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Saint Francis comforted by an Angel
Oil on canvas. Ca. 1620
Ribalta, Francisco
Saint Francis comforted by an Angel
Oil on canvas. Ca. 1620
Ribalta, Francisco

Toward the end of the 17th century, Saint Francis’s iconography expanded as many of the classical biographic themes were replaced with more complex episodes -especially trance visions- mystical ecstas [+]

The Immaculate Conception
Oil on canvas. XIX century
Anonymous
The Immaculate Conception
Oil on canvas. XIX century
Anonymous

[+]

The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis
The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis

This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]

The High Priest Aaron
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)
The High Priest Aaron
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)

Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host (P00844), flanked by two Old Testament figures: King Melchizedek, bearing [+]

Joaquina Téllez-Girón, daugther of the 9th Duke and Duchess of Osuna
Oil on canvas. 1798
Esteve, Agustín
Joaquina Téllez-Girón, daugther of the 9th Duke and Duchess of Osuna
Oil on canvas. 1798
Esteve, Agustín

Joaquina Téllez-Girón (1784-1851) married José de Silva Bazán, the future Marquis of Santa Cruz, in 1801. Goya had painted her as a child in the family portrait and alone, [+]

Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert
Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert

The date of this painting has been the subject of critical debate for over a century. The 1889 edition of the Prado catalogue states that it was signed but fails to mention a date. The 1910 version de [+]

Hecuba' s Grief
Oil on copperplate. Ca. 1630
Bramer, Leonaert
Hecuba' s Grief
Oil on copperplate. Ca. 1630
Bramer, Leonaert

Both the royal inventories and Stchavinsky (1912) identify this scene as the story of Hecuba, wife of Priam of Troy. Wichmann (1923) disagrees, believing it to be the Finding of the bodies of Hero and [+]

Cincinnatus abandons the Plough to dictate Laws to Rome
Oil on canvas. Ca. 1806
Ribera y Fernández, Juan Antonio
Cincinnatus abandons the Plough to dictate Laws to Rome
Oil on canvas. Ca. 1806
Ribera y Fernández, Juan Antonio

The hero of Republican Rome, Lucius Quinctius Cinncinatus had abandoned public life and retired to farm work. This painting depicts the moment when various representatives of the Senate offer to name [+]

Infante Louis I, King of Etruria, Prince of Parma
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Louis I, King of Etruria, Prince of Parma
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Son of Ferdinand, Duke of Parma, and the Archduchess Maria Amalia of Lorraine, the sitter was born in Piacenza in 1773. In 1795 he married th [+]

Still Life
Oil on panel. Ca. 1806
Montalvo, Bartolomé
Still Life
Oil on panel. Ca. 1806
Montalvo, Bartolomé

This still life of birds and fish is set in a kitchen. In the centre of the composition is a duck and other birds hanging from hooks while on the left is a basket of small fish. Montalvo’s careful, so [+]

Saint Stephen accused of Blasphemy
Oil on panel. 1555 - 1562
Juanes, Juan de (Vicente Juan Masip)
Saint Stephen accused of Blasphemy
Oil on panel. 1555 - 1562
Juanes, Juan de (Vicente Juan Masip)

Juan de Juanes depicts the episode in the Acts of the Apostles when Saint Stephen declared before the Sanhedrin: “I see the heavens opened and the Son of Man standing on the right hand of God.” When t [+]

Infanta Maria Josefa
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infanta Maria Josefa
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is one of ten preparatory sketches for The Family of Charles IV. Goya executed them in Aranjuez shortly after he was made First Court Painter. All make use of a reddish-orange ground. Daughter of [+]

Christ the Saviour with the Eucharist
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)
Christ the Saviour with the Eucharist
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)

Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host, flanked by two Old Testament figures: King Melchizedek, bearing bread an [+]

The Marchioness of Santa Cruz
Oil on unlined canvas. 1805
Goya y Lucientes, Francisco de
The Marchioness of Santa Cruz
Oil on unlined canvas. 1805
Goya y Lucientes, Francisco de

Joaquina Téllez-Girón y Pimentel (1784-1851) was the daughter of the Duke and Duchess of Osuna and Marchioness of Santa Cruz by her marriage to José Gabriel de Silva y Walstein in [+]

Still-Life
Oil on panel. Ca. 1806
Montalvo, Bartolomé
Still-Life
Oil on panel. Ca. 1806
Montalvo, Bartolomé

This still-life follows the traditional Spanish type, with the elements placed in apparent disorder on a rustic table or board and a plain background that suggests a kitchen setting. The competent han [+]

The Queen of Etruria and her Children
Oil on canvas. 1815
Aparicio e Inglada, José
The Queen of Etruria and her Children
Oil on canvas. 1815
Aparicio e Inglada, José

This is a family portrait of María Luisa Josefa de Borbón (1782-1824) and her children, Carlos Luis and María Luisa Carlota de Borbón-Parma, painted during the time that Ma [+]

The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de
The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the [+]

Melchizedek, King of Salem
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)
Melchizedek, King of Salem
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)

Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host (P00844), flanked by two Old Testament figures: King Melchizedek, bearing [+]

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