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Goya breaks with Baroque tradition, interpreting this typified subject according to the new principles of Neoclassicism. The clothing no longer flies around the figure, but instead adapts to the body [+]
As an exaltation of the power of Nature, shipwrecks were a recurrent theme in eighteenth-century painting. An admired landscape artist, Pillement painted this canvas in Pézenas, the French vill [+]
This portrait of María Antonia Gonzaga y Caracciolo (1735-1801), the dowager Marchioness of Villafranca, corresponds to the period in which Goya executed his two portraits of her eldest son, Jo [+]
Son of the Infante Luis de Borbón and of María Teresa de Vallabriga, the Cardinal (1777-1823) was only permitted to use his father’s surname and coat-of-arms following the marriage of hi [+]
In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-d [+]
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This triptych was executed for the church of Saint Gudule in Brussels. According to Carel van Mander (1604) it was subsequently sold "for a very high price to Spain". Philip II sent it to El Escorial [+]
This triptych was made for the cathedral of Saints Michael and Gudule in Brussels and later sold "to Spain for a very high price" according to Carel van Mander (1604). Philip II donated it to El Escor [+]
This panel was part of the Saint Eligius Altarpiece located in the chapel of the silversmiths’ guild in the church of Santa Catalina, Valencia. The altarpiece was commissioned from Juan de Juanes, who [+]
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These two works (P8286; P8287) form a pair and represent Spanish popular types. They follow the late eighteenth-century fashion and are not only descriptive but have a delightful, refined rococo air a [+]
Admired by a group of Roman soldiers while a peasant passes with fishing gear, a grandiose waterfall plunges down from a high mountain. In common with the rest of the series to which this painting bel [+]
The first thing to catch the viewer’s eye is a splendid earthenware pitcher with a typical 18th-century tin-oxide white glaze and a Solomonic braided handle. The bright reflections of light on its cur [+]
The painting belongs to the type of still life designated by Vroom as monochrome banketjes, pieces first executed by Heda towards the end of the 1620s that became very popular in the Netherlands and a [+]
This triptych was made for the cathedral of Saints Michael and Gudule in Brussels and later sold "to Spain for a very high price" according to Carel van Mander (1604). Philip II donated it to El Escor [+]
Ferdinand III bears a sword and the globe of the world in his hands while the kneeling Moorish king presents him the keys to the city, visible in the background. A lion appears on the left, and each k [+]
The opulence of Boel’s still lifes, their rich textures and colours and the occasional use of a satirical tone make him one of the most original still-life painters of the period. The boy’s enigmatic [+]
Inside a room, a young man is copying a classical bust by candlelight. Since 1910 this work appears in the Museo del Prado catalogues as signed and dated on the lower left angle (G. J. Palthe f. 1732) [+]
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