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Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz
Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz

In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-d [+]

Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis
Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis

This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]

Christ Crucified
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Christ Crucified
Oil on canvas. 1780
Goya y Lucientes, Francisco de

The figure of Christ is depicted following the tradition of seventeenth-century Spanish religious painting, although the classical concept of beauty disseminated in Spain by Mengs and Bayeu is also ev [+]

The Drawing Studio
Oil on canvas. 1780
Castillo, José del
The Drawing Studio
Oil on canvas. 1780
Castillo, José del

A childhood scene located on a terrace beside a garden. Three elegantly clothed boys play with a cat. The academic drawing in the background, along with the portfolio and brush belonging to one of the [+]

Boy with a Bird
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Boy with a Bird
Oil on canvas. 1780
Goya y Lucientes, Francisco de

Seated and seen from behind, a boy plays with a goldfinch. The bird’s mate is perched high up on a branch of the slender tree, its sinuous line emphasising the verticality of the composition.This cart [+]

The Duke and Duchess of San Fernando de Quiroga
Oil on canvas. Ca. 1830
Tegeo Díaz, Rafael
The Duke and Duchess of San Fernando de Quiroga
Oil on canvas. Ca. 1830
Tegeo Díaz, Rafael

Los personajes retratados en esta obra son los primeros duques de San Fernando de Quiroga. La duquesa, María Luisa Fernanda de Borbón y Vallabriga (1783-1846) fue hija del matrimonio morganático del i [+]

The Tobacco Guards
Oil on canvas. 1780
Goya y Lucientes, Francisco de
The Tobacco Guards
Oil on canvas. 1780
Goya y Lucientes, Francisco de

In October 1777, Goya received a commission to paint 20 cartoons for tapestries intended to decorate the walls of the Prince and Princess of Asturias´s bedchamber and its anteroom in the palace of El [+]

Allegory of Fame
Oil on canvas. Ca. 1775
Castillo, José del
Allegory of Fame
Oil on canvas. Ca. 1775
Castillo, José del

This singular composition, which can be dated 1775, was painted at the height of the 18th century, although, in aesthetic terms, the Baroque was already in decline as it entered its final phase. Its d [+]

Concepción Remisa
Oil on canvas. 1856
Madrazo y Kuntz, Federico de
Concepción Remisa
Oil on canvas. 1856
Madrazo y Kuntz, Federico de

Concepción Remisa de Moret was the wife of Segismundo Moret y Quintana, a famous nineteenth-century Spanish writer, politician and landowner whose portrait -also by Madrazo- is in the Prado Mus [+]

Amateur Bullfight
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Amateur Bullfight
Oil on canvas. 1780
Goya y Lucientes, Francisco de

Four young men struggle with a young bull in an attempted bullfight or an effort to control the animal. Behind the wall, several spectators watch this particular bullfight. The youth dressed in red ha [+]

Couples in a Park
Oil on canvas. Ca. 1785
Camarón, José
Couples in a Park
Oil on canvas. Ca. 1785
Camarón, José

This gallant scene in French Rococo style is adapted to Spanish tastes, with the characters dressed in the traditional Madrid fashion as majos and majas. In front of a fountain of Venus and Cupid, two [+]

Alegoría de la Aritmética
Oil on canvas. Ca. 1775
Castillo, José del
Alegoría de la Aritmética
Oil on canvas. Ca. 1775
Castillo, José del

The compositional structure and depiction of details reveal the artist’s ability to devise decorative elements such as garlands, flowers and scroll-work and to combine them with figures. The motifs ar [+]

The Swing
Oil on canvas. 1779
Goya y Lucientes, Francisco de
The Swing
Oil on canvas. 1779
Goya y Lucientes, Francisco de

This cartoon, the pair to The Washerwomen (P-786), depicts three women and four elegantly dressed children with their dog on a country outing. Goya masterfully utilizes the figures in different planes [+]

Still Life with a silver tazza, a roemer and oysters
Oil on panel. 1632
Heda, Willem Claesz
Still Life with a silver tazza, a roemer and oysters
Oil on panel. 1632
Heda, Willem Claesz

The painting belongs to the type of still life designated by Vroom as monochrome banketjes, pieces first executed by Heda towards the end of the 1620s that became very popular in the Netherlands and a [+]

Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis
Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis

This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]

Boy with Tree
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Boy with Tree
Oil on canvas. 1780
Goya y Lucientes, Francisco de

Two boys are playing in front of a tree. One looks up as he grasps a branch as if about to shake it firmly while the other, in the background, has a basket, possibly for the fruit or birds’ eggs colle [+]

The Woodcutters
Oil on canvas. 1777 - 1780
Goya y Lucientes, Francisco de
The Woodcutters
Oil on canvas. 1777 - 1780
Goya y Lucientes, Francisco de

Two woodcutters with their axes are cutting the branches of a tree while a third, seen from behind, collects the wood. The format of this cartoon indicates that it was designed for an over-window and [+]

The Holy Family with the Infant Saint John the Baptist
Oil on canvas. 1775 - 1780
Goya y Lucientes, Francisco de
The Holy Family with the Infant Saint John the Baptist
Oil on canvas. 1775 - 1780
Goya y Lucientes, Francisco de

The pyramidal composition and precise, polished forms of both the bodies and the drapery, all emphasised by the intense illumination, indicate the continuing and direct influence of Anton Rafael Mengs [+]

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