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General José de Urrutia
Oil on canvas. Ca. 1798
Goya y Lucientes, Francisco de
General José de Urrutia
Oil on canvas. Ca. 1798
Goya y Lucientes, Francisco de

Don José de Urrutria y de las Casas (1739-1809), was the only soldier of his day to reach the rank of Field Marshal without being a titled nobleman. He is shown wearing the Cross of Saint Georg [+]

María Antonia Gonzaga, Dowager Marchioness of Villafranca
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de
María Antonia Gonzaga, Dowager Marchioness of Villafranca
Oil on unlined canvas. Ca. 1795
Goya y Lucientes, Francisco de

This portrait of María Antonia Gonzaga y Caracciolo (1735-1801), the dowager Marchioness of Villafranca, corresponds to the period in which Goya executed his two portraits of her eldest son, Jo [+]

José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de
José Álvarez de Toledo, the 11th Marquis of Villafranca
Oil on canvas. Ca. 1795
Goya y Lucientes, Francisco de

José Álvarez de Toledo, Duke of Alba and XI Marquis of Villafranca was the husband of María Teresa de Silva, Duchess of Alba. He is portrayed full length, wearing a yellowish froc [+]

Infanta Maria Josefa
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infanta Maria Josefa
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is one of ten preparatory sketches for The Family of Charles IV. Goya executed them in Aranjuez shortly after he was made First Court Painter. All make use of a reddish-orange ground. Daughter of [+]

The Marchioness of Santa Cruz
Oil on unlined canvas. 1805
Goya y Lucientes, Francisco de
The Marchioness of Santa Cruz
Oil on unlined canvas. 1805
Goya y Lucientes, Francisco de

Joaquina Téllez-Girón y Pimentel (1784-1851) was the daughter of the Duke and Duchess of Osuna and Marchioness of Santa Cruz by her marriage to José Gabriel de Silva y Walstein in [+]

The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de
The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the [+]

Commerce
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de
Commerce
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de

Two Eastern merchants go over their accounts, leaning over a table illuminated by light flooding through a window on the left of the composition. Under their plank table are two full sacks. Two women [+]

Infante Louis I, King of Etruria, Prince of Parma
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Louis I, King of Etruria, Prince of Parma
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Son of Ferdinand, Duke of Parma, and the Archduchess Maria Amalia of Lorraine, the sitter was born in Piacenza in 1773. In 1795 he married th [+]

The Countess of Chinchón
Oil on unlined canvas. 1800
Goya y Lucientes, Francisco de
The Countess of Chinchón
Oil on unlined canvas. 1800
Goya y Lucientes, Francisco de

María Teresa de Bourbon y Vallabriga, Marchioness of Boadilla del Monte and Countess of Chichón, was the daughter of infante Luis Antonio de Bourbon by María Teresa Vallabriga y R [+]

Agriculture
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de
Agriculture
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de

This allegory accompanied others of Science (now lost), Commerce and Industry which decorated the staircase of Manuel Godoy´s palace. Ceres, goddess of Agriculture, is crowned with ears of corn. She i [+]

Industry
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de
Industry
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de

Two young women spin at their wheels in the workshop of a tapestry factory, recalling Velasquez´s Tapestry Weavers (P01173). Goya interprets the scene as an allegory of Industry, in which young [+]

Carlos IV on Horseback
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Carlos IV on Horseback
Oil on canvas. 1800
Goya y Lucientes, Francisco de

An equestrian portrait of the Spanish monarch wearing the uniform of a colonel of the Guardia de Corps, with other insignias, such as the Sash of the Order of Carlos III, that of Saint Genaro and the [+]

Gaspar Melchor de Jovellanos
Oil on canvas. 1798
Goya y Lucientes, Francisco de
Gaspar Melchor de Jovellanos
Oil on canvas. 1798
Goya y Lucientes, Francisco de

Gaspar Melchor de Jovellanos was one of the most illustrious representatives of the Spanish Enlightenment, a man of letters, writer and poet, as well as a statesman with advanced ideas. Born in Gij&oa [+]

Disaster 77. The Rope is Breaking
Burnished wash, Drypoint, Etching, Wash on paper. XIX century
Goya y Lucientes, Francisco de
Disaster 77. The Rope is Breaking
Burnished wash, Drypoint, Etching, Wash on paper. XIX century
Goya y Lucientes, Francisco de

The title that appears on this print recalls the Spanish saying: “the rope always breaks at the weakest point.” Careful comparison of the drawing and the print reveals a series of differences that aff [+]

Disaster 80. Will She Live Again?
Etching, Burnisher on paper. XIX century
Goya y Lucientes, Francisco de
Disaster 80. Will She Live Again?
Etching, Burnisher on paper. XIX century
Goya y Lucientes, Francisco de

The volume of prints that the artist gave to Ceán with the title Fatal Consequences of Spain’s Bloody War with Bonaparte. And other Emphatic Caprices began with the premonitory image of a dejec [+]

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