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This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]
The Descent from the Cross was painted for the Chapel of Our Lady Outside the Walls at Leuven, which was founded in the fourteenth century by the Great Crossbowmen`s Guild, sold in 1798 and demolished [+]
This is a preparatory sketch for The Family of Charles IV. Brother of Charles IV, the sitter was born in Naples in 1755. In 1795 he married his niece, the Infanta María Amalia, who died without [+]
Don José de Urrutria y de las Casas (1739-1809), was the only soldier of his day to reach the rank of Field Marshal without being a titled nobleman. He is shown wearing the Cross of Saint Georg [+]
The sitter is the First Count Colomera (1723-1819), a distinguished soldier who served in the Spanish army during various successive reigns. The canvas uses numerous devices typical of Baroque descrip [+]
Gaspar Melchor de Jovellanos was one of the most illustrious representatives of the Spanish Enlightenment, a man of letters, writer and poet, as well as a statesman with advanced ideas. Born in Gij&oa [+]
This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the [+]
Representa a Fernando VII niño de unos ocho o nueve años, en traje azul con faja roja y condecorado con el Toisón de Oro y las insignias de la Orden de Carlos III, en concreto la gran cruz y la banda [+]
Joaquina Téllez-Girón (1784-1851) married José de Silva Bazán, the future Marquis of Santa Cruz, in 1801. Goya had painted her as a child in the family portrait and alone, [+]
Sketch for the fresco adorning the ceiling of the Sala de Maria Luisa in the Casa del Labrador at Aranjuez. Beneath Flora in flight is the Earth goddess, Cybele, to whom some farmers pay their respect [+]
Three bare-chested characters wearing dunce caps hold a fourth, nude character in the air while another lies on the floor, covering his ears, A sixth figure flees, his head covered with a white cloth. [+]
Considerado como obra de Antonio Carnicero (1748-1814), Arturo Ansón Navarro (2012) lo atribuyó a Ramón Bayeu por motivos estilísticos y por su relación documental con una serie de retratos de la fami [+]
This is a representation of the taking of Christ by Roman soldiers, a scene from the New Testament that marks the beginning of his Passion (Matthew 26, 45-46; Mark 14, 41-52; Luke 22, 45-54; John 18, [+]
A pupil of Jacques-Louis David in Paris, Schick executed this work during his time in David’s studio. The figure is painted from life using a model who also appears in some of the life studies by J.-A [+]
The inscription on the sheet of paper on the table records that the sitter was nursemaid to one of Charles IV’s daughters, the Infanta María Amalia (1779-1798). A typical portrait of the period [+]
Ever since this painting entered the museum, the sitter has traditionally been identified as Josefa Bayeu, Goya´s wife. However, the date of the painting doesn´t coincide with the age of the supposed [+]
El retrato de Nicolás de Azara, de Anton Rafael Mengs, que conservaban aún los herederos del retratado, es una de las obras más singulares del artista bohemio desde el punto de vista artístico e histó [+]
Catalogado a su ingreso en el Museo en 1847 como “retrato de la Sa infanta Da Carlota Reyna de Portugal” de Joaquín Inza (1736-1811), forma parte de un grupo de retratos de infantes y del príncipe Fer [+]
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