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Adam and Eve reprimanded for their Sin
Oil on canvas. 1771
Bayeu, Francisco
Adam and Eve reprimanded for their Sin
Oil on canvas. 1771
Bayeu, Francisco

Sketch for one of the eight segments of the dome of the collegiate church at La Granja, Segovia. These Old and New Testament scenes (destroyed in 1918) glorified the Holy Trinity. God reprimands Adam [+]

José Gutiérrez de los Ríos
Oil on canvas. 1849
López Portaña, Vicente
José Gutiérrez de los Ríos
Oil on canvas. 1849
López Portaña, Vicente

Está retratado hasta las rodillas a sus sesenta y nueve años, sentado en un sillón. Viste traje y corbata negros, chaleco marfil y un bello broche en la pechera de la camisa. En la solapa luce la vene [+]

Portrait of Mr. Storer
Oil on canvas. Ca. 1790
Shee, Sir Martin Archer
Portrait of Mr. Storer
Oil on canvas. Ca. 1790
Shee, Sir Martin Archer

The sitter, whose identity is not fully confirmed, is depicted in a fine interior, wearing an elegant frockcoat. He holds a print and a portfolio for prints. These objects, as well as the Greek amphor [+]

View of the Bridge at Martorell
Oil on canvas. 1787
Sánchez, Mariano Ramón
View of the Bridge at Martorell
Oil on canvas. 1787
Sánchez, Mariano Ramón

Trained from childhood at the Academy of San Fernando in Madrid, Mariano Sánchez specialized in landscapes and views. Contemporary documents reveal also a talent for miniatures and portraits, w [+]

Mariano San Juan y Pinedo, Future Count Consort of La Cimera
Oil on canvas. Ca. 1813
Esteve, Agustín
Mariano San Juan y Pinedo, Future Count Consort of La Cimera
Oil on canvas. Ca. 1813
Esteve, Agustín

Born in 1803, the boy wears the cadet’s uniform of the naval college. The whiteness of the suit and the painstaking detail of the embroidery on the jacket and cap afford the portrait its characteristi [+]

Scene from a Play
Oil on canvas. Ca. 1790
Juliá, Asensio (Attributed To)
Scene from a Play
Oil on canvas. Ca. 1790
Juliá, Asensio (Attributed To)

This canvas was painted for the palace of the Duke and Duchess of Osuna known as “El Capricho”, located at La Alameda near Madrid. It depicts a theatrical scene in which a young man kills himself by f [+]

The Triumph of the Lamb of God
Oil on canvas. Ca. 1778
Bayeu, Francisco
The Triumph of the Lamb of God
Oil on canvas. Ca. 1778
Bayeu, Francisco

This is a sketch for the vault above the high altar in the chapel of Aranjuez palace. God the Father is enthroned and embraces the Mystic Lamb, while angels spread the apocalyptic message inscribed on [+]

María Antonia Gonzaga, Dowager Marchioness of Villafranca
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de
María Antonia Gonzaga, Dowager Marchioness of Villafranca
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de

This portrait of María Antonia Gonzaga y Caracciolo (1735-1801), the dowager Marchioness of Villafranca, corresponds to the period in which Goya executed his two portraits of her eldest son, Jo [+]

Infante Francisco de Paula
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Francisco de Paula
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Don Francisco de Paula (1794-1865) was the youngest child of María Luisa and popularly rumoured to be the son of Manuel Godoy. In 1819 [+]

The Duchess of Alba and La Beata
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de
The Duchess of Alba and La Beata
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de

The lively, somewhat childish character of Cayetana, the Duchess of Alba, is reflected in this little canvas. Her back is turned to the viewer, but she is recognizable by her abundantly curly black ha [+]

The Naked Maja
Oil on canvas. 1795 - 1800
Goya y Lucientes, Francisco de
The Naked Maja
Oil on canvas. 1795 - 1800
Goya y Lucientes, Francisco de

An image of Venus in the nude, lying on a green velvet divan with pillows and a spread. Legend would have it that this was the Duchess of Alba, but the sitter has also been identified as Pepita Tud&oa [+]

The Adoration of the Holy Spirit by Angels
Oil on canvas. 1797
Gómez Pastor, Jacinto
The Adoration of the Holy Spirit by Angels
Oil on canvas. 1797
Gómez Pastor, Jacinto

This is a preparatory sketch for the ceiling in the oratory of the palace of La Granja de San Ildefonso, Segovia. It clearly depicts the structure of the dome, with its central part precisely defined [+]

Portrait of a Man
Oil on canvas. Ca. 1800
Opie, John
Portrait of a Man
Oil on canvas. Ca. 1800
Opie, John

Opie depicts his elegant sitter dressed in the fashion of the day and holding a rolled up paper that may be a plan in his right hand. Located in the immediate foreground, the figure stands out strongl [+]

José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de
José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de

José Álvarez de Toledo, Duke of Alba and XI Marquis of Villafranca was the husband of María Teresa de Silva, Duchess of Alba. He is portrayed full length, wearing a yellowish froc [+]

Garland of Flowers with Minerva and Mercury
Oil on panel. Ca. 1790
Espinós, Benito
Garland of Flowers with Minerva and Mercury
Oil on panel. Ca. 1790
Espinós, Benito

Espinós structures his composition into three contrasting parts, including a mythological scene with two sculptural Olympian gods in the centre. They are surrounded by a large and colourful gar [+]

The Paseo de las Delicias, Madrid
Oil on canvas. 1784 - 1785
Bayeu, Francisco
The Paseo de las Delicias, Madrid
Oil on canvas. 1784 - 1785
Bayeu, Francisco

Noblemen and their ladies mingle along a popular path that links Madrid´s Manzanares River with the Puerta de Atocha. Their elegant postures reflect a courtly etiquette that contrasts with the r [+]

Self-Portrait
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de
Self-Portrait
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de

This Self-Portrait’s small size indicates that it was intended for private and intimate use, as a gift to someone of interest to Goya. It came from the heirs of Tomás de Berganza, a butler to t [+]

Ignacio Gutiérrez Solana, Overseer of the Royal Stables
Oil on canvas. Ca. 1823
López Portaña, Vicente
Ignacio Gutiérrez Solana, Overseer of the Royal Stables
Oil on canvas. Ca. 1823
López Portaña, Vicente

The man in the portrait, wearing his palace uniform, holds in his left hand a bundle of “royal orders”. The painting follows the style of portraits of professionals that López worked on in his [+]

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