The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
355 results
The Virgin Appearing to Saint Francis
Oil on canvas. 1788 - 1789
Carnicero, Antonio
The Virgin Appearing to Saint Francis
Oil on canvas. 1788 - 1789
Carnicero, Antonio

This scene is related to a passage from the life of Saint Francis in which rose bushes sprang up where his blood had fallen to the ground during one of his sessions of penance The resulting flowers were used to adorn the chapel dedicated to the Virgin at La Porciuncula, where the saint prayed during his retreat. According to tradition, that is a place frequently visited by angels, hence the chapel

Queen María Luisa in a Dress with hooped Skirt
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de
Queen María Luisa in a Dress with hooped Skirt
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de

A full-length portrait of Queen María Luis de Parma (1751-1819), wife of King Carlos IV (1748-1819), wearing a large feathered hat and French lace, with a seventeenth-century style bustle and the sort of large skirt flattened in front and back that replaced the farthingale. The only jewelry she wears is the Cruz Estrellada award. Her hand rests on a table covered with a tablecloth on which

Saint Francis Cutting Clare of Assisi's Hair
Oil on canvas. 1787 - 1789
Carnicero, Antonio
Saint Francis Cutting Clare of Assisi's Hair
Oil on canvas. 1787 - 1789
Carnicero, Antonio

Set in a chapel with a carpeted altar, the scene depicts Saint Clare´s profession as a nun, which marked the founding of the female branch of the Order of Saint Francis, also known as the Clarists. Various friars and women witness the successful event and accompany it with lit votive candles that bring out the passage´s nocturnal character and concentrate the light on their white faces

The Archdukes' Hunt
Oil on canvas. Ca. 1611
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Archdukes' Hunt
Oil on canvas. Ca. 1611
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Surrounded by courtesans and hunting servants, the governors of the Spanish Low Countries, Archduke Alberto and Archduchess Isabel, rest in the shade of a large poplar tree during one of their hunts. One of their favorite residences, Mariemont Palace, near Brussels, is visible in the background. Brueghel offers a precise, almost topographical rendering of the landscape, including certain elements

Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was responsible for supplying portraits of the Royal Family; aided by several painters in his workshop, he was required to fulfill the commissions of numerous different institutions and private citizens thr

View of the Castle in Gaucín
Oil on canvas. 1849
Pérez Villaamil y Duguet, Genaro
View of the Castle in Gaucín
Oil on canvas. 1849
Pérez Villaamil y Duguet, Genaro

This view of the so-called Eagle’s Castle in Gaucín (Malaga), with the valley of the Genal River and the Plain of Gibraltar in the background, is similar to an earlier view by Villaamil’s master, the Scottish artist David Roberts (1796-1864). The touches of evening light emphasise this monumental vision of the mountains of Ronda, interpreted with a picturesque and evocative grandeur charact

Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de
Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de

Born in 1784 in El Escorial, Fernando VII was Carlos IV eldest son by Maria Luisa. In 1815, after abolishing the Constitution, he reined as an absolute monarch. He appears wearing the symbols of his royal condition, with a purple, ermine-lined robe, and a scepter with the coat of arms of Castile and Leon in his right hand. The sash of the Order of Carlos III crosses his chest, and he also bears th

Ascent of a Montgolfier Balloon at Aranjuez
Oil on canvas. Ca. 1784
Carnicero, Antonio
Ascent of a Montgolfier Balloon at Aranjuez
Oil on canvas. Ca. 1784
Carnicero, Antonio

The event depicted in this painting by Antonio Carnicero illustrates the interest in scientific advances characteristic of the Enlightenment, a historical period from the second half of the 18th century dominated by practical reason. The image shows French balloon pilot Bouclé’s experiment in the gardens of the Royal Seat at Aranjuez on June 5, 1784, during the final years of Charles III’s

Charles IV
Oil on unlined canvas. 1789
Goya y Lucientes, Francisco de
Charles IV
Oil on unlined canvas. 1789
Goya y Lucientes, Francisco de

