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Manuel Silvela y García Aragón
Oil on canvas. Ca. 1809
Goya y Lucientes, Francisco de
Manuel Silvela y García Aragón
Oil on canvas. Ca. 1809
Goya y Lucientes, Francisco de

Manuel Silvela y García de Aragón was born in Valladolid on 31 October 1781. His father died when he was just seven years old. After having spent several years in Ávila under the [+]

Tadea Arias de Enríquez
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de
Tadea Arias de Enríquez
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de

This portrait presents the lady at full length, dressed in the fashion of the time in a tulle gown with lace details. Goya perfectly captures the translucence of the fabric, through which we see the s [+]

Saint John the Baptist in the Desert
Oil on canvas. 1810 - 1812
Goya y Lucientes, Francisco de
Saint John the Baptist in the Desert
Oil on canvas. 1810 - 1812
Goya y Lucientes, Francisco de

Goya depicts Saint John as an adolescent, holding his traditional attributes: a cross whose banner reads “Lamb of God.” The artist places him on a boulder, looking up and thinking about Christ´s [+]

The Actor Isidoro Máiquez
Oil on canvas. 1807
Goya y Lucientes, Francisco de
The Actor Isidoro Máiquez
Oil on canvas. 1807
Goya y Lucientes, Francisco de

The son of actors, Isidoro Máiquez was born in Cartagena in 1768. Supported by the Duke and Duchess of Osuna, he studied in Paris with the celebrated thespian Francisco José Talma (1763- [+]

These, too
Red chalk on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de
These, too
Red chalk on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de

In this drawing and the They can still serve (D04244), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to [+]

I saw it
Red chalk, Conté crayon on laid paper. 1810 - 1815
Goya y Lucientes, Francisco de
I saw it
Red chalk, Conté crayon on laid paper. 1810 - 1815
Goya y Lucientes, Francisco de

The value of Goya’s war images is largely determined by their plausibility. This makes them visual referents for what happens in war. Neither their status as narrative nor the esteem in which they are [+]

Wounded being evacuated from the battlefield
Red chalk, Conté crayon on laid paper. Ca. 1811
Goya y Lucientes, Francisco de
Wounded being evacuated from the battlefield
Red chalk, Conté crayon on laid paper. Ca. 1811
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters of War was neither engraved nor published.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequ [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

Rabble
Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Rabble
Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War,28, Rabble.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular W [+]

Charlatans’ show
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Charlatans’ show
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 75, Charlatans’ show.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish P [+]

Charity
Red chalk, Conté crayon on laid paper. 1810
Goya y Lucientes, Francisco de
Charity
Red chalk, Conté crayon on laid paper. 1810
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 27, Charity. Once more, Goya eliminates any reference that could specifically identify the event being depicted in order to create an emotionally gripping s [+]

It’s no use crying out
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de
It’s no use crying out
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 58, It’s no use crying out.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spani [+]

And this too
Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
And this too
Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 45, And this too.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsu [+]

Appeals are in vain
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Appeals are in vain
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 54, Appeals are in vain. In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spani [+]

There is no one to help them
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de
There is no one to help them
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 60, There is no one to help them.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

Everything is topsy-turvy
Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Everything is topsy-turvy
Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 42, Everything is topsy-turvy.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that is re [+]

Shameful Profit
Black chalk, Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Shameful Profit
Black chalk, Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for an unpublished plate from the Disasters of War, of which only two prints are known. The composition is framed in red chalk and the corners are emphasized with touches of the [+]

He deserved it
Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
He deserved it
Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 29, He Deserved it. There have been efforts to identify the concrete events depicted in this print, but as Lafuente Ferrari pointed out, there were so many [+]

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