Melon and Boxes of Sweets
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio
Still Life with Oranges, Melon and Boxes of Sweets
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio

[+]

Play Rehearsal
Oil on canvas. 1772 - 1773
Paret y Alcázar, Luis
Play Rehearsal
Oil on canvas. 1772 - 1773
Paret y Alcázar, Luis

With its delicate, highly individual style, the work of Luis Paret y Alcázar, an artist whose family was of French origin, unambiguously represents the French Rococo in Spanish art. The career [+]

Hunting Party
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Hunting Party
Oil on canvas. 1775
Goya y Lucientes, Francisco de

Goya uses a single work to present two types of hunting —on foot and on horseback— and various types of individuals. In the foreground, one hunter shoots quail while another follows his dog, which sme [+]

Allegory of Fame
Oil on canvas. Ca. 1775
Castillo, José del
Allegory of Fame
Oil on canvas. Ca. 1775
Castillo, José del

This singular composition, which can be dated 1775, was painted at the height of the 18th century, although, in aesthetic terms, the Baroque was already in decline as it entered its final phase. Its d [+]

Young Woman asleep in a Hammock
Oil on copperplate. 1775 - 1778
Paret y Alcázar, Luis
Young Woman asleep in a Hammock
Oil on copperplate. 1775 - 1778
Paret y Alcázar, Luis

The hammock suggests a tropical setting, possibly Puerto Rico where Paret lived between 1775 and 1778 after he was banished by Charles III. The sumptuous curtain evokes a dream-like space, while the v [+]

Saint Anthony of Padua with the Infant Christ
Oil on canvas. 1767 - 1769
Tiepolo, Giovanni Battista
Saint Anthony of Padua with the Infant Christ
Oil on canvas. 1767 - 1769
Tiepolo, Giovanni Battista

Saint Anthony of Padua (1195-1231) wears a Franciscan habit and meditates before a book over which the Christ Child appears. This is one of the miracles of that saint´s tradition. The spray of lilies [+]

Anne Sawbridge
Oil on canvas. 1767 - 1770
Cotes, Francis
Anne Sawbridge
Oil on canvas. 1767 - 1770
Cotes, Francis

This exquisitely refined female portrait is imbued with the profound sense of poetry characteristic of the artist’s late works. Dressed in a classical style gown, she is set against a background of cl [+]

Still Life with Limes, Box of Jelly, Butterfly and Vessels
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio
Still Life with Limes, Box of Jelly, Butterfly and Vessels
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio

Some limes, laid out with the artist's habitual disorder, occupy almost half the canvas. Behind them, a honey pot of the popular green-glazed type from Biar or Lucena shows the painter's eye for detai [+]

Self-portrait of the Artist in his Studio
Oil on canvas. 1775 - 1778
Paret y Alcázar, Luis
Self-portrait of the Artist in his Studio
Oil on canvas. 1775 - 1778
Paret y Alcázar, Luis

The family of this celebrated Madrid artist was originally French, and his own aesthetic roots lie outside Spain. In this self-portrait we see him sitting in a chair with cabriole legs, dressed in sum [+]

The Viaticum
Oil on canvas. 1840
Alenza, Leonardo
The Viaticum
Oil on canvas. 1840
Alenza, Leonardo

Leonardo Alenza y Nieto was, without doubt, the painter par excellence of romantic costumbrismo from Madrid. (Costumbrismo refers to nineteenth-century genre scenes representing folkloric subjects and [+]

A Hunter with his Hounds
Oil on canvas. 1775
Goya y Lucientes, Francisco de
A Hunter with his Hounds
Oil on canvas. 1775
Goya y Lucientes, Francisco de

This cartoon is for a tapestry to hang in a corner next to a door or window and is the pair to Hunter loading his Rifle (P-5539). Goya creates a perfect fusion between the figure and the natural setti [+]

Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis
Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis

This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]

Still Life with Melon, Figs, Apples, Wineskin, and Picnic Hamper in a Landscape
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio
Still Life with Melon, Figs, Apples, Wineskin, and Picnic Hamper in a Landscape
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio

[+]

The blind Musician
Oil on canvas. Ca. 1786
Bayeu y Subías, Ramón
The blind Musician
Oil on canvas. Ca. 1786
Bayeu y Subías, Ramón

Ramón Bayeu, the younger brother of Francisco Bayeu, received similar training to his brother and won first prize in a competition organised by the Royal Academy of Fine Arts of San Fernando in [+]

The Infante Carlos María of Bourbon with Drum and Tambourine
Oil on canvas. Ca. 1791
Bayeu y Subías, Ramón
The Infante Carlos María of Bourbon with Drum and Tambourine
Oil on canvas. Ca. 1791
Bayeu y Subías, Ramón

Considerado por Martínez Ibáñez (1997) como obra de Antonio Carnicero (1748-1814), Arturo Ansón Navarro (2012) lo atribuyó a Ramón Bayeu por motivos estilísticos y por su relación documental con una s [+]

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