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Witches' Flight
Oil on canvas. Ca. 1798
Goya y Lucientes, Francisco de
Witches' Flight
Oil on canvas. Ca. 1798
Goya y Lucientes, Francisco de

Three bare-chested characters wearing dunce caps hold a fourth, nude character in the air while another lies on the floor, covering his ears, A sixth figure flees, his head covered with a white cloth. [+]

The Taking of Christ
Oil on canvas. 1798
Goya y Lucientes, Francisco de
The Taking of Christ
Oil on canvas. 1798
Goya y Lucientes, Francisco de

This is a representation of the taking of Christ by Roman soldiers, a scene from the New Testament that marks the beginning of his Passion (Matthew 26, 45-46; Mark 14, 41-52; Luke 22, 45-54; John 18, [+]

Infante Antonio Pascual
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Antonio Pascual
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Brother of Charles IV, the sitter was born in Naples in 1755. In 1795 he married his niece, the Infanta María Amalia, who died without [+]

General José de Urrutia
Oil on canvas. Ca. 1798
Goya y Lucientes, Francisco de
General José de Urrutia
Oil on canvas. Ca. 1798
Goya y Lucientes, Francisco de

Don José de Urrutria y de las Casas (1739-1809), was the only soldier of his day to reach the rank of Field Marshal without being a titled nobleman. He is shown wearing the Cross of Saint Georg [+]

Leocadia Zorrilla (?)
Oil on canvas. 1814 - 1816
Goya y Lucientes, Francisco de
Leocadia Zorrilla (?)
Oil on canvas. 1814 - 1816
Goya y Lucientes, Francisco de

Ever since this painting entered the museum, the sitter has traditionally been identified as Josefa Bayeu, Goya´s wife. However, the date of the painting doesn´t coincide with the age of the supposed [+]

Gaspar Melchor de Jovellanos
Oil on canvas. 1798
Goya y Lucientes, Francisco de
Gaspar Melchor de Jovellanos
Oil on canvas. 1798
Goya y Lucientes, Francisco de

Gaspar Melchor de Jovellanos was one of the most illustrious representatives of the Spanish Enlightenment, a man of letters, writer and poet, as well as a statesman with advanced ideas. Born in Gij&oa [+]

The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de
The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the [+]

Trust
Red chalk, Red wash on laid paper. 1797 - 1798
Goya y Lucientes, Francisco de
Trust
Red chalk, Red wash on laid paper. 1797 - 1798
Goya y Lucientes, Francisco de

In Goya´s drawings, padlocks are a recurrent symbol of closed minds. Also, in the literature of the time, a padlock shutting a mouth was frequently used to express a lack of critical judgment, or the [+]

Love and Death
Red wash, Red chalk on silk paper. 1797 - 1798
Goya y Lucientes, Francisco de
Love and Death
Red wash, Red chalk on silk paper. 1797 - 1798
Goya y Lucientes, Francisco de

Preliminary drawing for Capricho 10. Goya used this drawing when devising Capricho 10, Love and Death. A griefstricken woman cradles the body of her lover, who has been mortally wounded in a duel, as [+]

Because She Was Susceptible
Red wash, Red chalk on silk paper. 1797 - 1798
Goya y Lucientes, Francisco de
Because She Was Susceptible
Red wash, Red chalk on silk paper. 1797 - 1798
Goya y Lucientes, Francisco de

Preliminary drawing for Capricho 32. The title of the Capricho on which this drawing is based, Because She Was Susceptible, explains the reason for the subject’s unhappy and unmerited situation. Her " [+]

Monk Guzzling from a Large Bowl
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monk Guzzling from a Large Bowl
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Bordeaux Sketchbook [H], sheet 63. Filling the pictorial space with his huge bulk, the monk barely fits into his chair as he eats from a wash basin, using a spoon and fork to avidly swallow the broth [+]

Torture of the Dandy
Red chalk, Red wash on laid paper. 1797 - 1798
Goya y Lucientes, Francisco de
Torture of the Dandy
Red chalk, Red wash on laid paper. 1797 - 1798
Goya y Lucientes, Francisco de

Goya used red chalk washes to create shadows, atmospheres and volumes. The easiest way to do this was to mix red chalk powder with water. At times it would suffice to simply run a damp brush over mark [+]

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