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The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Apparition of Saint Peter to Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Apparition of Saint Peter to Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Leonardo, Jusepe); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Leonardo, Jusepe); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (After Martínez del Mazo, Juan Bautista); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (After Martínez del Mazo, Juan Bautista); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal Infante Don Ferdinand of Austria, in Hunting Dress
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal Infante Don Ferdinand of Austria, in Hunting Dress
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Prince Baltasar Carlos on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1825
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1825
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Vulcan’s Forge
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Vulcan’s Forge
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Coronation of the Virgin
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Feillet, Pierre Jacques -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Coronation of the Virgin
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Feillet, Pierre Jacques -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip IV on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip IV on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Feast of Bacchus
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Prince Baltasar Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Fountain of the Tritons in the Island Garden, Aranjuez
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (Workshop Of Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Fountain of the Tritons in the Island Garden, Aranjuez
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (Workshop Of Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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