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The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de
The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de

A portrait of the Duke of Osuna, Pedro Téllez Girón (1755-1807); his wife, the Countess-Duchess of Benavente, Josefa Alonso de Pimentel (1752-1834) and their four children: Francisco de [+]

Carlos IV
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de
Carlos IV
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de

A portrait of King Carlos IV (1784-1819) wearing red velvet and decorated with the Golden Fleece, on a background of curtains that partially hide a crown at the right edge of the composition. This wor [+]

Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de
Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de

Born in 1784 in El Escorial, Fernando VII was Carlos IV eldest son by Maria Luisa. In 1815, after abolishing the Constitution, he reined as an absolute monarch. He appears wearing the symbols of his r [+]

Queen María Luisa in a Dress with hooped Skirt
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de
Queen María Luisa in a Dress with hooped Skirt
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de

A full-length portrait of Queen María Luis de Parma (1751-1819), wife of King Carlos IV (1748-1819), wearing a large feathered hat and French lace, with a seventeenth-century style bustle and t [+]

José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de
José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de

José Álvarez de Toledo, Duke of Alba and XI Marquis of Villafranca was the husband of María Teresa de Silva, Duchess of Alba. He is portrayed full length, wearing a yellowish froc [+]

The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de
The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de

Goya breaks with Baroque tradition, interpreting this typified subject according to the new principles of Neoclassicism. The clothing no longer flies around the figure, but instead adapts to the body [+]

The Marchioness of Santa Cruz
Oil on unlined canvas. 1805
Goya y Lucientes, Francisco de
The Marchioness of Santa Cruz
Oil on unlined canvas. 1805
Goya y Lucientes, Francisco de

Joaquina Téllez-Girón y Pimentel (1784-1851) was the daughter of the Duke and Duchess of Osuna and Marchioness of Santa Cruz by her marriage to José Gabriel de Silva y Walstein in [+]

Ferdinand VII at an Encampment
Oil on canvas. After 1815
Goya y Lucientes, Francisco de
Ferdinand VII at an Encampment
Oil on canvas. After 1815
Goya y Lucientes, Francisco de

Several portraits of Ferdinand VII are attributed to Goya, though only a few have sufficient quality to be considered fully his own work. Furthermore, there is no accurate documentation of the portrai [+]

The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de
The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the [+]

The Drunken Mason
Oil on canvas. 1786
Goya y Lucientes, Francisco de
The Drunken Mason
Oil on canvas. 1786
Goya y Lucientes, Francisco de

A drunken mason is carried off the building site by two of his companions, who cannot repress their smirks at the drunk´s situation: he lacks his trousers and his stockings have fallen down. Thi [+]

The Famous American Mariano Ceballos
Crayon lithography, Scraper on wove paper. 1825
Goya y Lucientes, Francisco de
The Famous American Mariano Ceballos
Crayon lithography, Scraper on wove paper. 1825
Goya y Lucientes, Francisco de

Although Goya had already shown an interest in lithography while in Madrid, it was in Bordeaux tht he fully explored the expressive possibilities of this new medium. In November 1825, a year after his [+]

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