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The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de
The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de

A portrait of the Duke of Osuna, Pedro Téllez Girón (1755-1807); his wife, the Countess-Duchess of Benavente, Josefa Alonso de Pimentel (1752-1834) and their four children: Francisco de [+]

Christ Crucified
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Christ Crucified
Oil on canvas. 1780
Goya y Lucientes, Francisco de

The figure of Christ is depicted following the tradition of seventeenth-century Spanish religious painting, although the classical concept of beauty disseminated in Spain by Mengs and Bayeu is also ev [+]

The Countess of Chinchón
Oil on unlined canvas. 1800
Goya y Lucientes, Francisco de
The Countess of Chinchón
Oil on unlined canvas. 1800
Goya y Lucientes, Francisco de

María Teresa de Bourbon y Vallabriga, Marchioness of Boadilla del Monte and Countess of Chichón, was the daughter of infante Luis Antonio de Bourbon by María Teresa Vallabriga y R [+]

María Teresa de Vallabriga
Oil on walnut panel. 1783
Goya y Lucientes, Francisco de
María Teresa de Vallabriga
Oil on walnut panel. 1783
Goya y Lucientes, Francisco de

María Teresa Vallabriga y Rozas (1759-1820), was the wife of the infante Luis de Borbón (1727-1785), the brother of King Carlos III (1716-1788). As a member of the lower nobility, he was [+]

The Puerta de Alcalá as seen from the Cibeles
Oil on canvas. 1785
Aguirre, Ginés Andrés de
The Puerta de Alcalá as seen from the Cibeles
Oil on canvas. 1785
Aguirre, Ginés Andrés de

[+]

The Painter Antonio González Velázquez
Oil on canvas. 1785 - 1788
González Velázquez, Zacarías
The Painter Antonio González Velázquez
Oil on canvas. 1785 - 1788
González Velázquez, Zacarías

Son of the sculptor Pablo González Velázquez, a number of Antonio’s children also became artists. He trained in Rome with Corrado Giaquinto (1703-1766), achieving a notable command of fr [+]

Garland of Flowers with Minerva and Mercury
Oil on panel. Ca. 1790
Espinós, Benito
Garland of Flowers with Minerva and Mercury
Oil on panel. Ca. 1790
Espinós, Benito

Espinós structures his composition into three contrasting parts, including a mythological scene with two sculptural Olympian gods in the centre. They are surrounded by a large and colourful gar [+]

The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis
The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis

This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]

Ferdinand VII as a Boy
Oil on canvas. Ca. 1792
Bayeu y Subías, Ramón
Ferdinand VII as a Boy
Oil on canvas. Ca. 1792
Bayeu y Subías, Ramón

Representa a Fernando VII niño de unos ocho o nueve años, en traje azul con faja roja y condecorado con el Toisón de Oro y las insignias de la Orden de Carlos III, en concreto la gran cruz y la banda [+]

Manuela Tolosa y Aviñón
Oil on canvas. 1785 - 1788
González Velázquez, Antonio
Manuela Tolosa y Aviñón
Oil on canvas. 1785 - 1788
González Velázquez, Antonio

Retrato de la segunda esposa del pintor Antonio Gonzalez Velázquez, Manuela María Teresa Cayetana Tolosa y Aviñón (Madrid, 11-7-1740 - Madrid, 7-12-1797), con quien casó el 8 de abril de 1745. De su m [+]

Still Life with Oranges, Melon and Boxes of Sweets
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio
Still Life with Oranges, Melon and Boxes of Sweets
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio

[+]

Manuela Goicoechea y Galarza
Oil on copperplate. 1805
Goya y Lucientes, Francisco de
Manuela Goicoechea y Galarza
Oil on copperplate. 1805
Goya y Lucientes, Francisco de

This portrait belongs to a series of seven miniatures painted on copper. Unique within Goya’s oeuvre, they depict his son Javier and his relatives by marriage on the occasion of Javier’s marriage to G [+]

Scene from a Play
Oil on canvas. Ca. 1790
Juliá, Asensio (Attributed To)
Scene from a Play
Oil on canvas. Ca. 1790
Juliá, Asensio (Attributed To)

This canvas was painted for the palace of the Duke and Duchess of Osuna known as “El Capricho”, located at La Alameda near Madrid. It depicts a theatrical scene in which a young man kills himself by f [+]

View of the Port of Santa María
Oil on canvas. 1781 - 1785
Sánchez, Mariano Ramón
View of the Port of Santa María
Oil on canvas. 1781 - 1785
Sánchez, Mariano Ramón

Trained from childhood at the Academy of San Fernando in Madrid, Mariano Sánchez specialized in landscapes and views. Contemporary documents reveal also a talent for miniatures and portraits, w [+]

Leopoldo de Gregorio, Marquis of Esquilache
Oil on canvas. 1759
Bonito, Giuseppe
Leopoldo de Gregorio, Marquis of Esquilache
Oil on canvas. 1759
Bonito, Giuseppe

This refined portrait is the only one known to date of the Marquis of Esquilache (1699-1785). He accompanied Charles III to Madrid and was appointed Minister of the Treasury. The inkwell and staff of [+]

The Pradera de San Isidro, Madrid
Oil on canvas. 1785
Castillo, José del
The Pradera de San Isidro, Madrid
Oil on canvas. 1785
Castillo, José del

Painted for a tapestry intended for the Infante’s bedroom at the El Pardo Palace, this cartoon by Castillo is exceptionally large. Based on a sketch at the Museo del Prado (P07723), it presents the sa [+]

Saint Francis of Assisi receiving the Stigmata
Oil on canvas. Second half of the XVIII century
Castillo, José del
Saint Francis of Assisi receiving the Stigmata
Oil on canvas. Second half of the XVIII century
Castillo, José del

Esta pintura que representa a san Francisco de Asís recibiendo los estigmas, por sus dimensiones, es seguramente un cuadro de altar, tal vez de un oratorio privado. Estilísticamente presenta las carac [+]

The infanta María Amalia of Bourbon, with a book
Oil on canvas. 1791
Bayeu y Subías, Ramón
The infanta María Amalia of Bourbon, with a book
Oil on canvas. 1791
Bayeu y Subías, Ramón

Catalogado a su ingreso en el Museo en 1847 como “retrato de la Sa infanta Da Carlota Reyna de Portugal” de Joaquín Inza (1736-1811), forma parte de un grupo de retratos de infantes y del príncipe Fer [+]

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