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The Immaculate Conception
Oil on canvas. XIX century
Anonymous
The Immaculate Conception
Oil on canvas. XIX century
Anonymous

[+]

Commerce
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de
Commerce
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de

Two Eastern merchants go over their accounts, leaning over a table illuminated by light flooding through a window on the left of the composition. Under their plank table are two full sacks. Two women [+]

Cincinnatus abandons the Plough to dictate Laws to Rome
Oil on canvas. Ca. 1806
Ribera y Fernández, Juan Antonio
Cincinnatus abandons the Plough to dictate Laws to Rome
Oil on canvas. Ca. 1806
Ribera y Fernández, Juan Antonio

The hero of Republican Rome, Lucius Quinctius Cinncinatus had abandoned public life and retired to farm work. This painting depicts the moment when various representatives of the Senate offer to name [+]

Agriculture
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de
Agriculture
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de

This allegory accompanied others of Science (now lost), Commerce and Industry which decorated the staircase of Manuel Godoy´s palace. Ceres, goddess of Agriculture, is crowned with ears of corn. She i [+]

Industry
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de
Industry
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de

Two young women spin at their wheels in the workshop of a tapestry factory, recalling Velasquez´s Tapestry Weavers (P01173). Goya interprets the scene as an allegory of Industry, in which young [+]

Earthly Paradise
Oil on copperplate. Ca. 1626
Brueghel el Joven, Pieter (Copy After Brueghel The Elder, Jan (Jan 'velvet' Brueghel))
Earthly Paradise
Oil on copperplate. Ca. 1626
Brueghel el Joven, Pieter (Copy After Brueghel The Elder, Jan (Jan 'velvet' Brueghel))

En esta obra el pintor pone en escena una multitud de aves cantoras. Éstas se posan en las ramas de un árbol que, en acusada diagonal, separa la llanura del bosque; recurso típico de las composiciones [+]

The High Priest Aaron
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)
The High Priest Aaron
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)

Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host (P00844), flanked by two Old Testament figures: King Melchizedek, bearing [+]

Joaquina Téllez-Girón, daugther of the 9th Duke and Duchess of Osuna
Oil on canvas. 1798
Esteve, Agustín
Joaquina Téllez-Girón, daugther of the 9th Duke and Duchess of Osuna
Oil on canvas. 1798
Esteve, Agustín

Joaquina Téllez-Girón (1784-1851) married José de Silva Bazán, the future Marquis of Santa Cruz, in 1801. Goya had painted her as a child in the family portrait and alone, [+]

Saint John the Baptist and the Franciscan Heinrich von Werl
Oil on oak panel. 1438
Campin, Robert
Saint John the Baptist and the Franciscan Heinrich von Werl
Oil on oak panel. 1438
Campin, Robert

An inscription in gothic letters identifies the sitter and dates the work: "In the year 1438, I painted this effigy of Master Heinrich von Werl, Doctor of Cologne". A Provincial of the Franciscan Orde [+]

Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert
Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert

The date of this painting has been the subject of critical debate for over a century. The 1889 edition of the Prado catalogue states that it was signed but fails to mention a date. The 1910 version de [+]

The Virgin nursing the Child
Oil on panel. 1525 - 1550
Reymerswaele, Marinus Van
The Virgin nursing the Child
Oil on panel. 1525 - 1550
Reymerswaele, Marinus Van

Avoiding the traditional emotional distance used to depict this subject, Van Reymerswaele rather presents it as a moving genre scene. Figures and objects are reduced to a minimum. However the Christ C [+]

The Etrurian Royal Family
Oil on canvas. 1804
Fabre, François-Xavier
The Etrurian Royal Family
Oil on canvas. 1804
Fabre, François-Xavier

Painted in Florence, this canvas depicts Prince Luis I of Parma (1773-1803), who had died the previous year, and his wife, the Infanta María Luisa (1782-1824), daughter of Charles IV of Spain a [+]

Hecuba' s Grief
Oil on copperplate. Ca. 1630
Bramer, Leonaert
Hecuba' s Grief
Oil on copperplate. Ca. 1630
Bramer, Leonaert

Both the royal inventories and Stchavinsky (1912) identify this scene as the story of Hecuba, wife of Priam of Troy. Wichmann (1923) disagrees, believing it to be the Finding of the bodies of Hero and [+]

Infante Louis I, King of Etruria, Prince of Parma
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Louis I, King of Etruria, Prince of Parma
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Son of Ferdinand, Duke of Parma, and the Archduchess Maria Amalia of Lorraine, the sitter was born in Piacenza in 1773. In 1795 he married th [+]

María Antonia Gonzaga, Dowager Marchioness of Villafranca
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de
María Antonia Gonzaga, Dowager Marchioness of Villafranca
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de

This portrait of María Antonia Gonzaga y Caracciolo (1735-1801), the dowager Marchioness of Villafranca, corresponds to the period in which Goya executed his two portraits of her eldest son, Jo [+]

Still Life
Oil on panel. Ca. 1806
Montalvo, Bartolomé
Still Life
Oil on panel. Ca. 1806
Montalvo, Bartolomé

This still life of birds and fish is set in a kitchen. In the centre of the composition is a duck and other birds hanging from hooks while on the left is a basket of small fish. Montalvo’s careful, so [+]

Saint Stephen accused of Blasphemy
Oil on panel. 1555 - 1562
Juanes, Juan de (Vicente Juan Masip)
Saint Stephen accused of Blasphemy
Oil on panel. 1555 - 1562
Juanes, Juan de (Vicente Juan Masip)

Juan de Juanes depicts the episode in the Acts of the Apostles when Saint Stephen declared before the Sanhedrin: “I see the heavens opened and the Son of Man standing on the right hand of God.” When t [+]

José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de
José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de

José Álvarez de Toledo, Duke of Alba and XI Marquis of Villafranca was the husband of María Teresa de Silva, Duchess of Alba. He is portrayed full length, wearing a yellowish froc [+]

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