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Manuel Silvela y García Aragón
Oil on canvas. Ca. 1809
Goya y Lucientes, Francisco de
Manuel Silvela y García Aragón
Oil on canvas. Ca. 1809
Goya y Lucientes, Francisco de

Manuel Silvela y García de Aragón was born in Valladolid on 31 October 1781. His father died when he was just seven years old. After having spent several years in Ávila under the [+]

The Naked Maja
Oil on canvas. 1795 - 1800
Goya y Lucientes, Francisco de
The Naked Maja
Oil on canvas. 1795 - 1800
Goya y Lucientes, Francisco de

An image of Venus in the nude, lying on a green velvet divan with pillows and a spread. Legend would have it that this was the Duchess of Alba, but the sitter has also been identified as Pepita Tud&oa [+]

The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de
The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de

Goya breaks with Baroque tradition, interpreting this typified subject according to the new principles of Neoclassicism. The clothing no longer flies around the figure, but instead adapts to the body [+]

Gaspar Melchor de Jovellanos
Oil on canvas. 1798
Goya y Lucientes, Francisco de
Gaspar Melchor de Jovellanos
Oil on canvas. 1798
Goya y Lucientes, Francisco de

Gaspar Melchor de Jovellanos was one of the most illustrious representatives of the Spanish Enlightenment, a man of letters, writer and poet, as well as a statesman with advanced ideas. Born in Gij&oa [+]

The Marchioness of Santa Cruz
Oil on unlined canvas. 1805
Goya y Lucientes, Francisco de
The Marchioness of Santa Cruz
Oil on unlined canvas. 1805
Goya y Lucientes, Francisco de

Joaquina Téllez-Girón y Pimentel (1784-1851) was the daughter of the Duke and Duchess of Osuna and Marchioness of Santa Cruz by her marriage to José Gabriel de Silva y Walstein in [+]

Por Liberal?
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Por Liberal?
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Time will tell
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Time will tell
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

For Moving His Tongue in a Different Way
Brush, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
For Moving His Tongue in a Different Way
Brush, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Many of the drawings from what is known as Album C show prisoners tortured and condemned by the Inquisition. Specifically, the drawings from plates 85 through 114 offer a critical overview consistent [+]

This is how Useful Men Generally End Up
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
This is how Useful Men Generally End Up
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Many of the drawings from Album C depict people suffering the consequences of poverty. Beggars, the handicapped, alcoholics, the mentally ill and invalids appear throughout the first half of that albu [+]

It is better to die
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
It is better to die
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Te comforma?
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Te comforma?
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

No lo saben todos
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
No lo saben todos
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Zapata tu gloria será eterna
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Zapata tu gloria será eterna
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Those specks of dusts
Red wash, Red chalk on silk paper. Ca. 1797
Goya y Lucientes, Francisco de
Those specks of dusts
Red wash, Red chalk on silk paper. Ca. 1797
Goya y Lucientes, Francisco de

In 1811, the liberal Antonio Puigblanch published in Cadiz The Inquisition Unmasked, in which he interpreted this scene as a criticism of the avarice of the inquisitors. Goya here takes the side of th [+]

Por descubrir el mobimiento de la tierra
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Por descubrir el mobimiento de la tierra
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Muchas Viudas an llorado como tu
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash, Scraping out on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Muchas Viudas an llorado como tu
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash, Scraping out on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

No haver escrito para tontos
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
No haver escrito para tontos
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Pocas óras te faltan
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Pocas óras te faltan
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

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