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The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de
The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de

Goya breaks with Baroque tradition, interpreting this typified subject according to the new principles of Neoclassicism. The clothing no longer flies around the figure, but instead adapts to the body [+]

Shipwreck Survivors reaching the Coast
Oil on canvas. 1793 - 1800
Pillement, Jean-Baptiste
Shipwreck Survivors reaching the Coast
Oil on canvas. 1793 - 1800
Pillement, Jean-Baptiste

As an exaltation of the power of Nature, shipwrecks were a recurrent theme in eighteenth-century painting. An admired landscape artist, Pillement painted this canvas in Pézenas, the French vill [+]

María Antonia Gonzaga, Dowager Marchioness of Villafranca
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de
María Antonia Gonzaga, Dowager Marchioness of Villafranca
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de

This portrait of María Antonia Gonzaga y Caracciolo (1735-1801), the dowager Marchioness of Villafranca, corresponds to the period in which Goya executed his two portraits of her eldest son, Jo [+]

Cardinal Luis María de Borbón y Vallabriga
Oil on canvas. Ca. 1800
Goya y Lucientes, Francisco de
Cardinal Luis María de Borbón y Vallabriga
Oil on canvas. Ca. 1800
Goya y Lucientes, Francisco de

Son of the Infante Luis de Borbón and of María Teresa de Vallabriga, the Cardinal (1777-1823) was only permitted to use his father’s surname and coat-of-arms following the marriage of hi [+]

Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz
Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz

In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-d [+]

The Assumption of the Virgin
Oil on canvas. XVIII century
Maella, Mariano Salvador
The Assumption of the Virgin
Oil on canvas. XVIII century
Maella, Mariano Salvador

[+]

The Death of the Virgin (centre); The Birth of the Virgin (left); The Presentation of the Virgin (right)
Grisaille, Oil on panel. Before 1550
Coxcie, Michiel
The Death of the Virgin (centre); The Birth of the Virgin (left); The Presentation of the Virgin (right)
Grisaille, Oil on panel. Before 1550
Coxcie, Michiel

This triptych was executed for the church of Saint Gudule in Brussels. According to Carel van Mander (1604) it was subsequently sold "for a very high price to Spain". Philip II sent it to El Escorial [+]

The Birth of the Virgin. The Annunciation. The Adoration of the Shepherds
Oil on panel. Before 1550
Coxcie, Michiel
The Birth of the Virgin. The Annunciation. The Adoration of the Shepherds
Oil on panel. Before 1550
Coxcie, Michiel

This triptych was made for the cathedral of Saints Michael and Gudule in Brussels and later sold "to Spain for a very high price" according to Carel van Mander (1604). Philip II donated it to El Escor [+]

Christ on the Route to Calvary
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip); Macip, Vicente
Christ on the Route to Calvary
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip); Macip, Vicente

This panel was part of the Saint Eligius Altarpiece located in the chapel of the silversmiths’ guild in the church of Santa Catalina, Valencia. The altarpiece was commissioned from Juan de Juanes, who [+]

Portrait of a Knight of the Order of Santiago
Oil on canvas. XVIII century
Loo, Louis-Michel Van (Copy)
Portrait of a Knight of the Order of Santiago
Oil on canvas. XVIII century
Loo, Louis-Michel Van (Copy)

[+]

Maja in Finery
Oil on canvas. XVIII century
Carnicero, Antonio
Maja in Finery
Oil on canvas. XVIII century
Carnicero, Antonio

These two works (P8286; P8287) form a pair and represent Spanish popular types. They follow the late eighteenth-century fashion and are not only descriptive but have a delightful, refined rococo air a [+]

Landscape with Waterfall
Oil on canvas. 1781 - 1782
Vernet, Claude-Joseph
Landscape with Waterfall
Oil on canvas. 1781 - 1782
Vernet, Claude-Joseph

Admired by a group of Roman soldiers while a peasant passes with fishing gear, a grandiose waterfall plunges down from a high mountain. In common with the rest of the series to which this painting bel [+]

Still Life with a Plate of Cherries, Plums a Pitcher and Cheese
Oil on canvas. Ca. 1760
Meléndez, Luis Egidio
Still Life with a Plate of Cherries, Plums a Pitcher and Cheese
Oil on canvas. Ca. 1760
Meléndez, Luis Egidio

The first thing to catch the viewer’s eye is a splendid earthenware pitcher with a typical 18th-century tin-oxide white glaze and a Solomonic braided handle. The bright reflections of light on its cur [+]

Still Life with a silver tazza, a roemer and oysters
Oil on panel. 1632
Heda, Willem Claesz
Still Life with a silver tazza, a roemer and oysters
Oil on panel. 1632
Heda, Willem Claesz

The painting belongs to the type of still life designated by Vroom as monochrome banketjes, pieces first executed by Heda towards the end of the 1620s that became very popular in the Netherlands and a [+]

The Presentation of the Virgin at the Temple. The Visitation. The Adoration of the Magi
Oil on panel. Before 1550
Coxcie, Michiel
The Presentation of the Virgin at the Temple. The Visitation. The Adoration of the Magi
Oil on panel. Before 1550
Coxcie, Michiel

This triptych was made for the cathedral of Saints Michael and Gudule in Brussels and later sold "to Spain for a very high price" according to Carel van Mander (1604). Philip II donated it to El Escor [+]

Seville Surrenders to the king, Saint Ferdinand
Oil on canvas. Second half of the XVIII century
Flipart, Charles-Joseph
Seville Surrenders to the king, Saint Ferdinand
Oil on canvas. Second half of the XVIII century
Flipart, Charles-Joseph

Ferdinand III bears a sword and the globe of the world in his hands while the kneeling Moorish king presents him the keys to the city, visible in the background. A lion appears on the left, and each k [+]

A Larder
Oil on canvas. XVII century
Boel, Peeter
A Larder
Oil on canvas. XVII century
Boel, Peeter

The opulence of Boel’s still lifes, their rich textures and colours and the occasional use of a satirical tone make him one of the most original still-life painters of the period. The boy’s enigmatic [+]

Young Man drawing
Oil on panel. XVIII century
Palthe, Gerhard Jan
Young Man drawing
Oil on panel. XVIII century
Palthe, Gerhard Jan

Inside a room, a young man is copying a classical bust by candlelight. Since 1910 this work appears in the Museo del Prado catalogues as signed and dated on the lower left angle (G. J. Palthe f. 1732) [+]

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