In this full-length portrait, King Carlos IV (1748-1819) wears a red frock coat adorned with silver and carries a ruler´s staff. His decorations include the Golden Fleece and the sash of the order of Carlos III. The Royal crown rests on an ermine-lined purple robe on the table to his side. This painting is paired with Goya´s portrait of Queen María Luisa in a Dress with hooped (

The Holy Family surrounded by Saints
Oil on panel. Ca. 1630
Rubens, Peter Paul
The Holy Family surrounded by Saints
Oil on panel. Ca. 1630
Rubens, Peter Paul

The Virgin sits with the Christ Child in the midst of grandiose classical architecture. She is surrounded by numerous saints in various positions. Above her, some angels prepare to crown her as Queen of Heaven. This work was sometimes thought to be a representation of The Mystical Betrothal of Saint Catherine, because of the strong presence of that saint, who is depicted kneeling before the Christ

Saint Francis Resurrecting a Girl
Oil on canvas. 1788 - 1789
Carnicero, Antonio
Saint Francis Resurrecting a Girl
Oil on canvas. 1788 - 1789
Carnicero, Antonio

The hagiography of Saint Francis has a plethora of passages describing his resurrection of dead children and other similar miracles. As many as five appear in Thomas of Celano´s Treatise on the Miracles, all registered in the 13th century. The scene depicted here could be any one of them, or simply a generic representation in which a group of women bring a dead girl to Saint Francis.

The Death of Saint Francis
Oil on canvas. 1789
Camarón, José
The Death of Saint Francis
Oil on canvas. 1789
Camarón, José

Saint Francis Holding a Child in Front of Three Ladies
Oil on canvas. 1789
Camarón, José
Saint Francis Holding a Child in Front of Three Ladies
Oil on canvas. 1789
Camarón, José

The Conversion of the Wolf of Gubbio
Oil on canvas. 1789
Camarón, José
The Conversion of the Wolf of Gubbio
Oil on canvas. 1789
Camarón, José

Tadea Arias de Enríquez
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de
Tadea Arias de Enríquez
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de

This portrait presents the lady at full length, dressed in the fashion of the time in a tulle gown with lace details. Goya perfectly captures the translucence of the fabric, through which we see the shimmer of the pink skirt the sitter wears underneath. At her waist the lady wears a wide black tulle band, which is also semi-transparent, and on the waistband she has pinned a lovely cameo brooch. He

Fisherfolk
Oil on canvas. 1784
Maella, Mariano Salvador
Fisherfolk
Oil on canvas. 1784
Maella, Mariano Salvador

At a small Mediterranean harbour with a fortress in the background, a prosperous gentleman examines the fish a beautiful fisherwoman offers him, while an elderly woman seems to have greater expectations of this promising transaction. This is a sketch for the tapestry cartoon executed by Zacarías González Velázquez for the Pieza de Damas at the Palace of El Pardo.

Saint Francis Conversing with a Person
Oil on canvas. 1788 - 1789
Carnicero, Antonio
Saint Francis Conversing with a Person
Oil on canvas. 1788 - 1789
Carnicero, Antonio

Saint Francis and an elegantly dressed figure wearing a feathered cap -he may be the mayor of Assisi- converse alongside a tree trunk at the right. This is the episode in which the mayor cedes a plot of land to Saint Francis for a residence and place of prayer. Some burger appear in the background, one with a mallet over his shoulder, while a young man in the foreground holds a rope tied to a stak

Saint Francis Preaching to the Birds
Oil on canvas. 1788 - 1789
Carnicero, Antonio
Saint Francis Preaching to the Birds
Oil on canvas. 1788 - 1789
Carnicero, Antonio

Saint Francis´s sermon to the birds is one of the most popular episodes from his life. In his biography of that saint (chapter XXI, 58), Celano narrates the event that occurred near Menavia in the Espoleto Valley, when Saint Francis addressed the birds, praising them for their divine goodness in relation to their existence.

Up