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Harbour Scene
Oil on canvas. 1784
Maella, Mariano Salvador
Harbour Scene
Oil on canvas. 1784
Maella, Mariano Salvador

At a harbour with ruins in the background, a young woman wearing an annoyed expression gathers the catch accompanied by a handsome sailor in a Phrygian cap who gestures authoritatively towards the you [+]

María Teresa de Vallabriga
Oil on walnut panel. 1783
Goya y Lucientes, Francisco de
María Teresa de Vallabriga
Oil on walnut panel. 1783
Goya y Lucientes, Francisco de

María Teresa Vallabriga y Rozas (1759-1820), was the wife of the infante Luis de Borbón (1727-1785), the brother of King Carlos III (1716-1788). As a member of the lower nobility, he was [+]

The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de
The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de

Goya breaks with Baroque tradition, interpreting this typified subject according to the new principles of Neoclassicism. The clothing no longer flies around the figure, but instead adapts to the body [+]

The Embarkation
Oil on canvas. 1784
Maella, Mariano Salvador
The Embarkation
Oil on canvas. 1784
Maella, Mariano Salvador

Outside the entrance to the same fortress that can be glimpsed in the background of Fisherfolk, the gentleman now embarks with his elegantly dressed new wife, whom he has taken away from her old life. [+]

Miss Marthe Carr
Oil on canvas. Ca. 1789
Lawrence, Sir Thomas
Miss Marthe Carr
Oil on canvas. Ca. 1789
Lawrence, Sir Thomas

This is an early work within Lawrence’s career. It offers a penetrating depiction of the sitter, who is presented in a direct, intimate manner with particular attention to the details, which are paint [+]

Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de
Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de

Born in 1784 in El Escorial, Fernando VII was Carlos IV eldest son by Maria Luisa. In 1815, after abolishing the Constitution, he reined as an absolute monarch. He appears wearing the symbols of his r [+]

Disordered Table with trompe l’oeil Paintings, a Hurdy-Gurdy, Books and Other Objects
Oil on canvas. Ca. 1779
Flipart, Charles-Joseph
Disordered Table with trompe l’oeil Paintings, a Hurdy-Gurdy, Books and Other Objects
Oil on canvas. Ca. 1779
Flipart, Charles-Joseph

This is the preparatory cartoon for the inlaid hardstone tabletop (O0214). The motifs of paintings and books refer to the Liberal Arts, while the hurdy-gurdy is based on a model by Pierre Louvet. [+]

Ferdinand VII swears the Oath as Prince of Asturias
Oil on canvas. 1791
Paret y Alcázar, Luis
Ferdinand VII swears the Oath as Prince of Asturias
Oil on canvas. 1791
Paret y Alcázar, Luis

This canvas depicts the swearing-in ceremony held on 23 September 1789 of the heir to the throne, the Infante don Fernando (1784-1833). It took place in the church of the monastery of San Jerón [+]

Garland of Flowers with Minerva and Mercury
Oil on panel. Ca. 1790
Espinós, Benito
Garland of Flowers with Minerva and Mercury
Oil on panel. Ca. 1790
Espinós, Benito

Espinós structures his composition into three contrasting parts, including a mythological scene with two sculptural Olympian gods in the centre. They are surrounded by a large and colourful gar [+]

The Paseo de las Delicias, Madrid
Oil on canvas. 1784 - 1785
Bayeu, Francisco
The Paseo de las Delicias, Madrid
Oil on canvas. 1784 - 1785
Bayeu, Francisco

Noblemen and their ladies mingle along a popular path that links Madrid´s Manzanares River with the Puerta de Atocha. Their elegant postures reflect a courtly etiquette that contrasts with the r [+]

George Legge, Viscount Lewisham
Oil on canvas. 1778
Batoni, Pompeo
George Legge, Viscount Lewisham
Oil on canvas. 1778
Batoni, Pompeo

Batoni combined the sobriety and naturalism of Neo-classical portraiture with the elegance and sensual appeal of Italian painting. George Legge, an English aristocrat making the Grand Tour, was a frie [+]

Approval of the Rule of Saint Francis by Pope Innocence III
Oil on canvas. Ca. 1789
Carnicero, Antonio
Approval of the Rule of Saint Francis by Pope Innocence III
Oil on canvas. Ca. 1789
Carnicero, Antonio

[+]

Landscape surrounded by trompe-l’oeil Symbols of the Arts
Oil on canvas. Ca. 1779
Flipart, Charles-Joseph
Landscape surrounded by trompe-l’oeil Symbols of the Arts
Oil on canvas. Ca. 1779
Flipart, Charles-Joseph

This “cartoon” or highly finished preparatory sketch was used as the basis for a tabletop inlaid with hardstones, which is part of a table in the Museum’s collection (O-477) that was originally in the [+]

Landscape with an Architectural View
Oil on canvas. Ca. 1779
Flipart, Charles-Joseph
Landscape with an Architectural View
Oil on canvas. Ca. 1779
Flipart, Charles-Joseph

This is the preparatory cartoon for the inlaid hardstone tabletop (O-215). It depicts a landscape with Roman ruins, the pyramid of Gaius Cestius and the tomb of Cecilia Metella. Flipart animates the s [+]

The infanta María Amalia of Bourbon, with a book
Oil on canvas. 1791
Bayeu y Subías, Ramón
The infanta María Amalia of Bourbon, with a book
Oil on canvas. 1791
Bayeu y Subías, Ramón

Catalogado a su ingreso en el Museo en 1847 como “retrato de la Sa infanta Da Carlota Reyna de Portugal” de Joaquín Inza (1736-1811), forma parte de un grupo de retratos de infantes y del príncipe Fer [+]

The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de
The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de

A portrait of the Duke of Osuna, Pedro Téllez Girón (1755-1807); his wife, the Countess-Duchess of Benavente, Josefa Alonso de Pimentel (1752-1834) and their four children: Francisco de [+]

Joaquina Téllez-Girón, daugther of the 9th Duke and Duchess of Osuna
Oil on canvas. 1798
Esteve, Agustín
Joaquina Téllez-Girón, daugther of the 9th Duke and Duchess of Osuna
Oil on canvas. 1798
Esteve, Agustín

Joaquina Téllez-Girón (1784-1851) married José de Silva Bazán, the future Marquis of Santa Cruz, in 1801. Goya had painted her as a child in the family portrait and alone, [+]

Francis Basset, 1st Baron of Dunstanville
Oil on canvas. 1778
Batoni, Pompeo
Francis Basset, 1st Baron of Dunstanville
Oil on canvas. 1778
Batoni, Pompeo

This full-length portrait by Pompeo Batoni shows a young English nobleman dressed in a scarlet coat, posing against the Roman countryside. The picture conforms to the Grand Tour portrait model of whic [+]

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