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Infante Louis I, King of Etruria, Prince of Parma
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Louis I, King of Etruria, Prince of Parma
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Son of Ferdinand, Duke of Parma, and the Archduchess Maria Amalia of Lorraine, the sitter was born in Piacenza in 1773. In 1795 he married th [+]

Infante Francisco de Paula
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Francisco de Paula
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Don Francisco de Paula (1794-1865) was the youngest child of María Luisa and popularly rumoured to be the son of Manuel Godoy. In 1819 [+]

The Duchess of Alba and La Beata
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de
The Duchess of Alba and La Beata
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de

The lively, somewhat childish character of Cayetana, the Duchess of Alba, is reflected in this little canvas. Her back is turned to the viewer, but she is recognizable by her abundantly curly black ha [+]

The Naked Maja
Oil on canvas. 1795 - 1800
Goya y Lucientes, Francisco de
The Naked Maja
Oil on canvas. 1795 - 1800
Goya y Lucientes, Francisco de

An image of Venus in the nude, lying on a green velvet divan with pillows and a spread. Legend would have it that this was the Duchess of Alba, but the sitter has also been identified as Pepita Tud&oa [+]

General Antonio Ricardos
Oil on canvas. 1793
Goya y Lucientes, Francisco de
General Antonio Ricardos
Oil on canvas. 1793
Goya y Lucientes, Francisco de

The illustrious soldier, Antonio Ricardos y Carrillo, is depicted by Goya in the battle dress of a Captain General, with the sash of the Order of Carlos III and the plaque of that same order on his dr [+]

José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de
José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de

José Álvarez de Toledo, Duke of Alba and XI Marquis of Villafranca was the husband of María Teresa de Silva, Duchess of Alba. He is portrayed full length, wearing a yellowish froc [+]

Self-Portrait
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de
Self-Portrait
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de

This Self-Portrait’s small size indicates that it was intended for private and intimate use, as a gift to someone of interest to Goya. It came from the heirs of Tomás de Berganza, a butler to t [+]

Cardinal Luis María de Borbón y Vallabriga
Oil on canvas. Ca. 1800
Goya y Lucientes, Francisco de
Cardinal Luis María de Borbón y Vallabriga
Oil on canvas. Ca. 1800
Goya y Lucientes, Francisco de

Son of the Infante Luis de Borbón and of María Teresa de Vallabriga, the Cardinal (1777-1823) was only permitted to use his father’s surname and coat-of-arms following the marriage of hi [+]

Queen Maria Luisa on Horseback
Oil on canvas. 1799
Goya y Lucientes, Francisco de
Queen Maria Luisa on Horseback
Oil on canvas. 1799
Goya y Lucientes, Francisco de

An equestrian portrait of Queen Maria Luisa of Parma (1751-1818), the wife of King Carlos IV (1748-1819), wearing the uniform of a colonel of the Guardia de Corp. This painting was made as a pair to t [+]

The Painter Francisco Bayeu
Oil on canvas. 1795
Goya y Lucientes, Francisco de
The Painter Francisco Bayeu
Oil on canvas. 1795
Goya y Lucientes, Francisco de

Court Painter, Director of the Academia de San Fernando in Madrid and a key artistic figure in the period, Bayeu was Goya’s brother-inlaw and their relations were at times extremely tense. This portra [+]

Infante Antonio Pascual
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Antonio Pascual
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Brother of Charles IV, the sitter was born in Naples in 1755. In 1795 he married his niece, the Infanta María Amalia, who died without [+]

General José de Urrutia
Oil on canvas. Ca. 1798
Goya y Lucientes, Francisco de
General José de Urrutia
Oil on canvas. Ca. 1798
Goya y Lucientes, Francisco de

Don José de Urrutria y de las Casas (1739-1809), was the only soldier of his day to reach the rank of Field Marshal without being a titled nobleman. He is shown wearing the Cross of Saint Georg [+]

María Antonia Gonzaga, Dowager Marchioness of Villafranca
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de
María Antonia Gonzaga, Dowager Marchioness of Villafranca
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de

This portrait of María Antonia Gonzaga y Caracciolo (1735-1801), the dowager Marchioness of Villafranca, corresponds to the period in which Goya executed his two portraits of her eldest son, Jo [+]

The Literate Ass
Pencil, Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
The Literate Ass
Pencil, Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

A preparatory drawing for the aquatint, Capricho 39, As Far Back as his Grandfather (G02127), this is one of twenty-six pen drawings from the Dreams series that constitutes the basis for the Caprichos [+]

Sueño De Brujas
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Sueño De Brujas
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for Caprichos, 70, Devout profession is in two parts. The image on the front of the paper is called Dream of a beginner witch while the rear one, which appears with the title, [+]

Young woman stroking her hair
Brush, Indian ink wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Young woman stroking her hair
Brush, Indian ink wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The Museo del Prado has four drawings (e/f [D04184, D04183], g/h [D04342, D04342/1], i/j [D04185, D04186], m/n [D07360, D07360/1]) with scenes on both sides from what is known as Goya’s Album A or San [+]

Swooning in the countryside
Brush, Bistre, Grey-brown ink on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Swooning in the countryside
Brush, Bistre, Grey-brown ink on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

In the Madrid Album (Album B), women are often accompanied by men, in postures and situations that reveal their true condition. The fainting young woman, who rests her hand on the waist of the man sol [+]

The Duchess of Alba with María de la Luz on her arms
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
The Duchess of Alba with María de la Luz on her arms
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The child Maria de la Luz, a daughter of slaves, was emancipated in January 1796 in the Duchess of Alba´s will as a gesture of generosity and grandeur. The drawing shows the affection shown for her by [+]

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