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Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de
Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de

Born in 1784 in El Escorial, Fernando VII was Carlos IV eldest son by Maria Luisa. In 1815, after abolishing the Constitution, he reined as an absolute monarch. He appears wearing the symbols of his r [+]

Dead Turkey
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de
Dead Turkey
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de

This canvas is one of a series of twelve still lifes that were listed among the artist’s possessions in 1812. Since his early years Goya included still-life elements in his canvases but there is no re [+]

The Colossus
Oil on canvas. After 1808
Goya y Lucientes, Francisco de (Attributed To)
The Colossus
Oil on canvas. After 1808
Goya y Lucientes, Francisco de (Attributed To)

A fearsome giant looms over a valley filled with a terrified, scattering multitude in what has on occasions been seen as a reference to the Spanish War of Independence. Although catalogued until recen [+]

Dead Fowl
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de
Dead Fowl
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de

Along with twelve other still lifes, the present work appears in the inventory of Goya´s property made after the death of his wife, Josefa Bayeu (1747-1812) The rich and warm palette and a certain ins [+]

The 2nd of May 1808 in Madrid or “The Fight against the Mamelukes”
Oil on canvas. 1814
Goya y Lucientes, Francisco de
The 2nd of May 1808 in Madrid or “The Fight against the Mamelukes”
Oil on canvas. 1814
Goya y Lucientes, Francisco de

In 1814, Goya addressed the reagent, Cardinal Luis de Bourbon, offering to make works commemorating events from the War of Independence (1808-1812): "to perpetuate, with a paintbrush, the most notable [+]

The 3rd of May 1808 in Madrid, or “The Executions”
Oil on canvas. 1814
Goya y Lucientes, Francisco de
The 3rd of May 1808 in Madrid, or “The Executions”
Oil on canvas. 1814
Goya y Lucientes, Francisco de

A depiction of the execution of patriots from Madrid by a firing squad from Napoleon´s army in reprisal for their uprising against the French occupation on the second of May, 1808. The French soldiers [+]

Saint John the Baptist in the Desert
Oil on canvas. 1810 - 1812
Goya y Lucientes, Francisco de
Saint John the Baptist in the Desert
Oil on canvas. 1810 - 1812
Goya y Lucientes, Francisco de

Goya depicts Saint John as an adolescent, holding his traditional attributes: a cross whose banner reads “Lamb of God.” The artist places him on a boulder, looking up and thinking about Christ´s [+]

The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de
The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de

Goya breaks with Baroque tradition, interpreting this typified subject according to the new principles of Neoclassicism. The clothing no longer flies around the figure, but instead adapts to the body [+]

Leocadia Zorrilla (?)
Oil on canvas. 1814 - 1816
Goya y Lucientes, Francisco de
Leocadia Zorrilla (?)
Oil on canvas. 1814 - 1816
Goya y Lucientes, Francisco de

Ever since this painting entered the museum, the sitter has traditionally been identified as Josefa Bayeu, Goya´s wife. However, the date of the painting doesn´t coincide with the age of the supposed [+]

Hunger scene
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de
Hunger scene
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters was neither engraved nor published. Gassier questioned its authorship due to its scant quality: “Certain details, such as the hand visible at the center, a [+]

Satan’s desperation
Red chalk, Red wash on laid paper. 1816 - 1819
Goya y Lucientes, Francisco de
Satan’s desperation
Red chalk, Red wash on laid paper. 1816 - 1819
Goya y Lucientes, Francisco de

Satan’s Desperation does not correspond to any of the prints from the Disparates, but it shares the same formal and technical characteristics as the rest of that series’ preliminary drawings: the same [+]

Big Booby
Red chalk, Red wash on laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Big Booby
Red chalk, Red wash on laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 4, Big Booby. The big booby was an intellectually challenged giant who danced licentiously to the sound of the castanets at carnivals. In this drawing, he frighte [+]

It’s no use crying out
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de
It’s no use crying out
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 58, It’s no use crying out.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spani [+]

Appeals are in vain
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Appeals are in vain
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 54, Appeals are in vain. In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spani [+]

Unhappy mother!
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Unhappy mother!
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

When Goya penciled his tiles on the complete set of prints that he gave to his friend, Ceán Bermúdez, each word was rigorously adapted to the composition and to the critical intentions w [+]

The beds of death
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de
The beds of death
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de

If death has been explicit and omnipresent over the course of the numerous Hunger prints, its name has not appeared in their titles until now. This work may be one of the most expressive of all, as we [+]

Cruel Folly
Red chalk, Red wash on laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Cruel Folly
Red chalk, Red wash on laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 6, Cruel Folly. The title of the plate comes from an artist’s proof now at the Museo Lázaro Galdeano in Madrid. Before this state proof with the handwritte [+]

Will She Live Again?
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Will She Live Again?
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 80, Will She Live Again? This drawing presents the outcome of the previous one (D03983). The volume of prints that the artist gave to Ceán with the t [+]

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